[1] 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 ..117     Next >>

1 to 10 of 1169 Entries from All Files for "shakes" in All Fields

Contract Context Printing 160 characters of context... Expand Context
1) Commentary Note for line 1:
The Tragedie of 0{B1r} <nn4v>
H A M L E T
Prince of Denmarke.
1 <Actus Primus. Scœna Prima.> 1.1

    ... Harvey's relevant note on Sh.: &#x201C;The younger sort takes much delight in Shakespeares Venus, &amp; Adonis: but his Lucrece, &amp; his tragedie of Hamlet, ...

    ... e ghost portion of the closet scene [2482-2519], continues &#x201C;as indeed <i>Shakespear</i> is in the former Scene, which as I have been assur'd he wrote in ...

    ... . <i>Bathurst, </i>hath favoured us with some <i>hearsay particulars concerning Shakespeare </i>from a MS. of <i>Aubrey</i>'s, which had been in the hands of <i ...

    ... <i>Grey</i> and Mr. <i>Whalley</i> assure us that for [<i>Hamlet</i>'s plot] <i>Shakespeare </i>must have read <i>Saxo Grammaticus </i>in the Original, for no t ...

    ... the hands of a very curious and intelligent Gentleman, to whom the lovers of <i>Shakespeare</i> will some time or other owe great obligations.&#x201D;</para> <p ...

    ... a lash at some &#8216;<i>vaine glorious Tragedians</i>,' and very plainly at <i>Shakespeare</i> in particular; which will serve for an answer to an observation ...

    ... >Pope, </i>that had almost been forgotten: &#8216;It was thought a praise to <i>Shakespeare, </i>that he scarce ever blotted a line:&#8212;I believe the common ...

    ... i>Grey</i> and Mr. <i>Whalley</i> assure us, that for [<i>Hamlet</i>'s plot] <i>Shakespeare </i>must have read <i>Saxo Grammaticus </i>in <small><i>Latin</i></s ...

    ... ured with by a very curious and intelligent Gentleman, to whom the lovers of <i>Shakespeare</i> will some time or other owe great obligations.</para> <para>&#x2 ...

    ... mmaticus, </i>* [the Latin quoted in note] so happily as it is delineated by <i>Shakespeare.</i>'</para> <para>&#x201C;Very luckily, our Fragment gives us a par ...

    ... /i>after a rude and barbarous manner: sentiments indeed there are none, that <i>Shakespeare </i>could borrow; nor any expression but <i>one, </i>which is where ...

    ... D; &lt;/p. 59&gt;</para> <para><b>Ed. note:</b> Capell's work, <i>The School of Shakespeare: or, authentic Extracts from divers English Books, that were in Prin ...

    ... he year 1598, His words are these: &#8216;The younger sort take much delight in Shakespeare's Venus and Adonis; but his Lucrece, and his tragedy of Hamlet, Prin ...

    ... he date of the piece are borrowed from Dr. Farmer's <i>Essay on the Learning of Shakespeare</i>, p. 85, 86, second edition. . . .&#x201D;</para> <para><b>Ed. no ...

    ... </i>hath a lash at some &#8216;vaine glorious tragedians,' and very plainly at Shakespeare in particular,&#8212;&#8216;I leave all these to the mercy of their ...

    ... he year 1598, His words are these: &#8216;The younger sort take much delight in Shakespeare's Venus and Adonis; but his Lucrece, and his tragedy of Hamlet, Prin ...

    ... the date of the piece, are borrowed from Dr. Farmer's Essay on the Learning of Shakespeare, p. 85, 6, second edition.</para> <para>&#x201C;&#8216;Greene, in th ...

    ... </i>hath a lash at some &#8216;vaine glorious tragedians,' and very plainly at Shakespeare in particular,&#8212;&#8216;I leave all these to the mercy of their ...

    ... he date of the piece are borrowed from Dr. Farmer's <i>Essay on the Learning of Shakespeare</i>, p. 85, 86, second edition [see Farmer 1767b]. &#8212;<sc>Steeve ...

    ... tab><b>Q1 </b>dyce</sc> (ed. 1866, 7:101): on Q1, &#x201C; . . . <small>we have Shakespeare's first conception of the play,</small> though with a text mangled a ...

    ... contains an earlier design of the poet's, though in a mutilated form,' &amp;c. Shakespeare <i>Commentaries</i>, vol. ii, p. 108, English trans.&#x201D; (100n). ...

    ... </sc> (ed. 1866, p. 101): &#x201C;Mr. Albert Cohn's curious volume. entitled <i>Shakespeare in Germany in the Sixteenth and Seventeenth Centuries, &amp;c. </i>c ...

    ... a>1-867<tab> </tab><sc>Rylands</sc> (ed. 1947): &#x201C;The other play in which Shakespeare devotes a whole act to exposition or preparation for the action is < ...

