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Contract Context Printing 160 characters of context... Expand Context ... i>shoon</i> is a plural form of <i>shoe</i>, a word that was already archaic in Shakespeare's time. Cocklehat, staff, and sandals characterize the pilgrim.]</pa ...
... This plural, <i>shoon</i> instead of <i>shoes</i>, has already been obsolete in Shakespeare's time.—<i>Staff</i> and <i>sandals</i> are other marks of a p ...
... >Wright</sc> (ed. 1872): “This form of the plural was already archaic in Shakespeare's time. The only other passage of his plays in which it occurs is in ...
... </sc>ed. 1877): “<sc>Delius</sc>: This form of the plural was archaic in Shakespeare's times. <sc>Elze</sc>: It also occurs in <i>2H6</i> [4.2.185 (2505) ...
... ade in <i>2H6</i> [4.2.185 (2505)]. This form of the plural was archaic even in Shakespeare's time.”</para></cn> <cn> <sigla>1891<tab> </tab><sc>dtn</sc> ...
... /tab><b>shoone</b>] <sc>Verity</sc> (ed. 1904): “an archaic form even in Shakespeare's time. The only play in which it occurs is (the doubtful) <i>2H6</i ...
... an</i>. Spenser has <i>eyen</i> often (cf. the poetic form <i>eyne</i>, used by Shakespeare several times for the sake of rhyme) and <i>foen</i> = A.S. <i>fan</ ...
... oone</b>] <sc>Evans</sc> (ed. 1974): “shoes (already and archaic form in Shakespeare's day.”</para></cn> <cn> <sigla>1980<tab> </tab><sc>pen2</sc> ...
... ve been told by the Gentleman that she ‘hems and beats her heart'. Or did Shakespeare leave it either to his personal instruction or to the actor's own di ...
... also retains ‘not.'—So does Mr. Collier in the first ed. of his <i>Shakespeare</i>, remarking, however, that it ‘may possibly be an error;' i ...
... > is used again, metaphorically, in [5.2.20 (3520)] (the only other instance in Shakespeare). Compare Ben Jonson, Sejanus, 3.2: ‘A quiet and retired life ...
... h so <i>larded</i> with my matter'; the word in this sense is generally used by Shakespeare in a figurative sense.”</para></cn> <cn> <sigla>1899<tab> </t ...
... ms rash—Q1, Q, F agreeing—to adopt Pope's emendation ;did go,' lest Shakespeare may have meant a distracted allusion to the ‘obscure burial' [ ...
... gets repeated or inserted out of place. Dowden retains not, on the ground that Shakespeare may have meant a distracted allusion to the “obscure burial&# ...
... 2;Q1, Q2, and F1 agreeing—to adopt Pope's emendation ‘did go,' lest Shakespeare may have meant a distracted allusion to the ‘obscure burial' o ...
... ion to the ‘obscure burial' of Polonius. We can be certain, I think, that Shakespeare did mean this. Dr Greg writes ‘Ophelia is suddenly struck by t ...
845) Commentary Note for lines 2784-86:2785-6 ter, Lord we know what we are, but | know not what we may be. 27852786 God be at your table.... story of the baker's daughter was a popular one in Warwickshire in the time of Shakespeare. I am told that there is in existence an old ballad entitled, ‘ ...
... omengro's Chavi, <i>or Baker's Daughter</i>.' Compare Thoms, Three Notelets on Shakespeare (London, 1865) p. 108-112 and Neil ad loc.”</para></cn> <cn> ...
... from the verb <i>diol</i>, to requite. In all the passages quoted from Chaucer, Shakespeare, and other writers, the substitution of the modern English words  ...
... cue himself make any mention of it in his subsequent well-know Illustrations of Shakespeare, 1807 and 1839. Mr. C.G. Leland, The English Gipsies and their Langu ...
... > <para><n1> “For versions of this folk-tale see Halliwell's Folio Shakespeaare; <i>Journal of the Gypsy Lore Society</i>, 2d Series, I (1907), 90; ...
846) Commentary Note for line 2790:2790 All in the morning betime,... t saint. A less learnied critic might ahve been contented with the authority of Shakespear himself, who has put these words into the mouth of Theseus: ‘Go ...
... is very ancient in this country. See <i>Bourne's Pop. Ant</i>. I.48. quarto ed. Shakespeare makes Ophelia sing (<i>Hamlet</i> lines cited]. But, according to th ...
... e</i>.' This is the only instance of <i>complete</i> cacophony in the poetry of Shakespeare. It would be completely hypercritical to say, <i>this</i> was done p ...
... dered this way, contains <i>nothing at all improper</i>, if one recalls that in Shakespeare's time songs of this sort were not in principle kept from the ears o ...
... se, is scolded for singing this song to her infant charge.] <sc>Hudson</sc> (<i>Shakespeare: His Life, Art</i>, &c., Boston, 1872, ii, 281): The modesty of ...
... sidered his Valentine or true-love' (Halliwell). See Douce, <i>Illustrations of Shakespeare</i>, 1839, pp. 470-473; Rose, <i>Folk-Lore</i>, XXX (1919), 63-70. I ...
... e a commonplace (<i>Anat. of Melancholy</i>, <sc>iii</sc>.ii.5(3)). If it is of Shakespeare's composition, it follows a familiar type, in which, however, it is ...
... one. It is found in several 18th-century ballad operas and may well go back to Shakespeare's day. A version of it known as ‘Who list to lead a soldier's ...
... p. 65), and more than one tune under that name appears to have been familiar to Shakespeare's contemporaries. (See Chappell, i.144, 227.).”</para></cn> < ...
847) Commentary Note for line 2799:2799 by Cock they are too blame.... this oath, also, are wrapped in obscurity. It occurs in several old plays, and Shakespeare has it in at least two other places. The most likely account represe ...
... this oath, also, are wrapped in obscurity. It occurs in several old plays, and Shakespeare has it in at least two other places. <small>Probably it was a corrup ...
... sion in F1 (and Q1); Parrott/Craig boldly speculate: "It is characteristic that Shakespeare retained in his ms. the phrase he must have heard when this old song ...
...2806-7 but weepe to thinke they {would} <should> | lay him i'th cold ground, my brother2807-8 shall know of it, | and so I thanke you for your good counsaile. Come2808-9 my | Coach, {God night} <Goodnight> Ladies, {god night.}2809-10 Sweet Ladyes | {god night, god night} <Goodnight, goodnight.>
... ke ready my coach, my chair, my jewels</i>. Dyce remarks on this passage, that Shakespeare seems to have remembered it, when he made Ophelia say, <i>Come, my c ...
... & Marshall, ed. 1890): “Dyce, in his edition of Marlowe, notes that Shakespeare seems to have had in mind a passage in Tamburlaine, part I, 5.2, whe ...
850) Commentary Note for lines 2811-14:2813-4 O this is the poyson of deepe griefe, it springs | all from her Fathers2814 death, {and now behold,} ô Gertrard, Gertrard,... > </tab><b>this is</b>] <sc>Dyce</sc> (ed. 1866): “Altered by Walker (<i>Shakespeare's Versification</i>, &c. p. 81) to the contracted form ‘th ...
... ' was substituted, and that once again the Q2 compositor has failed to register Shakespeare's deletion marks.”</para></cn> <cn> <sigla>1987<tab> </tab><s ...
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