621 to 630 of 1169 Entries from All Files for "shakes" in All Fields
... s word ‘so' its proper emphasis. Shakespeare's meaning is,—‘L ...
... or give this word its proper emphasis. Shakespeare's meaning is--'loved you? H ...
... filchers</i> off' (Simpson's School of Shakespeare, 1872, p. 72). ‘By thi ...
... </i> [5.1.161 (2583)], and elsewhere in Shakespeare. In <i>2H6</i> [1.3.190 (587 ...
622) Commentary Note for lines 2207-09: 2207-8 Ros. Good my Lord, what is your cause of
{distemper,} <distem-| per>, you do
{sure-} {H4} 2208-9 {ly} <freely> barre the doore {vpon} <of> your owne {liberty} <Liber-| tie> if you deny your griefes to
2209 your friend.
... al disorder. The construction common in Shakespeare's work, can be explained thu ...
... ed irreconcileable with other accounts. Shakespeare (in <i>Hamlet</i>) speaks of ...
... a little cheese-paring; but manhandling Shakespeare is a dangerous business̵ ...
... ve tone charmed the ears of Henry VIII, Shakespeare and Pepys – is a devel ...
624) Commentary Note for lines 2213-18: 2213-4 Ham. I
{sir}, but while the grasse growes, the prouerbe is
| something
2214-16 musty, | <Enter one with a Recorder.> | ô the {Recorders,} <Recorder.> let mee see {one}, to withdraw with you, why
2217-8 doe you goe about to recouer the wind of mee, as if you | would driue
2218 me into a toyle?
... red irreconcilable with other accounts. Shakespeare (in <i>Hamlet</i>) speaks of ...
... ar in the acting. We must remember that Shakespeare wrote for the stage, not the ...
... a little cheese-paring; but manhandling Shakespeare is a dangerous business̵ ...
... ve tone charmed the ears of Henry VIII, Shakespeare and Pepys – is a devel ...
... ‘<i>not</i> unmannerly.' Probably Shakespeare intended Guildenstern's word ...
... mbridge editors remark, ‘Probably Shakespeare intended Guidenstern's words ...
626) Commentary Note for lines 2228-31: 2228-9 Ham.
{It is} <'Tis> as easie as lying; gouerne these ventages
|with your
{fin-} 2229-30 {gers, & the vmber} <finger and thumbe>, giue it breath with your | mouth, & it wil discourse
2230-1 most {eloquent} <excellent> musique, | looke you, these are the stops. 2230
... of R: Q[2] Eloquent gd fine dubio magis Shakesperianum v.v.30 [where the word <i ...
... h a key is more modern than the time of Shakespeare. We may, therefore, safely d ...
... , or even likely, that the recorders of Shakespeare's time had such a brass key; ...
... “stops. Not found elsewhere in Shakespeare, the word may well be a Shak ...
... in Shakespeare, the word may well be a Shakespearian coinage (<i>OED ventage</i ...
... hole. In mod. use perh. originally from Shakespeare. <b>1602</b> SHAKS. Ham. [3. ...
627) Commentary Note for lines 2240-43: 2240-1 <Why > do you think
<that> I am easier to be
| plaid on then a pipe, call mee what in-
2241-2 strument you wil, | though you <can> fret me {not}, you cannot play vpon me.
2242-3 God | blesse you sir.
... with the <i>fret</i> of the musicians. Shakespeare, in ‘Hamlet,' makes a ...
... ave been a misreading of ‘yet' in Shakespeare's manuscript, since as Dr Gr ...
... resented since we remember the Theatro. Shakespeare seems to have intended the C ...
... efore them the Character of Polonius as Shakespeare intended it, and prevail on ...
... 1899): “immediately, as often in Shakespeare.”</para></cn> <cn> <s ...
... hesitate to believe it good enough for Shakespeare. Apart from the jerkiness of ...
... apacity [as here], etc. Now only in the Shakespearian phrase: <i>To the top of o ...