631 to 640 of 1169 Entries from All Files for "shakes" in All Fields
... (1752, p.36-7): <p.36> “<i>Shakespeare</i>, according to ancient Su ...
... . Dyce, if you love us humble lovers of Shakespeare, if you venerate his mighty ...
... Mr. Dyce! our keen relish of this most Shakesperian morsel, or we shall lose no ...
... of the folio— for believing that Shakespeare wrote, <p.416></p.4 ...
... saging ‘bloody massacres'; and in Shakespeare, 2H6 [4.4.1ff. (2533ff.)], w ...
... giving him this familiar stage speech, Shakespeare distinguishes Hamlet's exerc ...
... c> (1934, rpt. 1963, 1:138): “If Shakespeare wrote ‘breathes,' as h ...
... ttle corrupt indeed, but much nearer <i>Shakespear</i>'s words, who wrote, ̵ ...
... ngst the vulgar, long since the days of Shakespear, and which therefore can have ...
... might not have been such in the age of Shakespeare. <small>WATTS, in his <i>Lo ...
... might not have been such in the age of Shakespeare. <small>The <i>bitter</i> da ...
... ens that it might not have been such in Shakespeare's time.”</para></cn> ...
... . Dyce, if you love us humble lovers of Shakespeare, if you venerate his mighty ...
... Mr. Dyce! our keen relish of this most Shakespearian morsel, or we shall lose n ...
... y of the folio—for believing that Shakespeare wrote, </p.416><p.4 ...
... 16;Hail, holy light!' His perversion of Shakespeare's text seems to us about upo ...
... “In the second edition of his <i>Shakespeare</i> Mr. Collier remarks;  ...
... 16;Hail, holy light!' His perversion of Shakespeare's text seems to us about upo ...
... >“Though in my recent edition of Shakespeare I have preferred printing, w ...
... permitted to stand [in the <i>Variorum Shakespeare</i>] we cannot think. The wo ...
... it is borne in mind what special force Shakespeare elsewhere uses the word in s ...
... st burlesque. The Quarto is much nearer Shakespeare's words, who wrote <i>‘ ...
... ase, yet it might not have been such in Shakespeare's time. <sc>Dyce</sc>, in hi ...
... olly of innovation: see <i>Few Notes on Shakespeare</i>, 8vo. 1853, p. 141.  ...
... who had his mother Agrippina murdered. Shakespeare refers to the story that he ...
... evenge and the metadramatic elements of Shakespeare's art that undermine the pla ...
... opies, which he mistrusted not to be <i>SHAKESPEARE</i>'s. I will not warrant t ...
... rd that was already becoming archaic in Shakespeare's time.]</para></cn> <cn> <s ...
... ominative, not a vocative. See Abbott's Shakespearian Grammar. §§ 364, ...
... ominative, not a vocative. See Abbott's Shakespearian Grammar. §§ 364, ...
... him to seek his Death, what need had <i>Shakespear</i> to make his Hero's Sense ...
... et persists in.</para> <para>“<i>Shakespear</i> has indeed followed the H ...
... eper horror. The dramatic dilemma which Shakespeare has achieved is acute. For a ...
... e verse, <small>and is a favourite with Shakespeare</small>: ‘near us' may ...