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Contract Context Printing 160 characters of context... Expand Context ... ng><sc>john1 : pope, rowe, han</sc></hanging> <para>1464 <b> pious chanson</b>] JOHNSON (ed. 1765) cites Pope; reads ‘rubrick:' “It is <i>pons chan ...
... <para>“[In his appendix to vol 8, p. 198 (appendix not itself numbered) JOHNSON adds the following, attributing to Mr. STEEVENS]: “The words <i>o ...
... repeating ends of old songs.” </para> <para>1464 <b> pious chanson</b>] JOHNSON (ed. 1773): “It is the <i>pons chansons</i> in the quarto too. I ...
... hn1</sc></sigla><hanging><sc>john1</sc></hanging> <para>1465 <b>abridgment</b>]JOHNSON (ed. 1765): “He calls the players afterwards, <i>the brief chron ...
... tab> </tab>v1773</sigla><hanging>v1773</hanging> <para>1465 <b>abridgment</b>] JOHNSON (ed. 17730): “He calls the players afterwards, <i>the brief chron ...
... 1465 <b>abridgment comes</b>] <sc>Ayscough</sc> (ed. 1784): “i.e. as Dr. Johnson thinks, <i>those who will shorten my talk</i>. An <i>abridgment</i> is u ...
... used expletively, as hath been remarked of <i>me</i> upon a former passage. Dr. Johnson is evidently mistaken when he explains ‘abridgement,' ‘that ...
... Say what <i>abridgment</i> have you for this evening? What masque? what music?' Johnson noted that <i>abridgement</i> might also be used in the sense of ‘ ...
... their height. It is often mentioned in the writers of Shakespeare's age. Ben Johnson, T. Heywood, Dekker, and other dramatists, speak of it in the same way , ...
... 5<tab> </tab>john1</sc></sigla><hanging>1473<tab> </tab>voyce . . . crackt] <sc>johnson</sc> (ed. 1765): “That is, <i>crack'd too much for use. </i>This ...
185) Commentary Note for lines 1474-7:1475-7 weele | haue a speech straite, come giue vs a tast of your qua|lity,... tab> </tab>john1</sc></sigla><hanging>1475<tab> </tab><b>friendly Fankners</b>] JOHNSON (ed. 1765): “<i>Hanmer</i>, who has much illustrated the allusion ...
... <cn><sigla><sc>1765<tab> </tab>john1</sc></sigla><hanging>1481 <b>cauiary</b>] JOHNSON (ed. 1765): “<i>Caviare </i>was a kind of foreign pickle, to whi ...
187) Commentary Note for line 1524:1524 A silence in the heauens, the racke stand still,... : “The<i> rack</i> is the <i>clouds,</i> formed by vaporous exhalation. Johnson has chosen this passage and one in Dryden of the same import to exemplif ...
... a><hanging><sc>john1: warb</sc></hanging> <para>1542 <b>mobled Queene</b>] <sc>Johnson</sc> (ed. 1765): “<i>Mobled</i> signifies, <i>huddled, grossly c ...
... ton, <i>mobled</i>, or <i>mabled</i>, signifies <i>veiled</i>; according to Dr. Johnson, it is <i>huddled</i>, <i>grossly covered</i>. Mr. Steevens says, he was ...
... 1</sc></sigla><hanging><sc>john1</sc></hanging> <para>1601 <b>the Cue</b>] <sc>Johnson</sc> (ed. 1765): “The <i>hint</i>, the <i>direction.</i>” ...
190) Commentary Note for line 1603:1603 And cleaue the generall eare with horrid speech,... >1765<tab> </tab>john1</sc></sigla><hanging>1603 <b>the generall eare</b>] <sc>Johnson</sc> (ed. 1765): “The ears of all mankind. So before, <i>Caviare ...
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