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Contract Context Printing 160 characters of context... Expand Context 111) Commentary Note for line 370:370 Would I had met my dearest foe in heauen... arest</b>] <sc>Johnson </sc>(1755). 4. “It seems to be used sometimes in Shakespeare for <i>deer</i> sad; hateful; grievous.”</para></cn> <cn><sig ...
... 22 n. 3), in a note for <i>AYL</i>1.3.33 (490); “<i>Dear</i> is used by Shakespeare in a double sense, for <i>beloved</i>, and for <i>hurtful</i>, <i>ha ...
... 70<tab> </tab><b>dearest</b>] <sc>Caldecott </sc>(ed. 1819): “Throughout Shakespeare and all the poets of his and a much later day, we find this epithet ...
... 16;dearest enemy,' [<i>1H4 </i>3.2.123 (943] K. Hen. </small>“Throughout Shakespeare . . . signify the extreme of love and hatred. <small>It may be said ...
112) Commentary Note for line 376:376 Ham. {A} <He> was a man take him for all in all... en to mean, as in modern use, 'all things considered', 'on the whole'. But when Shakespeare uses <i>all in all</i> adverbially, it implies not qualification bu ...
113) Commentary Note for line 377:377 I shall not looke vppon his like againe.... s like again.</i>”<i>—</i>This seems to me more the true spirit of Shakespeare than <i>I</i>.' Mr. <sc>Holt</sc>.</para> <para>“The emendati ...
114) Commentary Note for line 379:379 Ham. saw, who?... fo. 1632, and with strict grammatical propriety; but it may be doubted whether Shakespeare did not write it, as it has been printed: we therefore leave ‘ ...
... <b>saw, who?</b>] Clark & Wright (ed. 1872): “‘Who' is used by Shakespeare for the accusative case very generally. Editors have often corrected ...
... according to Dyce (NV). Irving, however, restored 'Saw?- Who?' (see Winter, <i>Shakespeare on the Stage</i>, 1911, p. 357)."</para></cn> <cn><sigla>1987<tab> < ...
... t</hanging> <para>379<tab> </tab>saw, who?] <sc>Powers</sc> (2000, pp. 20, 15): Shakespeare often turned “at the crisis point in a play, or at the conclu ...
115) Commentary Note for line 389:389 In the dead wast and middle of the night... .' There is of course an easy pun on the two words, but it is not probably that Shakespeare meant to make one in this place.”</para></cn> <cn><sigla>1872 ...
... para></cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>389-90 <tab ...
... e</b>] <sc>Browne </sc>(ms. notes, 1747-60, BL Ms 0.12.575): “Warb. says Shakespeare could never write so improperly as to call the passion of Fear the A ...
... f it were proper to be rigorous in examining trifles, it might be replied, that Shakespeare would write more erroneously, if he wrote by the direction of this c ...
... ession—‘My senses would have <i>cool'd </i>To hear a night-shriek.' Shakespeare probably knew that ‘jelly' was <i>gelu</i>, ice. But ‘di ...
... chill'd to jelly': it is jelly because it has been ‘bechill'd.' Besides, Shakespeare himself never uses ‘distilled' (often as it occurs in his play ...
... adjective or present participle. [quotes Collier from his <i>Seven Lectures on Shakespeare and Milton</i>, Preface, p. lxxviii] </p. 46> <p. > [quo ...
... any passion are chiefly in view, it is the blood which is usually described by Shakespeare as the seat of the refrigeration.</para> <para>“Thus in [<i>S ...
... fashion, <i>bethrill'd,</i> than in <i>bechill'd</i>; for it is observable that Shakespeare in several other places describes the operation of passion, especial ...
... genuine reading.” </p. 49></para> <para><n45> “* That Shakespeare was acquainted with the various domestic operations of which distill ...
117) Commentary Note for line 406:406 Ham. Did you not speake to it?... d in defence of Mr. Kemble is much more strongly corroborated by the very words Shakespeare put into the mouth of Horatio. </p. 11> </n*></para></cn ...
118) Commentary Note for line 409:409 It lifted vp it head, and did addresse... 1872): “The earlier quartos and folios read ‘it,' and so doubtless Shakespeare wrote. In the Cambridge and Globe editions we printed ‘its' (t ...
... r. W. J. Rolfe, of Cambridge, has ascertained, by a very close inspection, that Shakespeare has <i>its</i> ten times, but in nine of these it is printed with an ...
... . 2006): “The more usual possessives would have been 'its' or 'his', but Shakespeare sometimes uses the older, uninflected genitive <i>it</i> as in 'The ...
... >As</b>, like ‘an' (§ 102), appears to be (though it is not) used by Shakespeare for <i>as if </i>. . . . the ‘if' is implied in the subjuncti ...
120) Commentary Note for line 411:411 But euen then the morning Cock crewe loude,... ong time and <i>still </i>continues, the emphasis being laid on ‘now.' In Shakespeare the emphasis is often to be laid on ‘even,' and ‘<i>even ...
... </ehline> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>413 <tab> < ...
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