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Contract Context Printing 160 characters of context... Expand Context 81) Commentary Note for lines 2586-2586+1:2586+1 {and Guyldensterne}.... ggang, auf dem Theater bleiben und den König allein zu ihr auftreten, ohne Rosencrantz und Guildenstern. In den Qs. steht: <i>Enter King, Queen, Rosencran ...
... en, ohne Rosencrantz und Guildenstern. In den Qs. steht: <i>Enter King, Queen, Rosencrantz and Guildenstern,</i> und auf diese Notiz hin hat zuerst R o w e h ...
... remain on stage after Hamlet's departure and the king come to her alone without Rosencrantz and Guildenstern. In the Quartos is: <i>Enter King, Queen, Rosencran ...
... without Rosencrantz and Guildenstern. In the Quartos is: <i>Enter King, Queen, Rosencrantz and Guildenstern</i>, and it is based on this notice that Rowe first ...
... only is an entry for the Queen superfluous when she is already ‘on,' but Rosencrantz and Guildenstern are quite obviously in the way, so much so that the ...
... cient manner in which F1 deals with it: it reads <i>Enter King</i> and cuts out Rosencrantz and Guildenstern together with the words addressed to them. To my mi ...
... 9): “The Quarto of 1676 is the oldest text to begin a new Act here. That Rosencrantz and Guildenstern enter with the King has excited some surprise among ...
... ; and the King and his companions at the other door, from a conference in which Rosencrantz and Guildenstern have probably received their commission and have an ...
... ueen need not leave the stage in order to interrupt the King in conference with Rosencrantz and Guildenstern, and Dover Wilson's suggestion that a scene may hav ...
... </tab>H<sc>udson </sc>(ed. 1851-6): “This line is omitted in the folio; Rosencrantz and Guildenstern are not being there introduced till the King calls ...
... <sc>Fiebig</sc> (ed. 1857): “This line is wanting in the folio, in which Rosencrantz and Guildenstern do not appear at all. Its meaning is: Leave this pl ...
... e not in the F. and it was, perhaps, found best, in representation, not to have Rosencrantz and Guildenstern enter until they were wanted. According to the Quar ...
... “I have therefore printed Hamlet's speech unbroken, and inserted that of Rosencrantz, &c from folio, before the words, <i>but soft</i>, &c. In th ...
... t we have followed here, printed Hamlet's speech unbroken, and inserted that of Rosencrantz, etc. from the folio, before the words, <i>but soft</i>, etc.” ...
... . Guildenstern was peacefully silenced; but the more inquisitive and less manly Rosencrantz is spurned ad abolished, as Geraint's sword would have abolished the ...
86) Commentary Note for lines 2641-43:2642-3 to be demaunded of a spunge, what {replycation} <re-| plication> should be made by2643 the sonne of a King.... ing</i>, um den grossen Unterschied, der ihn von einem <i>sponge, </i>von einem Rosencrantz trennt, stärker hervorzuheben.” [Many editors put an exc ...
... e strongly the great difference that separates him from a <i>sponge</i>, from a Rosencrantz.]</para></cn> <cn> <sigla>1855<tab> </tab>Jewett</sigla><hanging>Jew ...
... >] <sc>Fiebig</sc> (ed. 1857): “To be <i>asked by </i>a sponge; he calls Rosencrantz a <i>sponge</i>, which being squeezed will deliver up all it has suc ...
... er</sc> (ed. 1980): “Hamlet's riddling speech is as baffling to us as to Rosencrantz. Perhaps <i>counsel</i> means ‘secret', and Hamlet is referrin ...
... nts and intentions. Hamlet's riddling remark hints that he knows the secrets of Rosencrantz and Guildenstern but is not revealing his own.”</para> <hangi ...
... p; Taylor</sc> (ed. 2006): “wicked -- either because Hamlet is insulting Rosencrantz or because he is telling a cynical truth about the King.”</pa ...
88) Commentary Note for lines 2656-57:2657 body. The King is a thing{.} <—>... isembodied.' He might have added something, but he is interrupted, and adopting Rosencrantz's meaning of ‘King,' completes his sentence otherwise than int ...
... sons missed the meaning of Shakespeare. For observe the impertinent language of Rosencrantz:—‘My lord, you must tell us where the body is, and go wi ...
... ns off as if he were the fox (‘Catch me if you can!'), and is followed by Rosencrantz and Guildenstern. Cf. Moros, the silly character in Wager's comedy < ...
... is very similar to its treatment of Q2's ‘<i>Enter King, and Queen, with Rosencrantz and Guildenstern</i>' at [4.1.0 (2586-2586+1)]. In both cases it is ...
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