<< Prev 1.. 81 82 83 84 85 86 87 [88] 89 90 91 92 93 94 95 96 97 98 99 100 ..117 Next >> 871 to 880 of 1169 Entries from All Files for "shakes" in All Fields
Contract Context Printing 160 characters of context... Expand Context 871) Commentary Note for line 2881:2881 That both the worlds I giue to negligence,... int where he is equally unconcerned about this world and about the one to come. Shakespeare uses <i>both the worlds</i> in this sense also in <i>Mac</i>. [3.2.1 ...
... lood, an illustration of filial impiety, not parental love. <small>But Rushton, Shakespeare's Euphuism, p. 9, quotes from Lyly's Euphues and his England: ‘ ...
... loured skin.' In <i>R2</i> [2.1.126 (770], and King <i>Lr</i>. [3.4.76 (1857)], Shakespeare uses the same illustration, but in a contrary sense. <small>F1 has a ...
... the point</small>.”</para> <para><fnc> Here Symons takes a rare swipe at Shakespeare's German editors/commentators. </fnc></para></cn> <cn> <sigla>1891<t ...
... rals to her young ones to eat'; <i>Edward III</i>, iii, 110-113 (ed. Brooke, <i>Shakespeare Apocrypha</i>, p. 90): ‘A Pellican, my Lord, Wounding her boso ...
873) Commentary Note for line 2897:2897 Repast them with my blood.... <para>2897<tab> </tab><b>Repast</b>] <sc>Andrews</sc> (ed. 1993): “Feed. Shakespeare's wording in this passage reminds us that the Pelican's sacrifice is ...
... 201D; [<i>sensible in grief</i> resembles the <i>Err</i>. [4.4.27 (1308)] where Shakespeare says, <i>You are sensible in nothing but blows</i>. Editors generall ...
... eare,' then ‘leuell' must refer to taking aim in shooting, an image which Shakespeare is fond of and employs in this very play, viz. 2628+3. Moreover,  ...
... .2.122 (124+14)]. On the other hand, ‘leuell' may mean plain or open with Shakespeare </2:275><2:276> (cf. <i>2H4</i> [4.4.7 (2377)], ‘e ...
... dius declares he is prepared to do with Laertes. Had the shooting image been in Shakespeare's mind, he would assuredly have written ‘As sun does to your e ...
... o be an alphabetic form of ‘appear'. ‘pierce' is a strong and more Shakespearean word, often used for communication to the senses, as in the Epilog ...
... ll come as sharply home to your judgment as daylight strikes the eye.' I assume Shakespeare wrote ‘pearce', and that Q2's ‘peare' is a misprint. ...
... 726, pp. 111-4): <p.111> “Had I never seen any other Edition of <i>SHAKESPEARE</i> than Mr. <i>POPE</i>'s, I could not but have suspected Something ...
... think in another place the same Error has passed thro' all the Editions of <sc>Shakespeare</sc>; and, as I suppose, was not so much as </p.112><p.113& ...
... Levity and more Decency. Mistakes are less tolerable from such a Genius as <i>Shakespeare's</i>, and especially in the very Pieces which give us such strong P ...
878) Commentary Note for line 2912:2912 O heauens, ist possible a young maids wits... cond portion of the passage requires for its elucidation that we recognize here Shakespeare's use of ‘and'=yet; as in <i>MV</i> [2.3.1-2 (772-73)], ‘ ...
... sc>Warburton</sc> (ed. 1747): “This is unquestionably corrupt. I suppose Shakespear wrote, ‘<i>Nature is </i>fal'n<i> in love, and where ‘tis ...
... ccount for. This quaint sentiment of Nature's falling in love, is exactly in <i>Shakespear</i>'s manner, and is a thought he appears fond of. So in <i>Romeo and ...
... n. Ms 0.12.575 Isaac Hawkins Browne (1705-1760), Critical Notes on the Plays of Shakespeare. </fnc></para></cn> <cn> <sigla>1765<tab> </tab><sc>john1</sc></sigl ...
... i>nony-nony</i>, or pallace of pleasure'. Quoted in the Transactions of the New Shakespere Society, 1877-9, Part III, 465. Compare Forby, Vocabulary of East Ang ...
... -books and collections of airs. They support other evidence which shows that in Shakespeare's time the English were a very musical race, and that a knowledge of ...
... 's <i>Reliques of Ancient English Poetry </i>is “Ballads that illustrate Shakespeare.” The standard authority on them is Chapell's <i>Popular Musi ...
... s <i>Popular Music of the Olden Time</i> (1894 ed.)</para> <para>“Of all Shakespeare's own songs – such as “Come away, come away, death  ...
... h no ballad is known in which these lines occur, they are unlikely to have been Shakespeare's invention. Cf. Chaucer, <i>Knight's T</i>. (ll. 2877-8), ‘H ...
<< Previous Results
Next Results >>
All Files Commentary Notes
Material Textual Notes Immaterial Textual Notes
Surrounding Context
Range of Proximity searches