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Contract Context Printing 160 characters of context... Expand Context 341) Commentary Note for line 1733:1733 The vndiscouer'd country, from whose borne... o reconcile the Passages in Act I. Scene 7, and Act III. Scene 2, and to acquit Shakespeare of “Forgetfullness” or “Contradiction.” ...
342) Commentary Note for line 1738:1738 And thus the natiue hiew of resolution... d a certain book, it becomes a point of reasonable curiosity to inquire whether Shakespeare had more particularly in his mind any one book, and, if so, what boo ...
... a book entitled <i>Cardanus' Comforte</i>, and this seems to be the book which Shakespeare placed in the hands of Hamlet.</para> <para>“It was one of th ...
343) Commentary Note for line 1742:1742 And loose the name of action. Soft you now,... the soliloquy, but it incidentally enters into it. ‘Clelia' in his God in Shakespeare construes the opening sentence thus: ‘Whether ‘tis noble ...
344) Commentary Note for line 1758:1758 Ham. Ha, ha, are you honest.... 8<i><b><i> </i></b></i><sc>Verplanck</sc> (ed. 1847): “Every lover of Shakespeare is familiar with the doubts, speculations, and controversies excited ...
345) Commentary Note for line 1759:1759 Oph. My Lord.... rm was <small>cuyring </small>surprize at having so ambiguous a word as honest. Shakespeare uses it in its double sense elsewhere: ‘I do not think that De ...
346) Commentary Note for lines 1776-7:1777-8 ners, I am my selfe indifferent honest, but yet I could accuse mee of... nd of 'nunnery' where they flourish. It is possible that it was for this that Shakespeare chose to reiterate the word. And a degree of ambivalence would no ...
... let</i> which evoked it. <i>BB</i>, like Fletcher, rules out any ambiguity. Shakespeare perhaps did not."</para></cn> <cn> <sigla>2008<tab></tab>Pequigney</ ...
347) Commentary Note for lines 1779-81:1779-80 very proude, reuengefull, ambitious, with more offences at my beck,1781-2 then I haue thoughts to put them in, imagination to giue them shape,1779-81 ... Shepherd, III, 2: <i>At your beck, madam</i>. Timon, a Play, ed. Dyce (for the Shakespeare Society, 1842) p. 13: <i>at my beck and nodd</i>. Heywood, Love's Mi ...
... t now. A stage tradition beginning early in the 19th century (see Sprague, <i>Shakespeare and the Actors</i>, pp. 152-4) made Polonius pop his head out at thi ...
349) Commentary Note for lines 1798-1800:1799-1800 uen you one {face} <pace>, and you make your selfes an|other, you gig {&} <you> am-... 62><p. 463> text, which Dr. Johnson thinks best, though he admits that Shakespeare might have written both. Other very good reasons have been given fo ...
... whoever will reflect on the typographical errors for which the quarto plays of Shakespeare are remarkable, may be disposed to think that the folio editors had ...
350) Commentary Note for lines 1804-05:1804-5 but one shall liue, the rest shall keep | as they are: to a {Nunry} <Nunnery,> go. Exit <Hamlet>.... lectrical effect on the house. It explained the character at once (and such as Shakespeare meant it) as one of disappointed hope, of bitter regret, of affectio ...
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