1150 to 1159 of 1169 Entries from All Files for "shakes" in All Fields
... of this primary one. In the langauge of Shakespeare, Edward <i>solicited, </i>or ...
... ra></cn> <cn> <sigla>1989<tab></tab><i>Shakespeare on Film Newsletter</i> </sig ...
... he suggestion of E.A.J. Honigmann in <i>Shakespeare Survey</i> 29 (1976), 123.&# ...
... the audience, and because no writer on Shakespeare has taken the pains to point ...
... the audience, and because no writer on Shakespeare has taken the pains to point ...
... nanimate stuff could not have come from Shakespeare's pen, but must have been ad ...
... appearance of such a proven, profound Shakespearean scholar as the old correct ...
... ired illusion, that he placed here with Shakespeare's authority this clever , pu ...
... this clever , purposeful emendation and Shakespeare's own words, Collier destro ...
... lt;p.1221> "More than one student of Shakespeare has addressed us on the new ...
... the story. We may, perhaps, regret that Shakespeare never felt impelled to write ...
... lone thought that I writing these words Shakespeare had in mind the last words o ...
... ly to himself'—Gerald Massey's <i>Shakespeare's Sonnets</i>, p. 487.ȁ ...
... is judgment of him doubtlessly exprsses Shakespeare's own estimate,—[cites ...
... x201C;<i>Crack</i> is used elsewhere by Shakespeare where we should use break. C ...
... character, most unlike the language of Shakespeare, which, it seems, the perfor ...
... in fact, both inaterial and mental, the Shakespearean (and generally the Elizabe ...
... ional stimulus for his creation came to Shakespeare from the career and personal ...
1153) Commentary Note for line 3851_385: 3851 Why dooes the drum come hether?
3852 Enter Fortenbrasse, {with the Embassadors.} <and the English Ambassador, with Drumme,>
3853 <Colours, and Attendants.>
3854 For. Where is this sight?
... ght men for their simultaneous removal, Shakespeare has good reason to bring on ...
... eflecting the theatre's scaling down of Shakespeare's generous provisions.ȁ ...
... i>! and lets loose the dogs of war.' <i>Shakespeare</i>.” </para></cn> <c ...
... i>! and lets loose the dogs of war.' <i>Shakespeare</i>.” </para></cn> <c ...
... egeben wurde. 'To cry havock' kommt bei Shakespeare öfter vor: K. John II, ...
... given. 'To cry havock' appears often in Shakespeare . . . <sc>Johnson</sc> says ...
... ary): “A heap of dead game . . . Shakespere makes the soldier use the wor ...
... n Havock, to cry on Murder, are used by Shakespeare; and the verb seems to stand ...
... ad not courage to shed necessary blood. Shakespeare himself has said this with d ...
... 764: <i>havoke</i>. Which may have been Shakespeare's spelling?—The meanin ...
... here are two or three passages in which Shakespeare seems to use the word ‘ ...
... ossary): “(it is noteworthy that Shakespeare often asssociates ‘hav ...
... >Cor.</i> 3.1.275 (210). The pecularily Shakespearean use of a hunting metaphor ...
... or pillage. In later use (usually after Shakes.) fig., and associated with sense ...
... tances of an inaccurate use of words in Shakespeare, some of them owing to his i ...
... here are two or three passages in which Shakespeare seems to use this word as eq ...
... h here is evidence, from a contemporary Shakespearean publication. The propitiat ...
... it is in the passages quoted above from Shakespeare, and as the rustic Yankee us ...
... r time in feasting and fighting. Though Shakespeare may have known nothing about ...
... f these variants is a lesson at once in Shakespearian diction and in the kind of ...
... ceptre passes to some unlineal hand. As Shakespeare has here entirely departed f ...
... cause,' was probably helped a little by Shakespeare's handwriting in which ̵ ...
... e, every item in which may well be pre- Shakespearean. Cp. p. 203 n. 8. [3145n]. ...