271 to 280 of 743 Entries from All Files for "shakespeare " in All Fields
... y do, cannot be embodied in one and the same person. It is in such details that Shakespeare reveals his greatness. The creepiness, the bowing and scraping, the ...
... ere feasible. For they are not just something in society, they are society, and Shakespeare was very modest and wise to give us only two such representatives. A ...
... an Dowland, the no less celebrated architect Inigo Jones, and others. See Cohn, Shakespeare in Germany, p. xxiii, seq., and my Biography of Shakespeare, p. 162 ...
... 'exterior</b> . . . <b>man</b>] <sc>White</sc> (ed. 1866, 1: xix): “When Shakespeare wrote in one line of <i>macbeth</i>,— ‘Boil thou first i ...
... tinctions. . It will not do to adopt a printing-office rule in this matter; for Shakespeare used contractions and elisions more and more freely as he grew older ...
... ns</sc> (in IRVING & MARSHALL ed. 1890): “Ff. Have <i>Since not. </i>Shakespeare uses the <i>sith</i> and <i>since </i>indifferently. In line 12 it i ...
... ot dream of':--So the 4tos. The folio, ‘deeme of,' and not improbably so Shakespeare wrote.”</para></cn> <cn><sigla>1870<tab> </tab><tab> </tab><s ...
... ers, Schollers, eye, tongue, sword</i> instead of <i>Schollers, Souldiers</i>). Shakespeare does nowhere care for an unimpeachable correspondence in the parts o ...
... overshoots himself. Possibly, The Earl of Suffolke. Both were Chamberlains. And Shakespeare <small>not</small> not seem to have been in the same favour with him ...
... otes collected by Sir Nicholas L'Estrange, in which we have the story of Jonson Shakespeare and the <i>Latin</i> spoons, there is one, No. 77, in which the mast ...
... Two Gentlemen of Verona, iii. 1. 251:' The time now serves not to expostulate.' Shakespeare also uses the word in its modern and legitimate sense."</para></cn> ...
... ng><para>1117 <b>brevity is the soul of wit</b>] <sc>Jenkins </sc>(ed. 1982): "Shakespeare glances at the current stylistic controversy and the cult of brevity ...
... i>perpend</i>.” Again: ‘My queen <i>perpend</i> what I pronounce.' Shakespeare has put the same word into the mouth of Polonius. <sc>Steevens</sc>. ...
... ons</sc> (in IRVING & MARSHALL ed. 1890): “This word is only used in Shakespeare as a sign of affection or mockery; it is put into the mouth of the b ...
... utified <i>With goodly Shape</i>' [4.1.53. (1599)]. </para> <para>“As <i>Shakespeare </i>has therefore chose to use it in the latter Acceptation, to exp ...
... <i>With goodly Shape</i>' [4.1.53. (1599)].</small> </para> <para>“As <i>Shakespeare </i>has therefore chose to use it in the latter Acceptation, to exp ...
... ears over Jerusalem, 1594, ‘to the most beautified Lady Elizabeth Carey;' Shakespeare uses it himself in the Two Gentlemen of Verona, IV, i; and the verb ...
... s underlying this critical observation. Now, we know that Robert Greene charged Shakespeare with having ‘beautified himself' with ‘feathers' not his ...
... /b><i><b><i>beautified</i></b></i>] <sc>Dowden</sc> (ed. 1899): “used by Shakespeare in <i>Two Gentlemen of Verona</i>, [4.1.53-4 (1599-1600)] Theobald r ...
... 6;to the most wothily Honoured and vertuous beautified Ladie.' Greene described Shakespeare in a vile phrase as an upstart crow ‘beautified with our feath ...
... <i><b><i>beautified</i></b></i>] <sc>Jenkins </sc>(ed. 1982): “Though Shakespeare several times uses the verb 'beautify', it is only here that he uses ...
... forbid us to regard Hamlet's superscription as wildly extravagant ; and though Shakespeare sees it to be vulnerable, by subjecting it to Polonius's criticism h ...
... tab>that's . . . phrase] <sc>Bate</sc> (2008, p. 41): “The evidence that Shakespeare was insulted—or amused, or both—by the 'upstart crow' qu ...
... because the word was associated with social inferiority, which was exactly what Shakespeare had been accused of in the original 'upstart crow' insult.” < ...
... the heart', and <i>Sonn</i>. XCIII, and shows that this was a common word with Shakespeare for any operation of heart, mind, or soul (cf. II. ii. 548). Yet i ...
... mlet is a prince out of thy sphere The Folio & Q. read starre—Perhaps Shakespeare wrote state</para></cn> <cn><sigla>1778<tab> </tab>v1778</sigla><han ...
... is a prince out of thy <i>soar</i>.' It is not to be concealed, however, that Shakespeare does not elsewhere employ <i>soar</i>*( note appears at the bottom o ...