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Contract Context Printing 160 characters of context... Expand Context ... at argument; But greatly,</i> &c.'</para> <para>“The sentiment of <i>Shakespeare</i> is partly just, and partly romantick. ‘—<i>Rightly t ...
... ell read. <sc>ln</sc>. This is perhaps an instance of what Bradley (p.76) calls Shakespeare's negligence in ‘sometimes only half saying what he meant, and ...
... eebles the antithesis.</para> <para>“It seems clear that what Hamlet and Shakespeare are first asserting, even though the words do not precisely say this ...
... e has caused confusion to critics and actors alike. Critics have concluded that Shakespeare was ‘only half-saying what he meant.' Pope and Johnson and Mal ...
... put a stop without great argument, but greatly to find quarrel in a comma when Shakespeare's at the stake. <sc>Ed</sc>.].”</para></cn> <cn> <sigla>1878< ...
... stake. But I think it is much more probably one o f those frequent instances in Shakespeare where there is a confusion with negatives, and that its real meaning ...
... ys the metaphor is from gambling -- honour is at risk -- but Hibbard notes that Shakespeare uses this expression in three other plays (<i>TN </i>3.1.119, <i>TC ...
... ): “Contrast [4.4.25 (2743+18)]. I fear we must ascribe the confusion to Shakespeare, often lax with numbers, rather than (with Verity) to Hamlet.” ...
... sc> (ed. 2006): “'Contrast [24]. I fear we must ascribe the confusion to Shakespeare, often lax with numbers rather than. . . Hamlet' (Jenkins); see, for ...
... > <para>5. “that which contains any thing. This sense is perhaps only in Shakespeare.” </para> </cn> <cn> <sigla>1778<tab> </tab>v1778</sigla><h ...
... ersten dient, ist bei Sh. sehr gewöhnlich.” [<i>continent</i> is in Shakespeare's works every container or enclosure; here it means <i>tomb</i>. The ...
... econd serves as an explanation of the first, is a very common construction with Shakespeare.]</para></cn> <cn> <sigla>1856<tab> </tab><sc>hud1 (1851-6)</sc></si ...
... /b>] <sc>Clarke & Clarke</sc> (ed. 1868, rpt. 1878): “A word used by Shakespeare to express that which contains. See Note 33, <i>MV</i> [3.2.130 (147 ...
... ;<i>My thoughts </i>is the vocative, and <i>be </i>the imperative, according to Shakespeare's usual vividness of diction. Compare the end of the King's soliloqu ...
... her alone. Inasmuch as we feel this appropriateness, we believe it to have been Shakespeare's re-considered intention.” </para></cn> <cn> <sigla>1869<tab ...
... e, and brings her to his mother alone. Feeling thus, we believe it to have been Shakespeare's reconsidered intention. <sc>Clarendon</sc>: Lines <i> </i>[4.5.14- ...
... p. 16) and the degree of understanding between mother and son now, even in the Shakespearean version (cp. sc. 1, 7, and 27 n.), may account for it as well. ...
... elia -- that is, both the action and the reaction. In the course of his career, Shakespeare comes to rely less and less on the flat statements and more and more ...
829) Commentary Note for lines 2746-47:2746-7 Indeede distract, her moode | will needes be pittied.... s we have already mentioned, is common in the case of verbs ending in a dental. Shakespeare also used the forms ‘distrtacted,' ‘distraught.'” ...
... mad over her father's death and her lover's madness and departure is a fault of Shakespeare's critics, not of Shakespeare.”</para></cn> <cn> <sigla>1903< ...
... d her lover's madness and departure is a fault of Shakespeare's critics, not of Shakespeare.”</para></cn> <cn> <sigla>1903<tab> </tab><sc>rlf3</sc></sigl ...
... 8<tab> </tab><sc>Maclachlan</sc> (ed. 1888): “Probably no passage in all Shakespeare's plays, of equal brevity, to the same degree exhibits his surpassin ...
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