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Contract Context Printing 160 characters of context... Expand Context ... . It is only fair that the unexpected light that the Old Corrector spreads over Shakespeare should illumine not only Collier's edition or authorized editions, b ...
562) Commentary Note for line 2963:2963 Laer. Let this be so.... s been much elaborated from the original bald sketch found in the first quarto. Shakespeare seems to have spent great care on the character of the latter; and t ...
... of the two. <i>Obscure</i> is here used with the accent on the first syllable; Shakespeare varies the accent to suit his convenience. In poetry this and simila ...
... bscure</b>] <sc>Dowden</sc> (ed. 1899): “accented in different places by Shakespeare on the first or on the second syllable.”</para></cn> <cn> <si ...
564) Commentary Note for line 2988_298:2988-9 were two daies old at Sea, a Pyrat of very | warlike appointment gaue... gside them ((I.viii)); but a likelier connection would be with an incident that Shakespeare must recently have come upon in the course of writing <i>Julius Caes ...
... n' that Caesar did them was to have them captured and crucified. Whether or not Shakespeare remembered this incident, the ‘mercy' of his variation ((IV.vi ...
... y the omission in his copy (Q2). We cannot doubt that ‘give' was the word Shakespeare wrote; cf. [2<i>H</i>4 5.2.82 [2967], ‘I gave bold way to my a ...
... anslated into sense as best he could, or (ii) the corrector found the word that Shakespeare intended in type, but misunderstood it and therefore emended it, or ...
... tion ‘on the part of the printer'']. The more tenable explanation is that Shakespeare wrote <i>criminall</i> in his first draft, and then changed it to <i ...
... es, wisdome,</i> resulting in a six-foot line, looks like a first attempt which Shakespeare then tidied up by omitting <i>greatness</i> as redundant.”</p ...
... /i> <sc>Irving & Marshall</sc>, ed. 1890): “This word is not used by Shakespeare elsewhere; <i>sinewed</i> only in [<i>Jn</i> 5.7.88 (2698)]: ‘ ...
... ; Wright</sc> (ed. 1872): “<sc>Reed</sc> thinks that the spring to which Shakespeare refers is the dropping-well at Knaresborough, which encrusts with a ...
... , not yet explained or amended.' Neither amendment nor explanation is required. Shakespeare never wrote more clearly. The comparison is merely of the great chan ...
... The justification for <i>guilts</i> is threefold. It is graphically plausible. Shakespeare uses <i>guilts</i>, in the plural and meaning ‘crimes', ‘ ...
... lose pent-up guilts'. <i>Guilts</i> corresponds to <i>faults</i> ((l. 19)); and Shakespeare employs the idea of converting <i>faults</i> to <i>graces</i> elsewh ...
568) Commentary Note for line 3041:3041 That we can let our beard be shooke with danger,... 1778) : “It is wonderful that none of the advocates for the learning of Shakespeare have told us that this line is imitated from Persius, Sat. 2: ‘ ...
569) Commentary Note for line 3051:3051 They were giuen me by Claudio, he receiued them... b><i>Claudio</i></b></i>] <sc>Spencer</sc> (ed. 1980): “(an odd name for Shakespeare to use, as the King's name is Claudius).”</para></cn> <tlnran ...
... .” </n></para></cn> <cn> <sigla>1892<tab> </tab><tab> </tab><i>New Shakespeare Society</i></sigla><hanging>Anon</hanging><para>3078+12 <b>youth</b> ...
... sigla><hanging>Anon</hanging><para>3078+12 <b>youth</b>] <sc>Anon</sc>. (<i>New Shakespeare Society'sTransactions</i> <i>1887-92</i>, p.35): <p. 35>ȁ ...
... (ed. 1982): “i.e. a mere decoration. There is no good reason for modern Shakespeare edns to perpetuate artificially the accidental difference between <i ...
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