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531 to 540 of 1169 Entries from All Files for "shakes" in All Fields

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531) Commentary Note for lines 1798-1800:
1798-9 Ham. I haue heard of your {paintings} <pratlings too> well enough, | God hath gi-
1799-1800 uen you one {face} <pace>, and you make your selfes an|other, you gig {&} <you> am-
    ... ough he admits that Shakespeare might ha ...
    ... the quarto plays of Shakespeare are rema ...
    ...  the first folio of Shakespeare's plays, ...
532) Commentary Note for lines 1804-05:
1804-5 but one shall liue, the rest shall keep | as they are: to a {Nunry} <Nunnery,> go. Exit <Hamlet>.
    ... t once (and such as Shakespeare meant it ...
533) Commentary Note for line 1812:
1812 That suckt the honny of his {musickt} <Musicke> vowes;
    ... stance<i> </i>of<i> Shakespear</i>'s<i>  ...
    ... ives is common with Shakespeare. See &#8 ...
534) Commentary Note for line 1814:
1814 Like sweet bells iangled out of {time} <tune>, and harsh,
    ... the commentators on Shakespeare, who, as ...
    ... te' (p. 38), and in Shakespeare a musici ...
    ... tune' (p. 250), and Shakespeare uses the ...
    ... 903, p. 395).   And Shakespeare elsewher ...
    ...  III. iv. 142-3).   Shakespeare makes Ri ...
535) Commentary Note for line 1815:
1815 That vnmatcht forme, and {stature} <Feature> of blowne youth
    ... y, as frequently in Shakespeare.&#x201D; ...
536) Commentary Note for line 1816:
1816 Blasted with extacie, ô woe is mee
    ... re. In the suage of Shakespeare, and som ...
537) Commentary Note for line 1823:
1823 And I doe doubt, the hatch and the disclose
    ... i>Disclose</i>, for Shakespeare's audien ...
538) Commentary Note for line 1824:
1824 VVill be some danger; which {for} to preuent,
    ...  construction which Shakespeare seems so ...
539) Commentary Note for line 1848:
1848 Enter Hamlet, and <two or > three of the Players.
    ... ppiest instances of Shakespeare's power  ...
540) Commentary Note for lines 1849-50:
1849-50 Ham. Speake the speech I pray you as I pronoun'd | it to you, trip-
    ...  to the Players, <i>Shakespear</i> gives ...
    ... ese Precepts of  <i>Shakespear</i> are a ...
    ... layers, who were <i>Shakespeare</i>'s Co ...
    ... nt, must believe <i>Shakespeare</i>  to  ...
    ... ovial companions of Shakespeare &amp; B& ...
    ... f a dispute between Shakespeare &amp; Al ...
    ... f it &amp; charging Shakespeare with ste ...
    ... d rather displeased Shakespeare&#8212;Be ...
    ... ers in the plays of Shakespeare B. Jonso ...
    ... .287&gt; &#x201C;<i>Shakespeare </i> not ...
    ... t to the players as Shakespeare's legacy ...
    ... ould I believe that Shakespere saw the l ...
    ... ad as encapsulating Shakespeare's own vi ...
    ... ng no doubt betrays Shakespeare's own co ...
    ... iable fiction' that Shakespeare is throu ...
    ... nhouse's view that 'Shakespeare's play . ...

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