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711 to 720 of 1169 Entries from All Files for "shakes" in All Fields

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711) Commentary Note for line 2456+2:
2456+2 {Eares without hands, or eyes, smelling sance all,}

    ... beziehung.&#x201D; [<i>sans</i> which is really French is found rather often in Shakespeare in place of <i>without</i> which is awkward in verse. It sometimes a ...

    ... orm into <i>saunce</i>, or gave it the English pronunciation. It may be seen by Shakespeare's example, how great the attempt was, for he uses it very often, onc ...
712) Commentary Note for line 2458:
2458 If thou canst mutine in a Matrons bones,

    ... sch</i> = Meuterer, Emp&#246;rer, als auch verbal = sich emp&#246;ren.&#x201D; [Shakespeare uses the archaic form <i>mutine</i> as a noun (meaning mutineer, reb ...

    ... ons there rebell'd or mutined.' The verb &#8216;mutine' does not occur again in Shakespeare. We have however &#8216;mutine' as a substantive, [5.2.6 (3505)]. Co ...
713) Commentary Note for line 2460:
2460 And melt in her owne fire, proclaime no shame 2460

    ... </i>and 'proclamation' regularly refer to quasi-formal public announcements in Shakespeare, as when Cinna in <i>JC </i>urges the other conspirators to 'Run hen ...
714) Commentary Note for line 2469:
2469 In the ranck sweat of an inseemed bed

    ... d</b>] H<sc>eath</sc> (1765, p.543): &lt;p.543&gt; &#x201C;Mr. Theobald, in his Shakespear. restored, p.104. hath restored, from the second folio, an expression ...

    ... Hogs seame.' There is also a note on this passage in the valuable essay: <i>New Shakespearian Interpretaitons</i>, Edin. Rev. Oct. 1872, p. 355, but the foregoi ...

    ... Editors gloss 'saturated with grease or animal fat' (Dover Wilson suggests that Shakespeare drew unwittingly on early memories of hog's lard used in his father' ...
715) Commentary Note for line 2484:
2484 Saue me and houer ore me with your wings

    ... the frontispiece to the tragedy in &lt;/p.69&gt;&lt;p.70&gt; Rowe's edition of Shakespeare, 1709, and it is no doubt of much greater antiquity. It is said that ...
716) Commentary Note for line 2487:
2487 Ham. Doe you not come your tardy sonne to chide,

    ... the real identity of the Ghost (Hussy 1982:122 [in <i>The Literary Language of Shakespeare</i>. London: Longaman]. In addition to Abbott's description of the p ...

    ... tion of the pronominal usage between fathers and sons ([1870] 1972:154 [in <i>A Shakespearian grammar</i>. Revised and enlarged edition. New York: Haskell House ...
717) Commentary Note for line 2491:
2491 Is but to whet thy almost blunted purpose,

    ... ique of the Senecan and neo-Senecan tragedy of revenge, are <i>not</i>, even in Shakespeare, really significant of the hero's psychology. Hamlet, at the beginni ...
718) Commentary Note for line 2494:
2494 Conceit in weakest bodies strongest workes,

    ... 45 (2787)]; <i>Rom</i>. 2.6.30 [1423]. and <sc>Craik's</sc> note (<i>English of Shakespeare</i>, p. 135).&#x201D;</para></cn> <cn> <sigla><sc>1877<tab> </tab>ne ...
719) Commentary Note for line 2502:
2502 Your bedded haire like life in excrements

    ... e in excrements</b>] T<sc>heobald</sc> (ed. 1733): &#x201C;I took Notice, in my SHAKESPEARE <i>restor'd</i>, that this Expression as much wanted an Explanation, ...

    ... /sc><b>excrements</b>] <sc>Dyce</sc> (1853, p. 143): &#x201C;In the <i>Variorum Shakespeare</i>, on the word &#8216;<i>excrements</i>,' there is a note by Whall ...

    ... beth, Love's Labour's Lost </i>and <i>The Merchant of Venice </i>to demonstrate Shakespeare's familiarity with the psychological understanding that lies behind ...

    ... , indicating that <i>excrement</i>t had taken on a narrower meaning by then. Of Shakespeare's six uses of the word, four are in relation to hair (see <i>CE </i> ...
720) Commentary Note for line 2514:
2514 {Ger.}<Qu.> Nothing at all, yet all that is I see.

    ... owever, that it accords with classical and Elizabethan precedent (see Stoll, <i>Shakespeare Studies</i>, pp. 211-13) as well as with the popular belief that gho ...

    ... spirits are alleged to be: and could never hear nor see anything'. The obvious Shakespearean comparison is with <i>Mac</i>. <sc>iii</sc>.iv; but a closer drama ...

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