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Contract Context Printing 160 characters of context... Expand Context 91) Commentary Note for line 295:295 In going back to schoole in Wittenberg,... the Grave-digger makes <i>Hamlet</i> thirty years old, Blackstone could charge Shakespeare with a slip of memory.”</para></cn> <cn><sigla>1868<tab> </ta ...
... g</b></i>] <sc>Clark & Wright </sc>(ed. 1872): “Ritson suggests that Shakespeare knew of Wittenberg from the story of Dr. Faustus, of which the scene ...
92) Commentary Note for line 308:308 No iocond health that Denmarke drinkes to day,... l the superb qualities which that implies. . . . And yet as he wrote the play, Shakespeare . . . had also imagined him guilty at this very moment of two horrid ...
93) Commentary Note for line 309:309 But the great Cannon to the cloudes shall tell.... vall</sc> (<i>N&Q, </i>1875, p. 223): “In the second part of the New Shakespeare Society's <i>Transactions</i> I quoted one passage from Stow to illu ...
... brations were a Danish custom and, like the references to Wittenburg, they show Shakespeare taking some care with local colour. See [617 and CN].” </par ...
... (<i>Gull's Hornbook</i>) refers to 'the Danish rowsa'; but the suggestion that Shakespeare uses <i>rouse</i> to give a Danish coloring is countered by its occu ...
... e with Skelton, by quoting, as from a MS., a work which has been printed by the Shakespeare Society, he does not any where allude to the fact that Gower had wri ...
... 45, pp. 152-5): <p. 152> “In Article X, in the first volume of the Shakespeare Society's Papers, Mr. Halliwell has suggested a new reading of the l ...
... will coincide in my opinion, that, supposing Mr. Halliwell's reading to be what Shakespeare intended, but which I cannot at all believe, it will be a long, very ...
... duced to offer these remarks upon the ground, that every fresh idea relating to Shakespeare requires to be amply discussed before it is expected to be the adopt ...
... h! that this too-too solid flesh would melt.'— I cannot help feeling that Shakespeare intended to write <i>too, too</i>, as printed by the modern editors ...
... impress upon the mind the beauty of the language.</para> <para>“Whatever Shakespeare intended—and I do not at all consider that the authorities quo ...
... xtreme anguish of his mind.</para> <para>“I cannot see how any reader of Shakespeare can for one moment suppose, that this beautiful reading of the most ...
... ognize him. I cannot feel the slightest doubt that this speech is punctuated as Shakespeare intended.”</para></cn> <cn><sigla>1934<tab> </tab>Wilson</s ...
... ent of thought—weariness, solidity, melting, voluntary death — that Shakespeare follows again in <i>Hamlet.</i> Incidentally, the O.E.D. reference ...
... at this word ill fits the context and that <i>solid </i>was the adjective which Shakespeare had in his original manuscript.” </para> </cn> <cn> <sigla>1 ...
... t is made explicit elsewhere in his soliloquy. Margaret Webster comments in <i>Shakespeare Without Tears</i> that for stage purposes the reading <i>solid</i> i ...
... on a common primal structure modulations of infinite suggestiveness that makes Shakespeare the supreme dramatic artist he is. . . . </para> <para> “. . ...
... y with himself. In the context of the speech, it would hardly be surprising if Shakespeare heard the word 'sullied' as he wrote 'solid' and that the reporter c ...
... ara> </cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>313-14 <tab ...
... assertions of the existence of a specific prohibition of suicide by Divine Law. Shakespeare may have known the Bible, as he knew other things in his day knowabl ...
... /i> to murder of oneself. In the case of the suicide of Sir James Hales, which Shakespeare drew on later in the play [3198-3211], it was said that suicide was ...
... the correction to 'canon' in John Hughes's text of 1723, Theobald comments that Shakespeare 'intended the <i>Injunction</i>, rather than the <i>Artillery</i> of ...
... , . . . grosse airs, and all barren.' ” Don: He then goes on to say that Shakespeare “must have read this passage.”</para></cn> <cn><sigla> ...
98) Commentary Note for line 320:320 That growes to seede, things rancke and grose in nature,... </tab> in nature] <sc>Jenkins</sc> (ed. 1982): “i.e. inherent in nature. Shakespeare recognizes that the weeds are a part of natural growth.” </p ...
... is [i.e. Abbott's] use of ‘mere,' see <sc>Schmidt</sc> (<i>Lex.</i>) and Shakespeare <i>passim.</i>”</para></cn> <cn><sigla>1880<tab> </tab>Tanger ...
100) Commentary Note for line 324:324 Hiperion to a satire, so louing to my mother,... d the satyrs as the most deformed: This was probably the only circumstance that Shakespeare had in contemplation, when he wrote these lines.”</para></cn> ...
... lso have in this instance made it altogether subservient to their convenience. Shakespeare accepts the same word Posthumus, differently in the same play, Cymbe ...
... ): “<i>Hyperion</i>, or Apollo, always represented as a model of beauty. Shakespeare has been followed by Gray in the accentuation of this name:—&# ...
... amp; Wright</sc> (ed. 1872): “<i>Hyperion</i> is frequently mentioned by Shakespeare with the accent always on the antepenultimate. See [<i>H5</i>, 4.1.2 ...
... <i>Tit</i>. 5.2. 56 (2342)] and [<i>Ham. </i> 3. 4. 56 (2440)]. Hyperion is by Shakespeare identified with the sun, as in Homer's Odyssey, 1. 8. In Latin, of c ...
... . See also 3.4.57. From his scansion here and in other plays it is clear that Shakespeare thought the accent was on the second syllable. Owing to the influen ...
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