<< Prev 1.. 41 42 43 44 45 46 47 48 49 50 51 52 [53] 54 55 56 57 58 59 60 ..75 Next >> 521 to 530 of 743 Entries from All Files for "shakespeare " in All Fields
Contract Context Printing 160 characters of context... Expand Context ... stake. But I think it is much more probably one o f those frequent instances in Shakespeare where there is a confusion with negatives, and that its real meaning ...
... ys the metaphor is from gambling -- honour is at risk -- but Hibbard notes that Shakespeare uses this expression in three other plays (<i>TN </i>3.1.119, <i>TC ...
... /b>] <sc>Clarke & Clarke</sc> (ed. 1868, rpt. 1878): “A word used by Shakespeare to express that which contains. See Note 33, <i>MV</i> [3.2.130 (147 ...
... elia -- that is, both the action and the reaction. In the course of his career, Shakespeare comes to rely less and less on the flat statements and more and more ...
525) Commentary Note for lines 2746-47:2746-7 Indeede distract, her moode | will needes be pittied.... s we have already mentioned, is common in the case of verbs ending in a dental. Shakespeare also used the forms ‘distrtacted,' ‘distraught.'” ...
526) Commentary Note for line 2751:2751 Spurnes enuiously at strawes, speakes things in doubt... <sc>Nares</sc> (1822, glossary, enuiously): “<i>enviously</i> is used by Shakespeare for angrily, indignantly [quotes 2750-1].”</para></cn> <cn> < ...
... #252;cke, Gehässigkeit, daher ist <i>enviously</i> = erbost.” [With Shakespeare <i>envy</i> often means malice or hatefulness; thus <i>enviously</i> ...
... o true to the life, that we forget to wonder, and can only weep. It belonged to Shakespeare alone, so to temper such a picture that we can endure to dwell upon ...
... tional music of Ophelia's song, see Furness, <i>Hamlet</i>, or E. W. Naylor, <i>Shakespeare and Music</i>, 1896.”</para></cn> <cn> <sigla>1934<sc><tab> < ...
528) Commentary Note for line 2767:2767 Oph. Where is the beautious Maiestie of Denmarke?... the truest touches of tenderness and pathos. It is a character which nobody but Shakespeare could have drawn in the way he has done; and to the conception of wh ...
... A Collection of the Vocal Music in Shakespeare's Plays</i>, 11.83-9; Naylor, <i>Shakespeare and Music</i>, rev. 1931, pp. 189-91; Sternfeld, <i>Music in Shakesp ...
530) Commentary Note for line 2769:2769 Oph. How should I your true loue know from another one,... father and brother concerning the dangers to which her honour lay exposed' (<i>Shakespeare Criticism</i>, ed. Raysor, I, 33, 34).”</para><hanging><sc>ki ...
... ot only her father's death but her estrangement from Hamlet and his banishment. Shakespeare does not reveal whether she knows that Hamlet killed her father. Her ...
<< Previous Results
Next Results >>
All Files Commentary Notes
Material Textual Notes Immaterial Textual Notes
Surrounding Context
Range of Proximity searches