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Contract Context Printing 160 characters of context... Expand Context 881) Commentary Note for lines 2923-25:2923-4 And you call | him a downe a. O how the wheele becomes it,2924-5 It is | the false Steward that stole his Maisters daughter.... observation in an old quarto black letter book, published before the time of <i>Shakespeare</i>. ‘The song was accounted an excellent one, thogh it was n ...
... ab> </tab><b>a downe a downe</b>] <sc>Steevens</sc> (ed. 1778): “Perhaps Shakespeare alludes to <i>Phœbe's Sonnet</i>, by Tho. Lodge, which the read ...
... ated, and as such was formerly used: and cites from memory a quarto M.S. before Shakespeare's time. ‘The song was accounted a good one, though it was not ...
... ): “This is likewise the burden of a song. <i>Steevens </i>thinks, that Shakespeare alludes to <i>Phoebe's Sonnet</i>, by Tho. Lodge, which the reader m ...
... ihr Unglück zuzuschreiben hat.” [O how well the wheel fits it! That Shakespeare knew the wheel as an instrument of torture is mentioned by S. Johnso ...
... ill it be permitted to suggest, that there may be here a subtle allusion, after Shakespeare's manner? ‘It I a false brother that stole his brother's wife, ...
... d with the reflection that we have here a curious instance of the profundity of Shakespeare, as well as the fecundity of his thoughts and language, so that the ...
... ><small>“The use of the word ‘wheel' by Lovelace—a writer of Shakespeare's age—is very apt. It is in his lines ‘On Lely's Portrai ...
... esented by the first two lines of Ophelia's speech, which Johnson, <i>The Globe Shakespeare</i> and many modern editors, without any warrant from Q2 or F1, prin ...
... n the refrain, while a certain John Taylor, cited in a note of <i>The Cambridge Shakespeare</i>, went a step further and suggested that ‘Ophelia gives the ...
... ing to another) call him <i>a-down-a</i>.'” This, I think, comes near to Shakespeare's intention, though it seems to put a strained interpretation on  ...
882) Commentary Note for lines 2927-29:2928-9] member, and there is {Pancies} <Paconcies>, thats for | thoughts.... n my sight.' It has been thought that this particular ballad was alluded to by Shakespeare, in this passage; but this, probably was not the case. The combinati ...
... g giebt, während sie mit dem Bruder noch den Fenchel theilt.” [That Shakespeare places a deeper meaning in this language of the flowers cannot be do ...
... eevens and Malone give a number of illustrative quotations from the writings of Shakespeare's time. See A Handfull of Pleasant Delites, 1584 (p. 4 Arber's Repri ...
... e us daie and night; Wishing that I might always have You present in my sight.' Shakespeare has several allusions to <i>rosemary</i>. Compare <i>WT</i>. [4.4.74 ...
... (2659)], and <i>WT</i> [4.4.74-76 (1880-82)]. See Ellacombe's <i>Plant Lore of Shakespeare</i> for this and the other flowers. Perhaps the rosemary is given to ...
... (ed. 1903): “The quaint misprint of the Folio for <i>pansies</i>, which Shakespeare appropriately makes his maiden's fancy associate with what Greene sa ...
... ous significance. (1) The custom on which this episode is based is also used by Shakespeare in <i>WT</i> [4.4.74-76 (1880-82)]; and there is no apparent reason ...
... e same thing; so that there is the further difficulty, too often ignored by the Shakespearean annotators, of selecting the meanings which are applicable to the ...
... ifferent circumstances. Flower symbolism flourished in Elizabethan England; and Shakespeare had already made use of it in <i>R2 </i>(3.4.I04-6 (1917-19)]. Much ...
... ocument</b>] <sc>Furness (</sc>ed. 1877): “<sc>Edinburgh Review</sc> (<i>Shakespearian Glossaries</i>, July, 1869): This word is here used in its earlier ...
... y documents thereout did preach.' The word was habitually used in this sense in Shakespeare's day, but has now wholly lost its primitive signification and is re ...
... is the etymological one of instruction (<i>doceo</i>). The word is not used by Shakespeare in any other place.”</para></cn> <cn> <sigla>1891<tab> </tab> ...
...
... : “Rue seems to have been also constantly called ‘herb of grace.' Shakespeare so terms it in <i>R2</i> [3.4.104-107 [(1916-19)] Vol. iv. p. 181:&# ...
... 1858): “Rue <small>was</small> constantly called ‘herb of grace.' Shakespeare so terms it in ‘Richard II.' <small>Vol. iii. p. 280</small>: ...
... d in that respect it will do for you. This explanation is not mine,—it is Shakespeare's own; see <i>R2</i> [3.4.104-107 (1916-19)]. [A discussion on the m ...
... h</i>, and in that respect it will do for you.' He adds that the explanation is Shakespeare's own, and refers to <i>R2 </i>3.4.105 [1916-19]. For a different ex ...
885) Commentary Note for line 2938:2938 For bonny sweet Robin is all my ioy.... ch the mother of Essex addressed him in her letters' – Gerald Massey's <i>Shakespeare's Sonnets</i> [1872], p. 480</small>.”</para></cn> <cn> <sigl ...
... 2769ff.)], [4.5.48ff. (2790ff.)], [4.5.187 (2938)], it cannot be traced back to Shakespeare's time, but Chappell (i.237) notes that ‘it appears to be a po ...
887) Commentary Note for line 2943:2943 No, no, he is dead, goe to thy death bed,... ; The revision is ill-advised. It wipes out a subtle effect that could only be Shakespeare's. Ophelia's mad singing, here and before, is transparent to her unc ...
... Marston, and Chapman. See Dodsley's Old Plays, last edit. vol. vi. p. 223. Both Shakespeare and the authors of ‘Eastward Ho!' probably adopted the words o ...
... </tab>col3</sc></sigla><hanging><sc>col3 = col1 </sc><i>minus </i>“Both Shakespeare . . . time.”</hanging></cn> <cn> <sigla>1865<tab> </tab><sc> ...
... re genius (characterised so wonderfully by Charles Lamb) was much influenced by Shakespeare. <i>The Duchess of Malfi</i>, perhaps the masterpiece of Jacobean tr ...
... ss of Malfi</i>, perhaps the masterpiece of Jacobean tragedy, has more than one Shakespearian reminiscence. See <i>Index</i> (II.) to <i>Mac</i>. One of the wit ...
889) Commentary Note for lines 2948-49:2948-9 {God a mercy} <Gramercy> on his soule, | and of all {Christians} <Christian> soules, <I pray God.>... this. ‘Of' is not strictly grammatical according to modern usage, but in Shakespeare's time it was frequently used for ‘on.' See <i>MV</i> [2.2.97- ...
... hanging> <para>2948<tab> </tab><b>Christian Souls</b>] <sc>Roberts</sc> (<i>New Shakespeare Society'sTransactions</i> <i>1877-9</i>, pp. 107-8): </p.107> ...
... . It is only fair that the unexpected light that the Old Corrector spreads over Shakespeare should illumine not only Collier's edition or authorized editions, b ...
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