<< Prev 1.. 81 82 83 84 85 86 87 88 89 90 91 92 [93] 94 95 96 97 98 99 100 ..117 Next >> 921 to 930 of 1169 Entries from All Files for "shakes" in All Fields
Contract Context Printing 160 characters of context... Expand Context ... , &c. Or possibly we should read <i>by-gone</i>, a Scotch word, but used by Shakespeare in [<i>WT</i> a.s.? (0000)], where Hermione says, ‘Tell him, y ...
... #8216;'innate in us, and co-essential to our nature' it is Love. I also believe Shakespeare's thought false; love may be strengthened by time, but its first ope ...
... emendation ((e.g. <i>begone, begnawn</i>)), have come from the assumption that Shakespeare alludes to the fading of love with the passage of time. But although ...
922) Commentary Note for line 3111:3111 And that I see in passages of proofe,... #8216;'innate in us, and co-essential to our nature' it is Love. I also believe Shakespeare's thought false; love may be strengthened by time, but its first ope ...
923) Commentary Note for line 3112_1_3:3112+1-3112+10 There liues . . . of th 'vlcer,... lly, and so illuminating of Claudius's philosophy of life. We cannot think that Shakespeare would delete it unless he were under considerable pressure to shorte ...
... to me, that this is Nonsense, and untrue in Fact; and therefore thinks, that <i>Shakespeare</i> must have wrote; ‘<i>For Goodness, growing to a </i>Pletho ...
... >Warburton</sc> (ed. 1747) notes:” I would believe, for the honour of <i>Shakespear</i>, that he wrote <i>plethory.</i> But I observe the dramatic writer ...
... /tab><b>plurisie</b>] <sc>Elze</sc> (ed. 1857): ‘Warburton möchte zu Shakespeare's Ehre glauben, dass er ‘plethory' geschrieben habe. Allein er ...
... eople.—Nares s. Plurisy.” [”Warburton prefers to believe in Shakespeare's honor that he wrote ‘plethory.' He alone observes that the o ...
... 864-68, rpt. 1874-78): “‘Superabundance,' ‘superfluence.' In Shakespeare's time the word was thus used, as if derived from the Latin <i>plus< ...
... ably from an erroneous idea that the word was derived from <i>plus, pluris</i>. Shakespeare does not employ it elsewhere, but it is not uncommon in writers cont ...
... y</sc> (ed. 1873): “The Cambridge editors shew that other writers beside Shakespeare imagine that ‘pleurisy' is connected with ‘plus;' using ...
... as of that of Hamlet. How is it possible, reading these lines, to believe that Shakespeare intended to give to the portrait of Hamlet any touch of energy!</han ...
... a>“I feel induced here to repeat what I remarked in reviewing (in the <i>Shakespeare Jahrbuch</i>) <i>Mr. Halliwell Phillipps' Memoranda on the Tragedy o ...
... ow to a <i>pleurisy</i> and kill,' &c. The word does not occur elsewhere in Shakespeare.”</para></cn> <cn> <sigla><sc>irv2</sc> : standard</sigla><ha ...
... ' in Elizabethan English is grasped it is not difficult to follow the course of Shakespeare's thought. But as often as not, especially in his later plays, the k ...
... > “over-abundance ((<i>OED too adv.</i> 6a)—<small>apparently a Shakespearian coinage</small>.” </p. 366></para></cn> <cn> <sigla>< ...
... as of that of Hamlet. How is it possible, reading these lines, to believe that Shakespeare intended to give to the portrait of Hamlet any touch of energy!</par ...
... a>“I feel induced here to repeat what I remarked in reviewing (in the <i>Shakespeare Jahrbuch</i>) <i>Mr. Halliwell Phillipps' Memoranda on the Tragedy o ...
... as of that of Hamlet. How is it possible, reading these lines, to believe that Shakespeare intended to give to the portrait of Hamlet any touch of energy!</par ...
... a>“I feel induced here to repeat what I remarked in reviewing (in the <i>Shakespeare Jahrbuch</i>) <i>Mr. Halliwell Phillipps' Memoranda on the Tragedy o ...
... ity of all the editions Mr. <sc>Theobald</sc> had seen when he published his <i>Shakespear restored</i>, (see p. 118) is, ‘And then this should is like a ...
... ution while it seems to relieve the heart.' That it was the belief, at the time Shakespeare wrote, that sighs were injurious to the blood and affected the healt ...
928) Commentary Note for line 3112:3112 Time qualifies the sparke and fire of it,... #8216;'innate in us, and co-essential to our nature' it is Love. I also believe Shakespeare's thought false; love may be strengthened by time, but its first ope ...
... This,like many other archaic modes of pronunciation, occurs more frequently in Shakespeare's earlier plays than in his later, and even in them he is more spari ...
... /sc> (1934, 2:304): <p 304> “It is evident, again, that at 4.7.126 Shakespeare misled both the Q2 compositor and Scribe P of F1 by writing ‘i ...
... actise</b>]<b> </b><sc>Johnson</sc> (ed.1765) : “Practice is often by<i> Shakespeare</i>. and other old writers, taken for an<i> insidious stratagem,</i> ...
... /sc> (ed.1826): “<i>Pass of practice</i> is an <i>insidious thrust</i> . Shakespeare, in common with many of his contemporaries, always uses <i>practice ...
... have not been able to find this reading in any copy, but <sc>Theobald</sc> (<i>Shakespeare Restored</i>, p. 119) conjectured ‘imbaited.' As this conjectu ...
... ecause I believe it to be one of the most carefull elaborated scenes, as far as Shakespeare is concerned, in the whole play. The bare skeleton of it in the Quar ...
... ut a button on the point. <i>Bate, abate, </i>and <i>rebate</i> are all used in Shakespeare with a similar meaning. See [<i>MM</i>], note 47.”</para> <pa ...
... en)), so as to ‘hit, but hurt not' (([<i>Ado</i> 5.2.13 (0000)])). Though Shakespeare does not refer to foil <i>buttons</i>, Dover Wilson is mistaken in s ...
<< Previous Results
Next Results >>
All Files Commentary Notes
Material Textual Notes Immaterial Textual Notes
Surrounding Context
Range of Proximity searches