391 to 400 of 743 Entries from All Files for "shakespeare " in All Fields
... my lord.' This shews with how little care the refitting of this play was done. Shakespeare was wont to say that he never blotted a line. <i>‘Tis true, &# ...
392) Commentary Note for lines 2120-23: 2120-1 Ham. So you mistake
{your} husbands.
| Beginne murtherer,
<Pox> leaue
2121-2 thy damnable faces and | begin, come, the croking Rauen doth bellow
2122-3 for {reuenge} <Re-| uenge>.
... </b><sc>Steevens</sc> (ed. 1773): “Theobald proposed the same in his <i>Shakespeare Restored</i>, however, he lost it afterwards.” </para><hangin ...
... for the worse.”</para> <para><fnc> Singer is “vindicating” Shakespeare from “the interpolations and corruptions” advocated by ...
... Malleson</hanging><para>2122<tab> </tab><b>Rauen</b>] <sc>Malleson</sc> (<i>New Shakespeare Society's Transactions</i>, 1874, p. 473): “ . . . the Raven ...
... no unfit emblem of “the majesty of buried Denmark” '—<i>New Shakespeare Society's Transactions</i>, 1874, p. 473.”</para></cn> <cn> < ...
... 9, 1892-3). This play was in the repertory of the Queen's Men, to which company Shakespeare probably belonged before 1592, and the lines are from Richard's spee ...
... ing><para>2124-2130<tab> </tab><sc>Subbarau</sc> (ed. 1909): “Of course, Shakespeare wrote the whole of the interlude, and in a style which marks it from ...
... ld easily learn during the interval that was available. The question is whether Shakespeare was content to resort to this dramatic device, and to induce, by a r ...
... following the latter, positive, course? One would think it no more likely that Shakespeare once and again created a false impression of the insertion of a spec ...
394) Commentary Note for lines 2132-35: 2132-3 Ham.
{A} <He> poysons him i'th Garden
{for his} <for's> estate, his
| names
Gonza-
2133-4 go, the story is extant, and {written in very} <writ in> choice | Italian, you shall see
2134-5 anon how the murtherer gets the | loue of Gonzagoes wife.
... wn Italian collections of <i>novelle</i>, such as Bandello's and Cinthio's, but Shakespeare may well have taken it from some as yet unidentified source. Cf. Asc ...
... ed all to rise when the king did], . . . [it was] her father's office.” Shakespeare thus impresses upon us that the others, including Polonius, except H ...
396) Commentary Note for lines 2146-50: 2146-7 {Thus} <So> runnes the world away.
| Would not this sir & a forrest of fea-
2147-8 thers, if the rest of | my fortunes turne Turk with me, with <two> prouinciall
2149-50 Roses on my {raz'd} <rac'd> shooes, get me a fellowship in a cry | of players? <sir.>
... 46, Bk. II, Sect. 16, p. 277): “I suppose Sophocles' white shoe was what Shakespeare in Hamlet, Act 3 [2149], calls <i>rayed shoes</i>: i.e. with rays of ...
... the true one.”</para> <para><fnc> Singer is “vindicating” Shakespeare from “the interpolations and corrumptions” advocated b ...
... nton</sc> (ed. 1860): “A popular phrase to express apostacy of any kind. Shakespeare uses it again in <i>Ado</i> [3.4.57 (1554)]—'Well,, an you be ...
... hoes. It should be noted, however, that Steevens and other critics thought that Shakespeare probably wrote raised shoes, <i>i.e</i>. shoes with high heels.  ...
... Thompson & Taylor</sc> (ed. 2006): “share, partnership; like the one Shakespeare had with the Chamberlain's Men whereby he received a share of their ...
... s Theatre was held by eleven members of the company, on twenty shares; of which Shakespeare owned four, while some others had but half a share each</small>. ...
... ian discovery so recent and so interesting not only in its familiar allusion to Shakespeare as a ‘deserveing man,' but also in its reference to the Childr ...
... om, then in vogue, of making the theatrical property a joint-stock affair. Thus Shakespeare himself was a stockholder in the Globe theatre, and so hand not only ...
... cock</i>, proposed by Mr. Theobald, I cannot help thinking, with Mr. Pope, that Shakespeare alluded to the well-known fable of the birds, who preferred that vai ...
... w <i>pea-jock</i> came to be altered to <i>pa-jock</i> (<i>paiock</i>), and how Shakespeare could have become acquainted with an idiom used the north of Scotlan ...
... tural history of Shakespeare's time,' says the writer of the article ‘New Shakespeare Interpretations' (<i>Ed, Rev.</i>, Oct. 1872), ‘the word peaco ...
... ;nician, and Swedish being laid under contribution, though one may wonder where Shakespeare got his knowledge of these not very generally known languages. The m ...
... t, the ‘pajock' of the modern text. All that happened, I believe, is that Shakespeare spelt ‘peacock' without an ‘e' in an old-fashioned manne ...
... elt, gave not difficulty in the five indubitable instances of its occurrence in Shakespeare texts. Among many other suggestions are <i>paddock</i>, toad, which ...
... aiock</b>] <sc>Edwards</sc> (ed. 1985): “There seems to be no doubt that Shakespeare wrote ‘paiock' and it is surely straining things too far to sa ...
... nstrument it had evidently a mouthpiece (Natural History, cent. ii § 161). Shakespeare uses the word again in <i>MND</i> [5.1.123 (1921)]: ‘He hath p ...
... y on the success of the Gonzago play, does Hamlet call for the recorders? True, Shakespeare knew that recorders would be needed for the scene with Rosencrantz a ...
400) Commentary Note for lines 2175-78: 2175-6 Ham. Your wisedome should shewe it selfe more
{richer} <ri-|cher> to signifie
2176-7 this to {the} <his> Doctor, for, for mee to put him | to his purgation, would
2177-8 perhaps plunge him into <farre> | more choller.
... c>Thompson & Taylor</sc> (ed. 2006): “much more rich or resourceful. Shakespeare and his contemporaries often use double comparatives (see Blake, 3.2 ...