Hamlet Works

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771 to 780 of 1169 Entries from All Files for "shakes" in All Fields

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771) Commentary Note for line 2593:
2593 {Ger.}<Qu.> Mad as the {sea} <Seas> and wind when both contend

 ... th and full of ire, In rage deaf as the sea, hasty as fire.” [One of Shakespeare's favorite images. Cf.R2 [1.1.18-9 (22)]. High stomach'd a ...

772) Commentary Note for line 2596:
2596 {Whyps out his Rapier,} <He whips his Rapier out, and> cryes a Rat, a Rat,

 ... lt;1:48> “[In this instance of paraphrase] F1 departs not merely from Shakespeare's words but from his metre also.” </1:48></para></cn> < ...

773) Commentary Note for line 2597:
2597 And in {this} <his> brainish apprehension kills

 ... 1872): “imaginary, having no ground in fact. It does not occur again in Shakespeare.”</para></cn> <cn> <sigla>1877<tab> </tab>v1877</sigla><hangi ...

774) Commentary Note for line 2605:
2605 Should haue kept short, restraind, and out of haunt 2605

 ... aunt,' AYL [2.1.15 (621)]. The verb is two or three times used by Shakespeare in the similar sense of frequent (as the French hanter).&#x2 ...

775) Commentary Note for line 2612:
2612 Ore whom, his very madnes like some ore

 ... > </tab>ore] <sc>Mason</sc> (1785, p.391): “Johnson suspects that Shakespeare mistook ore for or, that is gold; but he uses t ...

 ... ase metals must be noble metal. This usage of ore may be peculiar to Shakespeare, but mineral in the sense of mine appears in the works ...

 ... <sc>Dowden</sc> (ed. 1899): “Schmidt gives no meaning for ore in Shakespeare except ‘a vein of gold.' Clar. Press: ‘in the English-Fr ...

 ... son & Taylor</sc> (ed. 2006): “deposit or vein of [precious] metal. 'Shakespeare seems to think ore to be Or, that is, gold. Base metal ...

776) Commentary Note for line 2613:
2613 Among a minerall of mettals base,

 ... > (ed. 1987): “mine (OED sb. 3); not elsewhere, in this sense, in Shakespeare. Joseph Hall writes of ‘fired brimstone in a mineral' (Virg ...

777) Commentary Note for line 2625:
2625 Into the Chappell; I pray you hast in this, <Exit Gent.> 2625

 ... ab> </tab><sc>Hale</sc> (1969, p. 35): “. . . let us look again at the Shakespearian blank: 'As level as the cannon to his blank' (4.1.42) = 'As level ...

 ... it is a specific line of fire the predominates in images depending on the true Shakespearian blank. "The blank passage from Hamlet [4.1.38] makes it clear th ...

778) Commentary Note for line 2626:
2626 Come Gertrard, wee'le call vp our wisest friends,

 ... that ‘malice' or ‘envy,' in the sense in which it is often used by Shakespeare, would suit the passage as well as ‘Slander'. As the most like ...

779) Commentary Note for line 2628:
2628 And whats vntimely doone,

 ... ly Q2-Q4 have these lines restored]; and yet seems to bear the very Stamp of SHAKESPEARE upon it. The Coin, indeed, has been clipt from our first receiv ...

 ... equisite, and there is the more Room to suppose it the very Sentiment of our SHAKESPEARE. The Poet, I remember, has the same Thought about the diffusive ...

 ... e, what an accurate and faithful Collator he is! I produc'd these Verses in my SHAKESPEARE restor'd, from a Quarto Edition of Hamlet print ...

 ... . Pope pretends to have collated. The Verses carry the very Stamp of Shakespeare upon them. The Coin, indeed, has been clipt from our first recei ...

 ... e, what an accurate and faithful Collator he is! I produc'd these Verses in my SHAKESPEARE restor'd, from a Quarto Edition of Hamlet print ...

 ... r. Pope pretends to have collated. The Verses carry the very Stamp of Shakespeare upon them. The Coin, indeed, has been clipt from our first recei ...

 ... ing,—'No; ‘tis slander,'—will readily occur to any student of Shakespeare, as favouring the insertion. H.”</para></cn> <cn> <s ...

 ... . Malone reads—“So viperous slander.” – Shakespeare again expatiates on the diffusive power of slander, in Cym. < ...

 ... </para> <para>“Theobald first adopted the text of the Quartos. In his Shakespeare Restored, p. 108, he had suggested ‘Happily, slander,' or ...

 ... x201C;‘Malice' or ‘Envy,' in the sense in which it is often used by Shakespeare, would suit the passage as well as ‘Slander.'”</para></ ...

 ... ed to so h. s. Del., Dyce, and Elze followed him. I believe though, that Shakespeare wrote, as I have taken it into the text: by this, suspicion e ...

 ... had so viperous slander. —The Cambridge editions suggest that the Shakespearean word could just as well have been malice as slander. ...

 ... was missing in the manuscript which lies behind both texts, in other words that Shakespeare himself left it out, which would in turn explain why the whole passa ...

 ... SR, p.108) – calumny, malice, or suspicion. Though we can never know what Shakespeare wrote here, envious slander is at least Shakespearean. He often pers ...

 ... ough we can never know what Shakespeare wrote here, envious slander is at least Shakespearean. He often personifies slander, and thinks of it as having not simp ...

 ... nvious would link slander's actions with their cause and it is a favourite with Shakespeare to describe malicious tongues. See 1H6 [4.1.90 (1839)]; 2H ...

780) Commentary Note for line 2628+1:
2628+1 {Whose whisper ore the worlds dyameter,} 2628+1

 ... . Malone reads—“So viperous slander.” – Shakespeare again expatiates on the diffusive power of slander, in Cym. [ ...

 ... e is missing from the preceding line. Perhaps, but it seems equally likely that Shakespeare deliberately inserted a short (metrically ‘untimely') line at ...

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