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281 to 290 of 743 Entries from All Files for "shakespeare " in All Fields

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281) Commentary Note for lines 1192-93:
1192-3 Pol. You know sometimes | he walkes foure houres together

    ... sc>(ed. 1899): &#x201C;Hanmer's emendation <i>for</i> is specious. But Elze (<i>Shakespeare Jahrbuch</i>, B. xi) has shown the use by Elizabethan writers of fou ...
282) Commentary Note for lines 1218-19:
1218-9 Ham. For if the sunne breede maggots in a dead dogge, | being a

    ... arburton has corrected this passage rightly; but I think, with Mr. Malone, that Shakespeare had not any of that profound meaning which Warburton has ascribed to ...

    ... had intervened, between &#8216;as the world goes' [[1215]] and the Sun &amp;c, Shakespeare would have given some hint, tho' but in a single word, even tho' hid ...

    ... terruptions, and rejoices in his departure, serve, in our opinion, to show that Shakespeare intended the actor should manifest his wish to be alone, after the w ...
283) Commentary Note for lines 1219-20:
1219-20 good kissing carrion. | Haue you a daughter?

    ... ways of Providence in permitting evil to abound in the world. He observes that Shakespeare &#8216;had an art not only of acquainting the audience with what his ...

    ... , 'almost sets the critic on a level with the author!' The critic remarks that Shakespeare 'had an art not only of acquainting the audience with what his actor ...

    ... terruptions, and rejoices in his departure, serve, in our opinion, to show that Shakespeare intended the actor should manifest his wish to be alone, after the w ...

    ... which is which, in reading an author of so contriving a spirit of expression as Shakespeare exhibits.</para> <para> &#x201C;In the following passages, for exam ...

    ... pens with this word, &#8216;kissing' here means rather more than it expresses. Shakespeare uses it in the same sense in <i>All's Well</i>: &#8216;He that <i>ki ...

    ... supposes that Hamlet reads or pretends to read, these words. See by Ingleby, <i>Shakespeare Hermeneutics</i>, p. 159.</para></cn> <cn><sigla><sc>1909<tab> </tab ...
284) Commentary Note for lines 1234-5:
1234-5 Ham. Slaunders sir; for the satericall {rogue} <slaue> sayes heere, | that old

    ... nt so early; those who have seen Mr. Farmer's pamphlet will hardly believe that Shakespeare was able to have read the original.&#x201D; </para> <para>1234 <b>t ...

    ... para>1234-5 <b>the satericall rogue</b>]<sc>Farmer</sc> (ed. 1778): &#x201C;Had Shakespeare read Juvenal in the original, he had met with &#8216;De temone Brita ...

    ... ord might be forgotten, it is clear from the mistake in the <i>latter</i>, that Shakespeare could not possibly have read any one of the Roman poets. There was ...

    ... the observation I made in <i>Macbeth</i>: but one may remark once for all, that Shakespeare wrote for the <i>people</i>; and could not have been so absurd to br ...

    ... 1826): &#x201C;By &#8216;the <i>satirical rogue</i>' Warbuton will have it that Shakespeare means Juvenal, and refers to a passage on old age in his tenth satir ...

    ... uveval, x. 188 &amp; c., but it is at least as probable, without attributing to Shakespeare any unusual amount of originality, that he invented this speech for ...

    ... ing> <para>1234 <b>the satericall rogue</b>] <sc>Jenkins </sc>(ed. 1982): "If Shakespeare had meant a reference to Juvenal, as Warburton and others suggested, ...
285) Commentary Note for lines 1243-4:
1243-4 Pol. Though this be madnesse, | yet there is method in't, will you

    ... orrespondence with <i>Every Man in his Humour</i> shows a verbal echo of a play Shakespeare is known to have acted in : Q 1601, I. iv. 196-8, '<i>Biancha</i> : ...

    ... the air. <i>Thorello</i> : How simple, and how subtle are her answers!' Did Shakespeare then play Thorello (Kitely), rather than Lorenzo (Knowell) Senior, a ...
286) Commentary Note for lines 1247-8:
1247-8 Pol. Indeede that's out of the ayre; | how pregnant sometimes

    ... This curious parallel is found in Jonson's Folio 1616, and in the Quarto 1601. Shakespeare acted in Jonson's play; perhaps this is an echo that lived in his br ...
287) Commentary Note for lines 1273-4:
1273-4 Guyl. Happy, in that we are not {euer} <ouer->happy on For|tunes {lap} <Cap>,

    ... ut is twined round the cap in the form of a wreath and it may well be asked, if Shakespeare had not in his mind's eye a cap with a flowing ribbon &#8212; just l ...
288) Commentary Note for lines 1304-5:
1304 <very substance of the Ambitious, is meerely the shadow>
1305 <of a Dreame.>

    ... state of humanity is [insert Greek text here], the <i>dream of a shadow</i>.' Shakespeare applies it only to &#8216;the ambitious.'&#x201D;</para></cn> <cn> < ...

    ... a>1304, 1306, 1308, 1310<b> shadow</b>]<sc> Neil</sc> (ed. 1877): &#x201C;Here Shakespeare plays with a commonplace of Greek poetry popular in his day, found i ...
289) Commentary Note for lines 1309-12:
1309 < Ham. Then are our Beggers bodies; and our Mo->
1310 <narchs and out-stretcht Heroes the Beggers Shadowes:> 1310
1311 <shall wee to th'Court: for, by my fey I cannot rea->
1312 <son?>

    ... 1309-10 <b>Then ... Shadowes</b>] <sc>Johnson</sc> (ed, 1765): &#x201C;<i>Shakespeare </i>seems here to design a ridicule of these declamations against w ...

    ... their ambition, but the shadows of the beggar's dreams.' Johnson thought that Shakespeare designed &#8216;a ridicule of those declamations against wealth and ...
290) Commentary Note for lines 1342-3:
1342-3 ther, I haue of late, but wherefore | I knowe not, lost all my mirth,

    ... s much of the swing of the Latin Church services.</para> <para>&#x201C;At first Shakespeare used prose very sparingly, chiefly for clowns and other comic charac ...

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