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Contract Context Printing 160 characters of context... Expand Context 81) Commentary Note for line 2790:2790 All in the morning betime,... content of the song</i> points to the fears that Polonius and Laertes arouse in Ophelia in connection with Hamlet. It sounds like a <i>warning</i> that has rema ...
82) Commentary Note for lines 2811-14:2813-4 O this is the poyson of deepe griefe, it springs | all from her Fathers2814 death, {and now behold,} ô Gertrard, Gertrard,... ttredge</sc> (ed. 1939): “The King feels genuine sorrow for Polonius and Ophelia; and, besides, their fate has involved him in such difficulties that he ...
83) Commentary Note for line 2912:2912 O heauens, ist possible a young maids wits... 01C;The thing it loves” is here Polonius, the “precious instance' Ophelia's natural soundness of mind. Her sanity has followed her father to the g ...
... ;das Leben des Polonius, dessen Untergang auch den Untergang des Verstandes der Ophelia mit sich gezogen hat.” [The life of Polonius, whose death also dr ...
... gezogen hat.” [The life of Polonius, whose death also drew the death of Ophelia's mind with it.]</para></cn> <cn> <sigla>1872<tab> </tab><sc>del4</sc></ ...
... ;</i>' and makes Polonius derive from it the madness of Hamlet, as Laertes does Ophelia's here.”</para></cn> <cn> <sigla>1778<tab> </tab>v1778</sigla><ha ...
... ihrer Zartheit nach; sie hat dem leiblichen Tode des Polonius den geistigen der Ophelia folgen lassen.” [Nature, who is so tender in her love, sends an i ...
... her love, sends an image of her tenderness to her entombed beloved; she has let Ophelia's mental death follow the physical death of Polonius.]</para></cn> <cn> ...
... le.' ‘The thing it loves' is here Polonius, the ‘precious instance' Ophelia's natural soundness of mind. Her sanity has followed her father to the g ...
... le.' ‘The thing it loves' is here Polonius, the ‘precious instance' Ophelia's natural soundness of mind. Her sanity has followed her father to the g ...
... sc> (ed. 1899): “Nature is delicate (or accomplished) in love, and sends Ophelia's sanity after Polonius as a precious token (or sample) of itself.ȁ ...
... ecimen of itself after the loved object.' Here the ‘precious instance' is Ophelia's sanity which nature has sent after Polonius.”</para></cn> <cn> ...
... es like an ‘instance' (memento or farewell gift) after what we love. Thus Ophelia's wits have followed Polonius in death.”</para></cn> <cn> <sigla> ...
... e most precious token of itself to the object of its love – in this case, Ophelia's sanity departs with her father Polonius. Laertes's language is typical ...
... ure, and this refined nature sends part of itself after the loved one. That is, Ophelia has parted with some of her wits to send to Polonius. This conceit, too ...
... /sc></hanging> <para>2915<tab> </tab><sc>Harrison</sc> (ed. 1937): “i.e. Ophelia has sent her sanity after Polonius.”</para></cn> <cn> <sigla>1939 ...
87) Commentary Note for lines 2923-25:2923-4 And you call | him a downe a. O how the wheele becomes it,2924-5 It is | the false Steward that stole his Maisters daughter.... age-custom), or as prose. (F.)</para> <para>“The thought, presumably, in Ophelia's mind is that Polonius has been “called a-down” into his ...
... stage-custom is to identify ‘the false steward' with Claudius, from whom Ophelia starts in horror.”</para></cn> <cn> <sigla>1905<tab> </tab><sc>rl ...
... interpretation on ‘call him.' In my belief, the true explanation is that Ophelia asks Laertes to sing ‘a-down a-down,' and then adds, after her wan ...
... downe </b>. . . <b>a downe a</b>] <sc>Spencer</sc> (ed. 1980): “Perhaps Ophelia is thinking of Polonius as having been called down to his grave, and the ...
88) Commentary Note for line 2926:2926 Laer. This nothing's more then matter.... 2-3 [1243-45]. In this instance, Laertes has heard only two brief speeches from Ophelia and it is not clear what sense he detects behind them, so his comment ma ...
89) Commentary Note for lines 2927-29:2928-9] member, and there is {Pancies} <Paconcies>, thats for | thoughts.... are correctly assigned, connects the characters involved (King, Queen, Laertes, Ophelia) beyond the present moment with their essential dramatic roles, and glan ...
... es even at the absent hero (as well as the dead Polonius) in one aspect of his. Ophelia's lasting love for the lover who has forsaken her is an undercurrent thr ...
...
... ius there was a final obstacle interposed to their union. In the delineation of Ophelia in the shattered state of her mind there is much to admire, but there is ...
... ith because of its color. The violets withered as the <i>father</i> died, since Ophelia must assume that Polonius died in a faithless way.]</para></cn> <cn> <si ...
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