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441 to 450 of 743 Entries from All Files for "shakespeare " in All Fields

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441) Commentary Note for line 2414:
2414 I tooke thee for thy {better} <Betters>, take thy fortune,

    ... ng &#8216;social superior', better could be the aphetic form of abettor, a word Shakespeare uses at <i>Lucrece</i> 886, where it signifies &#8216;instigator'. < ...
442) Commentary Note for line 2421:
2421 {Ger.}<Qu.> What haue I done, that thou dar'st wagge thy tongue

    ... And yet with this knowledge he cannot cast her off. We all know how wonderfully Shakespeare has shown this complex feeling. In the scene we have been considerin ...
443) Commentary Note for line 2433:
2433 With {heated} <tristfull> visage, as against the doome

    ... that 'so rare and eloquent a word seems beyond an improver' (LN). Against this, Shakespeare had used the word in Falstaff's comically inflated command when he i ...
444) Commentary Note for line 2437:
2437 <Ham.> Looke heere vpon this Picture, and on this,

    ... , p. 85' February 20-22, 1772. Armstrong was born 1709. &lt;/n.&gt;&#x201C; (<i>Shakespeare and the Actors</i> 168). </fnc></para></cn> <cn> <sigla>1785<tab> </ ...

    ... ed., III, 474, 475); <i>The Puritaine Widow</i>, i, 1, 135-138 (ed. Brooke, <i>Shakespeare Apocrypha</i>, p. 222). On the whole question see W. J. Lawrence, <i ...

    ... a h&#228;ngt das Conterfait des itzigen', and the famous illustration in Rowe's Shakespeare (1709), with its portraits hanging over the Queen's head, afford som ...

    ... ion, it can hardly be a reliable witness of actual performance (cf. Sprague, <i>Shakespeare and the Actors</i>, pp. 162-8) and its portrait of Hamlet's father i ...

    ... /para> <para>&#x201C;The case for &#8216;miniatures' is well put in Sprague, <i>Shakespeare and the Actors</i>, pp. 166-8, and <i>The Stage Business in Shakespe ...

    ... use of miniatures . . . only one piece of evidence is of much weight. In Rowe's Shakespeare is an engraving of the Closet Scene at the moment of the Ghost's ret ...
445) Commentary Note for line 2439:
2439 See what a grace was seated on {this} <his> browe,

    ... iwell pointed out the passage, and Furnivall wondered that Tubbe did not credit Shakespeare for the lines echoing Hamlet's description of his father, though he ...
446) Commentary Note for line 2442:
2442 A station like the herald Mercury,

    ... re. Given his use of Marlow and Nashe's <i>Dido</i> elsewhere in <i>Hamlet</i>, Shakespeare may be recalling the appeareance of 'Jove's winged messenger' to Aen ...
447) Commentary Note for line 2448:
2448 Heere is your husband like a {mildewed} <Mildew'd> eare,

    ... corn, as in the biblical account of Pharaoh's dream (Genesis, 41.5-7), a story Shakespeare also refers to at <i>1H4 </i>2.4.467, <i>KL </i>5.3.24 and <i>Cor </ ...
448) Commentary Note for line 2455:
2455 Would step from this to this, {sence sure youe haue} 2455

    ... 201C;This passage and that at 76-9 [2456+1-4] are not in F; Edwards argues that Shakespeare was dissatisfied with them and intended to delete them; Hibbard goes ...
449) Commentary Note for line 2456+2:
2456+2 {Eares without hands, or eyes, smelling sance all,}

    ... beziehung.&#x201D; [<i>sans</i> which is really French is found rather often in Shakespeare in place of <i>without</i> which is awkward in verse. It sometimes a ...
450) Commentary Note for line 2458:
2458 If thou canst mutine in a Matrons bones,

    ... sch</i> = Meuterer, Emp&#246;rer, als auch verbal = sich emp&#246;ren.&#x201D; [Shakespeare uses the archaic form <i>mutine</i> as a noun (meaning mutineer, reb ...

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