    ... Grazia</sc> (2007, 8) quotes <i>Eastward Ho</i> [see above] to demonstrate that Shakespeare's contemporaries thought of the outer action of Hamlet rather than h ...
2) Commentary Note for line 2:
2 Enter Barnardo, and Francisco, two Centinels. [Bl]

    ... tinels</i></b></i>] <sc>Edelman</sc> (2000): &#x201C;The theme running through Shakespearean sequences involving sentinels is that it is a cold, boring, and th ...
3) Commentary Note for lines 3-4:
3-4 Bar. VVHose there?

    ... tural agent on whom the main action totally depends; and indeed so artfully has Shakespeare wrought upon his great patroness, <small>nature</small>; so powerful ...

    ... b> </tab><sc>Coleridge</sc> (1819, <i>apud </i>Furness, ed. 1877): &#x201C;That Shakespeare meant to put an effect in the actor's power in these very first word ...

    ... a>4-6<tab> </tab><sc>Coleridge</sc> (1819, <i>Lectures</i>, 2:139):&#x201C;That Shakespear supplied a beauty to the actor in the meant to put an <i>effect</i> i ...

    ... dcliffe</sc> (<i>apud </i><sc>Verplanck</sc>, ed. 1844): &#x201C;In nothing has Shakespeare been more successful, than in selecting circumstances of manners and ...

    ... ar, by concentrating the senses, endows them with a supernatural acuteness; and Shakespeare was not unmindful of the fact when he made the listening, breathless ...

    ... that the soldiers could barely see each other? The reply is, of course, that in Shakespeare's theatre <i>Hamlet </i>would be performed in daylight and the audie ...

    ... e, if only obliquely, in the first exchanges of a play. In the opening scene of Shakespeare's "Hamlet," for instance, a sentinel on the parapets in the dark cri ...
4) Commentary Note for lines 5-6:
5-6 Fran. Nay answere me. Stand and vnfolde | your selfe.

    ... the watchword answers appropriately.</para> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...

    ... ra> </cn> <cn> <sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>5-6<tab> </ ...
5) Commentary Note for line 10:
10 Fran. You come most carefully vpon your houre,

    ... eview </i>1847, p. 319): &#x201C;What follows [3-9] is an exquisite specimen of Shakespeare's attention to the subtlest minuti&#230;. He shows us Bernardo eager ...
6) Commentary Note for line 12:
12 Fran. For this reliefe much thanks, tis bitter cold,

    ... Francisco we have another slight trait which strikingly exemplifies how careful Shakespeare was to preserve entire consistency in the conduct of his characters: ...

    ... of spirit,' and <i>MM </i> 5.1.528 (2927)], &#8216;Thy much goodness.' Abbott's Shakespeare Grammar, &#167; 51.</para> <cn></cn><hanging><sc>cln1: </sc>Abbott ...
7) Commentary Note for line 13:
13 And I am sick at hart.

    ... iman</hanging><para>13<tab> </tab><b>sick at hart</b>.] <sc>Kliman </sc>(1996): Shakespeare may be demonstrating that the Danes were not used to standing guard, ...
8) Commentary Note for line 15:
15 Fran. Not a mouse stirring.

    ... &#232;le Willems) </para> <para><b>Ed. note</b>: See essay by Willems in Global Shakespeare</para></cn> <cn> <sigla>1776<tab> </tab>Letourneur</sigla><hanging>L ...
9) Commentary Note for lines 16-17:
16 Bar. Well, good night:
16-17 If you doe meete Horatio and | Marcellus,
17 The riualls of my watch, bid them make hast.

    ... nother. But, without a learned explanation, it is plain, by <i>rivals</i>, that Shakespeare means, those men who were appointed next to relieve soldiers on the ...

    ... much more used both in Latin and modern languages. This is the only passage of Shakespeare in which the word is employed in its earlier and rarer sense. He has ...
10) Commentary Note for line 23:
23 Mar. O, farwell honest {souldiers} <Soldier>, who hath relieu'd you?

    ... pposition the ejaculation would be unmeaning, and it is conclusive to show what Shakespeare intended. The reverie of Marcellus once broken, he turns from fruitl ...

    ... i>r</i> for an <i>s. </i>See examples of these letters in Kellner, <i>Restoring Shakespeare, </i>pp. 206-8.&#x201D;</para></cn> <cn> <sigla>2000<tab> </tab>Klim ...

    ... (ed. 2006): &#x201C;The plural in Q2 perhaps indicates that someone (Marcellus, Shakespeare, the scribe or compositor) expected the two new arrivals to replace ...
 
Next Results >>


All Files Commentary Notes
Material Textual Notes Immaterial Textual Notes
Surrounding Context
Range of Proximity searches