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Contract Context Printing 160 characters of context... Expand Context ... </b>] <sc>Rushton</sc> (1909, pp. 45-6): <p.45> “In these passages Shakespeare refers to the figure Histeron, Proteron, or the Preposterous. ‘ ...
382) Commentary Note for line 2077:2077 Directly seasons him his enemy.... ht his falseness to maturity; cf. [1.3.81 (546)]. But the verb <i>season</i> in Shakespeare almost always has the idea (whether literal of figurative) of <i>sea ...
383) Commentary Note for line 2083:2083 But die thy thoughts when thy first Lord is dead.... ><para>2083<tab> </tab>G<sc>entleman</sc> (ed. 1773): “It is very odd <i>Shakespeare </i>should have so often jumbled rhime, blank verse, and prose, toge ...
... e little more than repetitions of what precedes and follows them. The truth is, Shakespeare set himself to write an empty playlet composed of a number of moral ...
... ny thing which confers stability or security.” </para> <para>3. “ Shakespeare seems to have used this word for an anchoret, or an abstemious reclu ...
... ill remain The true <i>blank</i> of thine eye.' <i>Lr</i>. [1.1.157-8 (170-1)]. Shakespeare has used it also for the mark at which a cannon is aimed, or rather ...
... r</sc> (ed. 2006): “either (1) blenches, turns pale, or (2) makes blank. Shakespeare does not use <i>blank</i> as a verb elsewhere.”</para></cn> < ...
... starke feierliche Schwüre.” [Similarly in his <i>Sonnets</i> (152) Shakespeare says <i>I have sworn deep oaths</i> meaning strong solemn vows.]</pa ...
388) Commentary Note for lines 2105-10:2106-7 of a murther doone in Vienna, {Gonzago} <Gon-| zago>is the Dukes name, his wife2107-8 Baptista, you shall see | anon, tis a knauish peece of worke, but what {of}2108-10 {that} <o'that>? | your Maiestie, and wee that haue free soules, it touches | vs not,... t</i>ituted for <i>duke</i> this passage remained by some accident uncorrected. Shakespeare has been censured for giving the name <i>Baptista</i> to a woman. I ...
... man. I have seen few instances in which the name was borne by women in England. Shakespeare was not solicitous about it. It had a feminine termination; that was ...
... iven by him even admit of augmentation. The charge of ignorance brought against Shakespeare on this score, is thus turned into its opposite, and becomes a proof ...
... ite, and becomes a proof of the thoroughness of his knowledge. See my Essays on Shakespeare (London, 1874) p. 295. Abhandlungen zu Shakespeare, S. 319.”< ...
... rne by women in England. ‘It had a feminine termination; that was enough. Shakespeare has given it to a man in <i>The Taming of the Shrew</i>.' It has bee ...
... ] <sc>Kittredge</sc> (ed. 1939): “the exact representation. Sarrazin (<i>Shakespeare Jahrbuch</i>, XXXI [1895], 169) supposes the source to be an histori ...
... Attempts were made to bring these two men to justice, but with no success. How Shakespeare picked up a muddled version of this story, in which the alleged murd ...
... enley</sc> (<i>apud</i> <sc>Editor, 1787, </sc>6:105): “The use to which Shakespeare converted the <i>chorus</i>, may be seen in <i>H5</i>. HENLEY.  ...
... b>] C<sc>aldecott</sc> (ed.1819): “Mr. Henley observes, the use to which Shakespeare converted the <i>chorus</i>, may be seen in <i>H5</i>.”</para ...
... of the play or between the acts reports action that is not presented on stage. Shakespeare uses such a <i>Chorus</i> e. g. in <i>WT</i>, in <i>Rom.</i>, and in ...
... see 2114), <sc>knt1</sc> (see 2115) or <sc>col1</sc>: “The use to which Shakespeare put the chorus may be seen in <i>H5</i>. Every motion or puppet-show ...
... ter) often appeared in Elizabethan plays to explain the action to the audience. Shakespeare seldom used a Chorus, but it is found in <i>2H4, H5, WT, Rom.,</i> a ...
... ed. 2006): “an actor whose role is to mediate the story to the audience; Shakespeare used this device in <i>H5, Per </i>and <i>WT</i>.”</para></cn ...
... delicacy'. It seems indeed to be beyond a doubt, that even in this conversation Shakespeare shows ‘the very age and body of the time his forme and pressur ...
... roadcast jests and the most outspoken obscenities of Shakespeare's clowns; nay, Shakespeare would not have introduced such grossness and ribaldry, if it had not ...
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