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731 to 740 of 1169 Entries from All Files for "shakes" in All Fields

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731) Commentary Note for line 2532:
2532 Infects vnseene, confesse your selfe to heauen,

    ... >confesse </b>. . .<b> auoyd</b>] <sc>Rushton</sc> (1909, p. 113): &#x201C;When Shakespeare was writing [this] passage he may have remembered Puttenham's descri ...
732) Commentary Note for line 2535:
2535 To make them {rancker,} <ranke.> forgiue me this my vertue, 2535

    ... rancker</b>] <sc>Walker</sc> (1860, 2:55): &#x201C;<i>Qu&#230;re</i>, would not Shakespeare naturally write ranker?&#x201D;</para> <para><fnc> This note is from ...
733) Commentary Note for line 2536:
2536 For in the fatnesse of {these} <this> pursie times

    ... of it as a variant of <i>pursive</i>, short-winded, is not helpful here, though Shakespeare exploits both meanings in the &#8216;pursy insolence' of <i>Tim</i>. ...
734) Commentary Note for line 2538:
2538 Yea {curbe}<courb> and wooe for leaue to doe him good.

    ... </i> line cited] The word is found in the older writers. The moderns editors of Shakespeare have absurdly printed <i>curb</i>.&#x201D;</para></cn> <cn> <sigla>1 ...
735) Commentary Note for lines 2539-40:
2539-40 {Ger.}<Qu.> O Hamlet | thou hast cleft my hart in twaine.

    ... (ed. 1987): &#x201C;Some earlier examples of this figurative expression, which Shakespeare uses again in <i>MM</i> [3.1.62 (1272)], are recorded by Dent (H329. ...
736) Commentary Note for line 2541:
2541 Ham. O throwe away the worser part of it,

    ... /i> ist.&#x201D; [The comparative form <i>worser</i> occurs not infrequently in Shakespeare, although the usual form for him too is <i>worse</i>.]</para></cn> < ...
737) Commentary Note for line 2544:
2544 Assune a vertue if you haue it not, <refraine to night,>

    ... ondemn the F1 cuts; we cannot say they were made without careful consideration. Shakespeare himself could hardly have pruned his own verse more tenderly.&#x201D ...
738) Commentary Note for line 2544+1:
2544+1 {That monster custome, who all sence doth eate}

    ... > into the text instead of <i>evil</i>. But I do not perceive any tampering; if Shakespeare wrote the passage at all he was himself sufficiently conceited to wr ...

    ... livery' in [3.4. 164-5 (2544+4)]. <sc>Moberly</sc>: This noble passage contains Shakespeare's philosophy of custom (<b>Greek Here</b>), in which, happier than s ...

    ... > is a &#8216;<i>monster'</i> because he is both a good and an evil angel . . . Shakespeare employs &#8216;<i>use'</i> and &#8216;<i>custom'</i> indifferently; ...

    ... Custom is overcome with custom' (Dent C932.1). But it becomes contorted through Shakespeare's inability to resist the temptation to quibble held out by the word ...

    ... implantation of both vice and virtue within an individual.&#x201D; Like Bacon, Shakespeare &#x201C;has Hamlet explain the same double role of habit to his moth ...

    ... x201C;This passage and the one at 165-8 are not in F. Again Edwards argues that Shakespeare marked them for deletion, and Hibbard comments dismissively on 159-6 ...

    ... ustom is overcome with custom" (Dent, C932.1). But it becomes contorted through Shakespeare's inability to resist the temptation to quibble held out by the word ...

    ... spared', and MacDonald says, 'This omitted passage is obscure with the special Shakespearean obscurity that comes of over-condensation. He omitted it, I think, ...
739) Commentary Note for line 2544+2:
2544+2 {Of habits deuill, is angell yet in this}

    ... 8, pp. 15-16): &lt;p.15&gt; &#x201C;The Rev. A.A. Morgan, in his &#8216;Mind of Shakespeare,' p. 39, &lt;/p.15&gt;&lt;/p.16&gt; adopts this reading of the text, ...

    ... x): &#x201C;The assumption behind this emendation of Q2's <i>deuill</i> is that Shakespeare wrote <i>vilde</i> which Compositor X then muddled in much the same ...
740) Commentary Note for line 2546+1:
2546+1 {For vse almost can change the stamp of nature,}

    ... r example &#8216;exorcise,' which suits the context well and must come close to Shakespeare's meaning, might, with the help of our press-corrector, have become ...

    ... rd</sc> (ed. 1987, Appendix): &#x201C;i.e. innate qualities of the personality. Shakespeare often employs this metaphor, derived from coining, when referring to ...

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