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Contract Context Printing 160 characters of context... Expand Context 1041) Commentary Note for line 3503:3503 Ham. Sir in my hart there was a kind of fighting... s unsupported by legal evidence in open court. I persist in observing that from Shakespeare's drama no proofs of the guilt of Rosencrantz and Guildenstern can b ...
... nts; the brutal behavior of hamlet to Ophelia may be perhaps accounted for from Shakespeare thinking of the novel and / the history by Saxo Grammaticus; where I ...
... ly as well as more pleasingly, than by contrasting with the former extract from Shakespeare [[2H4 2.1.74-86]] the narration given by Hamlet to Horatio of the oc ...
... s unsupported by legal evidence in open court. I persist in observing that from Shakespeare's drama no proofs of the guilt of Rosencrantz and Guildenstern can b ...
... nts; the brutal behavior of hamlet to Ophelia may be perhaps accounted for from Shakespeare thinking of the novel and / the history by Saxo Grammaticus; where I ...
... ly as well as more pleasingly, than by contrasting with the former extract from Shakespeare [[2H4 2.1.74-86]] the narration given by Hamlet to Horatio of the oc ...
... (2nd ed. 1760, mutine): “<i>s</i>. [<i>mutin</i>, French] A mutineer. <i>Shakespeare</i>.”</para></cn> <cn> <sigla>1765<tab> </tab>Heath</sigla><h ...
... rvation, that Mr. Warburton so positively assures us, ‘it could never be Shakespear's sense?' “</para></cn> <cn> </cn> <cn> <sigla><sc>1765<tab> ...
... e instruments of steel were fabricated in the utmost perfection. To understand Shakespeare's allusion completely, it should be known, that as these fetters con ...
... s unsupported by legal evidence in open court. I persist in observing that from Shakespeare's drama no proofs of the guilt of Rosencrantz and Guildenstern can b ...
... nts; the brutal behavior of hamlet to Ophelia may be perhaps accounted for from Shakespeare thinking of the novel and / the history by Saxo Grammaticus; where I ...
... ly as well as more pleasingly, than by contrasting with the former extract from Shakespeare [[2H4 2.1.74-86]] the narration given by Hamlet to Horatio of the oc ...
... >(1822; 1906): “<i>s.</i> A mutinous or rebellious person; used twice by Shakespeare. For this, and the verb to <i> mutine</i>, see <i> Todd</i>. Of the ...
... odd</i>. Of the latter he has found three examples; of the former only those in Shakespeare. Mr. <sc>Malone</sc> found it as an adjective also. ‘Suppresse ...
... x201D;</para></cn> <cn> <hanging>Nares : standard ; <sc>capn</sc> (<i>School of Shakespeare</i>) (<i>1876 add. in </i><small>magenta underlined)</small></hangin ...
... /para> <para>“There is a figure of these <i> bilboes</i>, in Steeevens's Shakespeare, at the above passage of Hamlet.”</para></cn> <cn> <sigla>182 ...
... ments</small> of steel were fabricated in the utmost perfection. To understand Shakespeare's allusion completely, it should be known, that as these fetters con ...
... thou canst mutine in a matron's bones</i> : “The obsolete <i> mutine</i> Shakespeare often used as a substantive, meaning mutineer, Rebel, as also in the ...
... confusion of final <i>d</i> and <i>e</i> prevails in our old dramatists . . . Shakespeare's plays alone there are probably fifty examples as undeniable as the ...
... 01D; </p. 530></para><hanging>[Staunton, H. "Unsuspected Corruptions of Shakespeare's Text." <i>The Athenaeum</i>, October 1872, p. 530.]</hanging></c ...
... is applied to swords, and, as her, to fetters, such as are figured in Johnson's Shakespeare at this place.”</para></cn> <cn> <sigla>1877<tab> </tab>v1877 ...
... tab> </tab>Nares</sigla><hanging>Nares : standard ; <sc>capn</sc> (<i>School of Shakespeare</i>)</hanging><para>3505<tab> </tab><b>bilbo</b>] <sc>Nares </sc>(18 ...
