<< Prev 1.. 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 [36] 37 38 39 40 ..75 Next >> 351 to 360 of 743 Entries from All Files for "shakespeare " in All Fields
Contract Context Printing 160 characters of context... Expand Context ... otherwise unimpaired to a musician with 'a false stringed lute' (p. 38), and in Shakespeare a musician who 'plays false' is 'out of tune' (Gent. IV. ii. 57-8). ...
... s of a 'most consonant and pleasant harmony are put 'out of tune' (p. 250), and Shakespeare uses the same metaphor when Cordelia speaks of Lear's 'untun'd and j ...
... er in musical tunes' (Shakespeare's Europe, ed. C. Hughes, 1903, p. 395). And Shakespeare elsewhere combines out of tune with harsh: see Rom. III. v. 27-8, 'I ...
... pendence of music on correct time was often referred to (cf. III. iv. 142-3). Shakespeare makes Richard II exclaim, 'How sour sweet music is When time is brok ...
... arlier 4to.—has, ‘which for to prevent,'—a construction which Shakespeare seems solicitously to have avoided. See the Introduction to this pl ...
353) Commentary Note for lines 1849-50:1849-50 Ham. Speake the speech I pray you as I pronoun'd | it to you, trip-... ] to one Martin both of them supposed by ye contents to be jovial companions of Shakespeare & B— Jonson— In which ye writer gives an account [so ...
... ich ye writer gives an account [some illegible insertions] of a dispute between Shakespeare & Alleyn concerning Hamlets advice to ye Players—the latte ...
... 212;the latter claiming the merit of being the real author of it & charging Shakespeare with stealing it from him in the several conversations wch had passe ...
... C;Though there can be no doubt that Allen acted many characters in the plays of Shakespeare B. Jonson & Beaumont & Fletcher yet his name is not to be fo ...
... >. . . <b>it</b>] <sc>Griffith </sc> (1777, 2:287-8): <p.287> “<i>Shakespeare </i> not only affords documents to real life, but supplies them even ...
... ons, may break into the most violent absurdities.' The 'amiable fiction' that Shakespeare is through Hamlet attacking the acting of Edward Alleyn is well refu ...
... 4to, 1603, gives it' I had rather hear a town bull below,'— scarcely what Shakespeare wrote.”</para></cn> <cn> <sigla><sc>1870<tab> </tab><tab> </t ...
... ye the horse, may chaunce to curse hym.'</para> <para>“In these passages Shakespeare and Ascham speak in disparaging terms of the work of journeymen, and ...
... entary. It might help their readers—<i>us</i>—if they realized that Shakespeare frequently uses a third pattern, which, though it works differently ...
... , were men, the change is pointless and nonsensical: and I would submit whether Shakespeare did <i>not</i> write ‘or Norman?”' When one takes the p ...
... ye the horse, may chaunce to curse hym.'</para> <para>“In these passages Shakespeare and Ascham speak in disparaging terms of the work of journeymen, and ...
359) Commentary Note for lines 1886-87:1887-8 speake no more then is set downe for | them, for there be of them that... and fullness, the author would not approve of this liberty in the actor, whence Shakespeare here reprehends it. There is a remarkable addition at this place in ...
... lled at Kemp, ‘who about the date quitted the company of players to which Shakespeare had always belonged.' See p. 232.”</para></cn> <cn> <sigla>19 ...
... ed at William Kemp, who about this date quitted the company of players to which Shakespeare had always belonged. We quote the passage exactly as it is printed, ...
... 216;Memoirs of the Lives of the Actors in Shakespeare's Plays,' (printed by the Shakespeare Society in 1846) p. 105: ‘We are to bear in mind that ‘H ...
... eral axiom as to the abuse introduced by the performers of the parts of clowns, Shakespeare had designed a particular allusion to Kemp.'”</para></cn> <cn ...
<< Previous Results
Next Results >>
All Files Commentary Notes
Material Textual Notes Immaterial Textual Notes
Surrounding Context
Range of Proximity searches