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521 to 530 of 743 Entries from All Files for "shakespeare " in All Fields

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521) Commentary Note for line 2743+48:
2743+48 {Is not to stirre without great argument,}
    ... bly one o f those frequent instances in Shakespeare where there is a confusion w ...
522) Commentary Note for line 2743+50:
2743+50 {When honour's at the stake, how stand I then} 2743+50
    ... ur is at risk -- but Hibbard notes that Shakespeare uses this expression in thre ...
523) Commentary Note for line 2743+58:
2743+58 {Which is not tombe enough and continent}
    ... 868, rpt. 1878): &#x201C;A word used by Shakespeare to express that which contai ...
524) Commentary Note for line 2745:
2745 Quee. I will not speake with her.
    ...  reaction. In the course of his career, Shakespeare comes to rely less and less  ...
525) Commentary Note for lines 2746-47:
2746 {Gent.} <Hor.> Shee is importunat,
2746-7 Indeede distract, her moode | will needes be pittied.
    ... n the case of verbs ending in a dental. Shakespeare also used the forms &#8216;d ...
526) Commentary Note for line 2751:
2751 Spurnes enuiously at strawes, speakes things in doubt
    ... y): &#x201C;<i>enviously</i> is used by Shakespeare for angrily, indignantly [qu ...
    ... i>enviously</i> = erbost.&#x201D; [With Shakespeare <i>envy</i> often means mali ...
527) Commentary Note for line 2766:
2766 {Enter Ophelia.}
    ... nder, and can only weep. It belonged to Shakespeare alone, so to temper such a p ...
    ... ess, <i>Hamlet</i>, or E. W. Naylor, <i>Shakespeare and Music</i>, 1896.&#x201D; ...
528) Commentary Note for line 2767:
2767 Oph. Where is the beautious Maiestie of Denmarke?
    ... hos. It is a character which nobody but Shakespeare could have drawn in the way  ...
529) Commentary Note for line 2768:
2768 Quee. How now Ophelia? {shee sings.}
    ... speare's Plays</i>, 11.83-9; Naylor, <i>Shakespeare and Music</i>, rev. 1931, pp ...
530) Commentary Note for line 2769:
2769 Oph. How should I your true loue know from another one,
    ... rs to which her honour lay exposed' (<i>Shakespeare Criticism</i>, ed. Raysor, I ...
    ... ngement from Hamlet and his banishment. Shakespeare does not reveal whether she  ...

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