... /para> <para>“There is a figure of these <i> bilboes</i>, in Steeevens's Shakespeare, at the above passage of Hamlet.”</para></cn> <cn> <sigla>190 ...
... nes</b>] <sc>Evans</sc> (ed. 1974): “. . . the term <i>mutiny</i> was in Shakespeare's day used of almost any act of rebellion against authority.” ...
... >Jenkins</sc> (ed. 1982): “mutiners, mutineers. All three forms occur in Shakespeare's texts.”</para></cn> <cn><hanging><sc>ard2</sc></hanging><pa ...
... ab><b>rashly</b>] <sc>Edwards</sc> (ed. 1985): “‘rash' ((etc.)) in Shakespeare means as often ‘hasty', ‘sudden' as it does ‘uncon ...
... rvation, that Mr. Warburton so positively assures us, ‘it could never be Shakespear's sense?' “</para></cn> <cn> <sigla>1773<tab> </tab>JEN</sigla ...
... s unsupported by legal evidence in open court. I persist in observing that from Shakespeare's drama no proofs of the guilt of Rosencrantz and Guildenstern can b ...
... ly as well as more pleasingly, than by contrasting with the former extract from Shakespeare [[2H4 2.1.74-86]] the narration given by Hamlet to Horatio of the oc ...
... confusion of final <i>d</i> and <i>e</i> prevails in our old dramatists . . . Shakespeare's plays alone there are probably fifty examples as undeniable as the ...
... </p. 530></para><hanging>[Ed: Staunton, H. "Unsuspected Corruptions of Shakespeare's Text." <i>The Athenaeum</i>, October 1872, p. 530.]</hanging></c ...
1045) Commentary Note for line 3507_350:3508 When our {deepe} <deare> plots doe {fall} <paule>, & that should {learne} <teach> vs... ur indiscretion serves us well, when &c.</i> ]]But this could never be <i>Shakespear's</i> sense. We should read and point thus: ‘—<i>Rashnes ...
... rvation, that Mr. Warburton so positively assures us, ‘it could never be Shakespear's sense?' </p. 548></para></cn> <cn> </cn> <cn> <sigla><sc>17 ...
... s the Fol reads with the peculiar application of the adjective <i> dear</i> for Shakespeare, the Qq have <i> deep</i> . For <i> teach</i> the Qq have <i> learn< ...
... > . For <i> teach</i> the Qq have <i> learn</i> , which indeed is used often in Shakespeare for <i>teach</i> . ]</para></cn> <cn> <sigla><sc>1856<tab> </tab>hud ...
... read here ‘fall;' not scrupling to assert that ‘<i>fall</i> had in Shakespeare's day the same meaning as “fail.”' <i>The Shakespeare ...
... </i> had in Shakespeare's day the same meaning as “fail.”' <i>The Shakespeare Fabrications</i>, p. 115</small>.”</para></cn> <cn> <sigla><s ...
... Collier adopt the reading of ‘pall'. ‘Learne' (docere) is ususal to Shakespeare (see [<i>R2</i> 4.1.220(2038-9); [<i>Tem.</i>1.2.362(497)], [<i>Cym. ...
... espect you.</i>” [“I have taken the phrase, because it is used by Shakespeare in the sense of <i>teach</i> elsewhere. [[cites <i>Oth.</i>]].ȁ ...
... s the Fol reads with the peculiar application of the adjective <i> dear</i> for Shakespeare, the Qq have <i> deep</i>, <small>and for <i>pall</i>, of the Qs. fr ...
... l>. For <i> teach</i> the Qq have <i> learn</i> , which indeed is used often in Shakespeare for <i>teach</i> .” ]</para></cn> <cn> <sigla><sc>1872<tab> < ...
... i> in the same way. A plot succeeds or falls, it does not pall. Ingleby (<i>The Shakespeare Fabrications</i>, p. 115 and Littledale's ed. [<i>TNK</i>], pp. 149- ...
... 1:131) sees <b>fall</b> as a miscorrection arrising from a misunderstanding of Shakespeare's meaning.” See also n. 3610+8.</para></cn> <cn> <sigla><sc>1 ...
