Hamlet Works

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831 to 840 of 1169 Entries from All Files for "shakes" in All Fields

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831) Commentary Note for line 2750:
2750 There's tricks i'th world, and hems, and beates her hart, 2750
    ... with a plural is not uncommon with Shakespeare. Thus in [3.4.202 (2577+1)]] ...
832) Commentary Note for line 2751:
2751 Spurnes enuiously at strawes, speakes things in doubt
    ... y): &#x201C;enviously is used by Shakespeare for angrily, indignantly [qu ...
    ... i>enviously = erbost.&#x201D; [With Shakespeare envy often means mali ...
    ... ;As &#8216;envy' was frequently used in Shakespeare's time for &#8216;hatred,' & ...
    ... 890): &#x201C;i.e. sptefully. In Shakespeare's time envy had not l ...
833) Commentary Note for line 2754:
2754 The hearers to collection, they {yawne} <ayme> at it,
    ... 'inference'; a fairly common meaning in Shakespeare's time and later; cp. Twere good she were spoken with, | for shee may strew

2760-1 Dangerous coniectures | in ill breeding mindes,

2761 Let her come in.
    ... less tolerable from such a Genius as Shakespeare's, and especially in the ...
835) Commentary Note for line 2762:
2762 {Quee.} ‘To my sicke soule, as sinnes true nature is,
    ... t epoch-making book, Mr Percy Simpson's Shakespearian Punctution.1 Mr Simpson do ...
836) Commentary Note for line 2763:
2763 ‘Each toy seemes prologue to some great amisse,
    ... [Amiss as noun appears also with Shakespeare's contemporaries.]</para></c ...
    ... Nares, Steevens, and Concordance to Shakespeare's Poems.&#x201D;</para>< ...
    ... ntive amiss is used elsewhere by Shakespaeare only in two of the Sonnets, ...
837) Commentary Note for line 2766:
2766 {Enter Ophelia.}
    ... nder, and can only weep. It belonged to Shakespeare alone, so to temper such a p ...
    ... ess, Hamlet, or E. W. Naylor, Shakespeare and Music, 1896.&#x201D; ...
    ... m her actual experience. Coleridge (Shakespearean Criticism, ed. T.M. Ra ...
838) Commentary Note for line 2767:
2767 Oph. Where is the beautious Maiestie of Denmarke?
    ... hos. It is a character which nobody but Shakespeare could have drawn in the way ...
839) Commentary Note for line 2768:
2768 Quee. How now Ophelia? {shee sings.}
    ... be more than coincidence (cf. Long, Shakespeare's Use of Music, iii.115 ...
    ... hat of P.J. Seng, The Vocal Songs of Shakespeare, pp. 131-56. Though not ...
    ... at least of which descend from airs of Shakespeare's time, were written down ea ...
    ... sung them at Drury Lane. See Linley, Shakespeare's Dramatic Songs, ii.23- ...
    ... Chas. Knight's Pictorial Edition of Shakespeare, Tragedies i.151-4 (exce ...
    ... , A Collection of the Vocal Music in Shakespeare's Plays, 11.83-9; Naylor ...
    ... speare's Plays, 11.83-9; Naylor, Shakespeare and Music, rev. 1931, pp ...
    ... 931, pp. 189-91; Sternfeld, Music in Shakespearean Tragedy, 1963, pp.60-7 ...
    ... e discussion); Sternfeld, Songs from Shakespeare's Tragedies. 1964 (arran ...
    ... anged for modern performance); Long, Shakespeare's Use of Music. iii. (19 ...
840) Commentary Note for line 2769:
2769 Oph. How should I your true loue know from another one,
    ... rs to which her honour lay exposed' (Shakespeare Criticism, ed. Raysor, I ...
    ... esemble the Walsingham song, popular in Shakespeare's time. Cf. the version pres ...
    ... ngement from Hamlet and his banishment. Shakespeare does not reveal whether she ...
    ... songs see F.W. Sternfeld's Music in Shakespearean Tragedy (London, 1963) ...
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