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761 to 770 of 1169 Entries from All Files for "shakes" in All Fields

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761) Commentary Note for line 2577+8:
2577+8 {And blowe them at the Moone: ô tis most sweete}

    ... se of <i>a </i>mentioned in &#167;140 was becoming unintelligible and vulgar in Shakespeare's time, and he generally uses <i>at</i> instead. The article is gene ...
762) Commentary Note for line 2578:
2578 <Ham.> This man shall set me packing, {K1}

    ... pressed what seemed to be genuine contrition. I confess I do not understand why Shakespeare thought it necessary to add anything here to what he had originally ...

    ... has been pointed out by the commentators, that the word &#8216;guts' was not in Shakespeare's time the abominable vulgarism that it is now; and that the rude st ...

    ... Numerous instances of this will be found in the Notes to Staunton's edition of Shakespeare.&#x201D;</para></cn> <cn> <sigla>1877<tab> </tab>v1877</sigla><hangi ...

    ... <i>packing</i> there is perhaps the idea of contriving which is often found in Shakespeare, though here it does not seem to be the primary one.&#x201D;</para>< ...

    ... plotting, with a play on the other sense. &#8216;Pack' occurs in both senses in Shakespeare.&#x201D;</para></cn> <cn> <sigla>1900<tab> </tab><sc>ev1</sc></sigla ...
763) Commentary Note for line 2579:
2579 Ile lugge the guts into the neighbour roome;

    ... ll, ed. 1890): &#x201C;<small>The word <i>guts</i> had not so vulgar a sound in Shakespeare's age as it has in ours.</small> Steevens quotes Lyly's Mydas, 1592: ...

    ... . 130): &#x201C;Slater's submachine-gunning of Polonius, for instance, exploits Shakespeare's several hints about Hamlet's remorseless brutality--'I'll lug the ...

    ... od-natured gag about Olivier's film conveys anything so grand as a 'reading' of Shakespeare, Arnold's fantastic <i>Hamlet</i> nonetheless ties in well with some ...

    ... ts own premise. Slater's submachine-gunning of Polonius, for instance, exploits Shakespeare's several hints about Hamlet's remorseless brutality -- 'I'll lug th ...
764) Commentary Note for line 2580:
2580 Mother {good night indeed,} <goodnight. Indeede> this Counsayler

    ... 35): &#x201C;Hamlet's killing <i>Polonius</i> was in Conformity to the Plan <i>Shakespeare</i> built his Play upon; and the Prince behaves himself on that Occa ...

    ... mother . . . [258] what changes of grief and bitterness, love and anger has not Shakespeare set his Hamlet to ring on the one word! Nor are these the last herea ...
765) Commentary Note for line 2583:
2583 Come sir, to draw toward an end with you.

    ... big</sc> (ed. 1857): &#x201C;<i>Steevens</i>, in a remark on this place, blames Shakespeare for having been unfortunate in his management of the story of this p ...
766) Commentary Note for line 2585:
2585 <Exit Hamlet tugging in Polonius.> 2585

    ... epartment of our early literature has been ransacked to supply illustrations of Shakespeare's language and ideas, so little has been done towards their elucidat ...

    ... hallow-pate</i>. But a little consideration of the exigencies of the theatre in Shakespeare's time, which not only obliged an actor to play two or more parts in ...

    ... . [4.9.30-2 (2733, 2734)]; <i>Ibid</i>. [4.14.138 (2993)]. These instances from Shakespeare alone, and they could easily be multiplied, will suffice to bring in ...

    ... t know by what or whose authority the Act is made to end here; certainly not by Shakespeare's. The text of the quarto runs straight on from beginning to end, wi ...

    ... >] &#x201C;The F direction, which Greg thought &#8216;one could swear . . . was Shakespeare's' (<i>SFF</i>, p. 319), appears in fact to be an editorial addition ...
767) Commentary Note for lines 2586-2586+1:
2586 Eenter King {, and Queene, with Rosencraus}
2586+1 {and Guyldensterne}.

    ... assumption that, rather than have the King &#8216;enter the Queen's apartment', Shakespeare must have intended a new scene to begin here (<i>SFF</i>, p. 322).&# ...
768) Commentary Note for lines 2587-88:
2587-8 King. There's {matter} <matters> in these sighes, | these profound heaues,

    ... s her there; and to the other arguments in favor of this theory should be added Shakespeare's demonstrated reluctance to let a character return to the stage aft ...
769) Commentary Note for line 2591:
2591 <Qu.> Ah {mine owne} <my good> Lord, what haue I seene to night?

    ... /i></hanging> <para>2591<tab> </tab><sc>Baldwin</sc> (1964, p. 242): &#x201C;In Shakespeare, although she [Gertrude] protests to Hamlet: 'Be thou assured, if wo ...

    ... /i></hanging><para>2591<tab> </tab><sc>Maxwell</sc> (1964, p. 242): &#x201C;In Shakespeare, although she [Gertrude] protests to Hamlet: "Be thou assured, if wo ...
770) Commentary Note for line 2592:
2592 King. What Gertrard, how dooes Hamlet?

    ... what is now 4.7. On the question of the Queen's character as it finally leaves Shakespeare's hands, see note . [1.2.213 (405)]</small> <small>above</small>.&#x ...

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