... ubstitution of <i>teach</i> suggests that <i>learn</i> in this sense, common in Shakespeare and still surviving in dialect, may already have been losing favour. ...
1046) Commentary Note for line 3509_351:3509 Ther's a diuinity that shapes our ends,3510 Rough hew them how we will. 3510... 52, p. 257) ; <p. 257> “This is noble sentiment and worthy of <i> Shakespear</i> : in the <i> Maid's Tragedy</i> , there is the same thought, but ...
... ther, can be only credible to those who are conversant with the commentators on Shakespear.”</small></para></cn> <cn> <sigla>1809<tab> </tab>Sherwen</sig ...
... ashion, or form. But Dr. Farmer had as little conception of the fine meaning of Shakespeare in this instance, as Dr. Warburton in the preceding. ‘There's ...
... n> <cn> </cn> <cn> <sigla>1855<tab> </tab>mHUNTER (<i>Prolegomena and Notes on Shakespeare</i> [BL ADD. MS. 24495 ] : pp. 219-46) has a note on these two l ...
... ren sich die Fleischer zum Befestigen und Aufspannen der Felle bedienen. Da nun Shakespeare's Vater gleichfalls Fleischer und Wollhändler war, so liegt die ...
... den nails/spikes, which the butcher used for fastening and stretching hides. If Shakespeare's father now was likewise a butcher and wooldhandler, so the conject ...
... lieve, been contradicted; a striking proof, if so, how much the commentators on Shakespeare have yet to learn from our early literature. To <i> rough-hew </i> ...
... <para>“He goes on ‘Whoever recollects the <b>profession</b> of <b>Shakespeare's father</b>, will admit that his son might be no stranger to <b>suc ...
... new piety or Christian patience, preparing us for lines [3668-3673+1]. Perhaps Shakespeare is interesting the audience by showing, after the excited reasoning ...
... but it is the lord that ordereth his goings'; and, for the same metaphor as in Shakespeare, Florio's Montaigne, II.8, ‘My consultation doth somewhat roug ...
... er assessment of his freedom and power to direct his own course. [cites Florio] Shakespeare here uses it to mean a crude botching. Hamlet feels the guiding hand ...
1047) Commentary Note for line 3512_351:3512 Ham. Vp from my Cabin,3513 My sea-gowne scarft about me in the darke... scharfe</i>, French] Any thing that hangs loose upon the shoulders or dress. <i>Shakespeare. Swift</i>.”</para></cn> <cn> <sigla>mSTV1<tab> </tab>Mss. no ...
... ume which one wore on sea journeys appears under the name <i> sea-gown</i> in Shakespeare's contemporaries.” ]</para></cn> <cn><hanging><sc>del2 </sc>: ...
... eing probably caught from the line above [<i>making so bold</i>]<i> </i>. Here Shakespeare would have avoided a rhyme; and from <i> Hamlet's </i> fourth speec ...
... ct, from being a man of mere words, he has now become a man of action. No doubt Shakespeare was indebted more or less to the old history of Hamlet, whether in t ...
... the Ff.; Qq by evident attraction from <i>sold</i> above, print <i>unfold</i>. Shakespeare would of course have avoided a rhyme in the middle of a passage of b ...
... one, I think, can reasonably doubt that the first word in each pair belongs to Shakespeare, while the fact that the inferior redaings here come from the better ...
1048) Commentary Note for line 3514:3514 Gropt I to find out them, had my desire,... ct, from being a man of mere words, he has now become a man of action. No doubt Shakespeare was indebted more or less to the old history of Hamlet, whether in t ...
... ct, from being a man of mere words, he has now become a man of action. No doubt Shakespeare was indebted more or less to the old history of Hamlet, whether in t ...
... e did the Spanish soldiors..that could come to finger anie thing of value. 1593 SHAKES. 3 Hen. VI, V. i. 44 But whiles he thought to steale the single Ten, The ...
1050) Commentary Note for line 3516:3516 To mine owne roome againe, making so bold... ct, from being a man of mere words, he has now become a man of action. No doubt Shakespeare was indebted more or less to the old history of Hamlet, whether in t ...
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