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341 to 350 of 4573 Entries from All Files for "john" in All Fields

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341) Commentary Note for lines 2255-56:
2255-6 They foole me to the top of my bent, | I will come by & by, 2255

    ... me by &amp; by,<tab> </tab>2255</para> </ehline> <cn><sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1</sc>: <sc>see </sc>1051</hanging> <para>225 ...

    ... </para> </ehline> <cn><sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1</sc>: <sc>see </sc>1051</hanging> <para>2255<tab> </tab>J<sc>ohnson</sc> ( ...

    ... play the fool, till I can endure to do it no longer.&#x201D; </para> <para><sc>john1: </sc>see [2.2.30 (1051)]</para> <para>2255<tab> </tab><b>bent</b>] J<sc>o ...

    ... </fnc></para></cn> <cn> <sigla>1773<tab> </tab>v1773</sigla><hanging>v1773=<sc>john1</sc></hanging></cn> <cn> <sigla>1774<tab> </tab><sc>capn</sc></sigla><hang ...

    ... n> <cn> <sigla>1791-<tab> </tab><sc>rann</sc></sigla><hanging><sc>rann: &#8776; john1 </sc>without attribution</hanging> <para>2255<tab> </tab><b>They </b>. . . ...

    ... t without breaking. Douce.</small>&#x201D;</para> <para><fnc> Douce &#8776; <sc>john1</sc>. </fnc></para></cn> <cn> <sigla>1803<tab> </tab>v1803</sigla><hanging ...

    ... n> <cn> <sigla>1819<tab> </tab><sc>cald1</sc></sigla><hanging><sc>cald1 &#8776; john + </sc>magenta underlined</hanging> <para>2255<tab> </tab><b>bent</b>] C<sc ...

    ... /cn> <cn> <sigla>1857<tab> </tab><sc>fieb</sc></sigla><hanging><sc>fieb &#8776; john</sc></hanging> <para><sc>2255<tab> </tab></sc><b>top </b>. . .<b> bent</b>] ...

    ... #x201D;</para></cn> <cn> <sigla>1877<tab> </tab>v1877</sigla><hanging>v1877=<sc>john</sc>; Wellesley (xrefs.)</hanging> <para>2255<tab> </tab><b>bent</b>] <sc>F ...

    ... /para></cn> <cn> <sigla>1934<sc><tab> </tab>cam3</sc></sigla><hanging><sc>cam3: john</sc></hanging> <para>2255<tab> </tab><b>They foole</b> . . . <b>bent</b>] < ...
342) Commentary Note for line 2262:
2262 And doe such <bitter> busines as the {bitter} day

    ... <i>day</i>, pure and holy.&#x201D;</para></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2=warb </sc></hanging><para><fnc> John ...

    ... 01D;</para></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2=warb </sc></hanging><para><fnc> Johnson provides <sc>warb's</sc> an ...

    ... ara></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2=warb </sc></hanging><para><fnc> Johnson provides <sc>warb's</sc> annotatio ...

    ... 's</sc> annotation verbatim, even though emendation is not adopted. Perhaps <sc>john</sc> seeks to preserve the Ff reading in the text while providing a clarify ...

    ... /para></cn> <cn> <sigla>1773<tab> </tab>v1773</sigla><hanging>v1773 &#8776; <sc>john1 </sc>+ magenta underlined</hanging><para>2262<tab> </tab><b>business </b>. ...

    ... Magazine</i> for Feb. 1845, p. 125.</para> <para>&#x201C;(I well remember that John Kemble&#8212;whose performance of the Prince of Denmark is among the most v ...

    ... 1845</sc>, p. <sc>125</sc>. &#8216;I may add, too,' continues Dyce, &#8216;that John Kemble,&#8212;whose performance of the Prince of Denmark is among the most ...
343) Commentary Note for line 2267:
2267 I will speake {dagger} <Daggers> to her, but vse none,
344) Commentary Note for line 2269:
2269 How in my words someuer she be shent,
345) Commentary Note for line 2270:
2270 To giue them seales neuer my soule consent. {Exit.}

    ... /i>. put them in execution.&#x201D;</para></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2=warb</sc></hanging></cn> <cn> <sigla ...

    ... 01D;</para></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2=warb</sc></hanging></cn> <cn> <sigla><sc>1773<tab> </tab>jen</sc></ ...

    ... ara></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2=warb</sc></hanging></cn> <cn> <sigla><sc>1773<tab> </tab>jen</sc></sigla>< ...

    ... hanging></cn> <cn> <sigla><sc>1773<tab> </tab>jen</sc></sigla><hanging><sc>jen =john1</sc></hanging></cn> <cn> <sigla>1773<tab> </tab>v1773</sigla><hanging>v177 ...

    ... /sc></hanging></cn> <cn> <sigla>1773<tab> </tab>v1773</sigla><hanging>v1773=<sc>john1</sc></hanging></cn> <cn> <sigla>1784<tab> </tab><sc>ays1</sc></sigla><hang ...
346) Commentary Note for line 2278:
2278 Out of his {browes} <Lunacies>.

    ... 6;<i>Out of his </i>lunes.'&#x201D;</para></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2 = theo2 </sc><i>minus</i> <i>WT</i> ...

    ... 01D;</para></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2 = theo2 </sc><i>minus</i> <i>WT</i> //+ </hanging><para>2278<tab> < ...

    ... ara></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigla><hanging><sc>john1, john2 = theo2 </sc><i>minus</i> <i>WT</i> //+ </hanging><para>2278<tab> </tab><b ...

    ... 201D;</para></cn> <cn> <sigla>1773<tab> </tab>v1773</sigla><hanging>v1773 = <sc>john1; &#8776; theo1</sc> (<i>Wiv</i>. //)</hanging><para>2278<tab> </tab><b>br ...

    ... >. // from <sc>theo1</sc>, acknowledging THEOBALD; otherwise, commentary in <sc>john1</sc> is adopted verbatim (including compressed version of note in <sc>theo ...

    ... x201D;</para></cn> <cn> <sigla>1785<tab> </tab>Mason</sigla><hanging>Mason: <sc>john1; </sc><i>contra</i><sc> theo</sc></hanging><para>2278<b><tab> </tab>browes ...

    ... n> <cn> <sigla>1877<tab> </tab>v1877</sigla><hanging>v1877 = <sc>theo</sc>, <sc>john</sc>, v1778, Henley, Elze</hanging><para>2278<tab> </tab><b>browes</b>] <sc ...
347) Commentary Note for lines 2283-84:
2283-4 Ros. The single | and peculier life is bound
348) Commentary Note for line 2288:
2288 The liues of many, the {cesse} <cease> of Maiestie
349) Commentary Note for line 2303:
2303 Behind the Arras I'le conuay my selfe
350) Commentary Note for line 2306:
2306 Tis meete that some more audience then a mother,

    ... n </i>(<i>The Self-Tormentor</i>) in <i>Terence: with an English translation by John Sargeant</i>. 2 vols. Loeb Classical Library. London: Heinemann and New Yor ...

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