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Contract Context Printing 160 characters of context... Expand Context 321) Commentary Note for lines 1610-11:1611 A damn'd defeate was made: am I a coward,... (ed. 1773): “The word defeat is licentiously used by the old writers. Shakespeare in another play employs it yet more quaintly.— ‘<i>D ...
... > (ed. 1778): “The word defeat is licentiously used by the old writers. Shakespeare in another play employs it yet more quaintly.-- ‘<i>Defeat</i> ...
... r Schmidt, Shakespeare-Lexicon s. <i>Foh</i>, there is only one more passage in Shakespeare where this interjection occurs in connection with <i>fie upon</i>, v ...
323) Commentary Note for line 1629:1629 That guilty creatures sitting at a play,... haue heard...of the malefactions</b>] <sc>Upton</sc> (1748): “'Tis plain Shakespeare alludes to a story told of Alexander the cruel tyrant of Pherae in T ...
... . . organ:</b>] <sc>Grey</sc> (1754, pp. 293-5): “'Tis probable that <i>Shakespeare </i>had the following incident in view, which happened in his own t ...
... ures sitting at a play</b>]<sc> Neil</sc> (ed. 1877): “‘'Tis plain Shakespeare alludes to a story told of Alexander, the cruel tyrant of Pheræ ...
... ioned by Henslowe in 1602 but probably older). It was perhaps the influence of Shakespeare as well as such examples from the life that led Massinger to make th ...
324) Commentary Note for line 1632:1632 They haue proclaim'd their malefactions:... f the kind in T. Heywood's ‘Apology for Actors,' 1612, reprinted for the Shakespeare Society, p. 57. The same story is told in the old tragedy, ‘ ...
... a><hanging><sc>hal</sc></hanging> <para><sc>Halliwell</sc> (ed. 1865): “ Shakespeare seems to use blench in the sense of, to wink, to glance. Quotes ...
326) Commentary Note for line 1644:1644 More relatiue then this, the play's the thing... 1C;Horatio” (<i>SJC</i>. No. 1841 (Dec.1-Dec.3, 1772: 4): “Though Shakespeare was not unacquainte with the Effects which a well-acted Play had pro ...
... speare, might be the means of reconciling the contending parties. We know that Shakespeare assisted Jonson in writing in <i>Sejanus</i>; and Dr. Johnson and Dr ...
327) Commentary Note for lines 1650-1:1651 With turbulent and dangerous lunacie?... disturbing, irritating. Compare Antony and Cleopatra, i. 1.18. Elsewhere in Shakespeare the verb is used intransitively."</para></cn> <cn><sigla><sc>1934<ta ...
328) Commentary Note for line 1661:1661 Ros. Niggard of question, but of our demaunds... c>Mason</sc> (1785, p. 383): “Warburton forgets that by <i>question,</i> Shakespeare does not usually mean <i>interrogatory</i>, but <i>discourse</i>; bu ...
... nter</sc> (-1845, f. 244r): “Warburton has very happily conjectured that Shakespeare wrote the very opposite in qu[margins] to this passage as it now sta ...
... conjectured that <i>most free</i> and <i>niggard</i> should change places. But Shakespeare probably intended to make these diplomatists <i>lie</i> to their emp ...
... . Nowhere else, except more markedly is there marked instances of madness does Shakespeare allow his characters to wander off on each freshly started subject, ...
329) Commentary Note for lines 1671-2:1671 And he beseecht me to intreat your Maiesties1672 To heare and see the matter.... <sc> Clark</sc> & <sc>Wright</sc> (ed. 1872): "many verbs were employed by Shakespeare with both the strong and the weak forms of preterite and participle, ...
... of the present scene, but from innumerable passages throughout his dramas) that Shakespeare was not at all solicitous about observing such a [Greek text]; </ ...
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