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Contract Context Printing 160 characters of context... Expand Context ... ore plausible than most conjectures of the kind (Honigmann, <i>The Stability of Shakespeare's Text</i>, pp. 135-6). But I agree with Greg that it is probably th ...
... i, 25, 26) description of the last day in his thoughts? <sc>Wordsworth</sc> (<i>Shakespeare's Knowledge of the Bible</i>, p. 305) replies: ‘No doubt he ha ...
... 2006): “F's 'tristfull' means sorrowful; despite his commitment to F as Shakespeare's revision of Q2, MacDonald comments: "I cannot help thinking the Q[ ...
... that 'so rare and eloquent a word seems beyond an improver' (LN). Against this, Shakespeare had used the word in Falstaff's comically inflated command when he i ...
... , p. 85' February 20-22, 1772. Armstrong was born 1709. </n.>“ (<i>Shakespeare and the Actors</i> 168). </fnc></para></cn> <cn> <sigla>1785<tab> </ ...
... Queen's closet.']</para> <para>“In Hunter's ‘New Illustrations of Shakespeare' there is the following note (vol. ii., pages 256, 257):—[quot ...
... ed., III, 474, 475); <i>The Puritaine Widow</i>, i, 1, 135-138 (ed. Brooke, <i>Shakespeare Apocrypha</i>, p. 222). On the whole question see W. J. Lawrence, <i ...
... a hängt das Conterfait des itzigen', and the famous illustration in Rowe's Shakespeare (1709), with its portraits hanging over the Queen's head, afford som ...
... (see McManaway, <i>PBSA</i>, <sc>lxiii</sc>, 318-19, reprinted in<i> Studies in Shakespeare, Bibliography and Theater</i>, pp. 188-20). The Rowe engraving, reg ...
... ion, it can hardly be a reliable witness of actual performance (cf. Sprague, <i>Shakespeare and the Actors</i>, pp. 162-8) and its portrait of Hamlet's father i ...
... /para> <para>“The case for ‘miniatures' is well put in Sprague, <i>Shakespeare and the Actors</i>, pp. 166-8, and <i>The Stage Business in Shakespe ...
... gue, <i>Shakespeare and the Actors</i>, pp. 166-8, and <i>The Stage Business in Shakespeare's Plays: A Postscript</i>, pp. 19-20. On the other side see W. J. L ...
... use of miniatures . . . only one piece of evidence is of much weight. In Rowe's Shakespeare is an engraving of the Closet Scene at the moment of the Ghost's ret ...
... , to contrast with that of his father (Arthur Colby Sprague and J.C. Trewin, <i>Shakespeare's Plays Today</i>, 1970, pp. 26-7).”</para></cn> <cn> <sigla> ...
... iwell pointed out the passage, and Furnivall wondered that Tubbe did not credit Shakespeare for the lines echoing Hamlet's description of his father, though he ...
705) Commentary Note for line 2442:2442 A station like the herald Mercury,... re. Given his use of Marlow and Nashe's <i>Dido</i> elsewhere in <i>Hamlet</i>, Shakespeare may be recalling the appeareance of 'Jove's winged messenger' to Aen ...
... e of Denmark. with a Preface containing some general remarks on the writings of Shakespeare</i>. London: printed for W. Clarke, 1752. (Folger Bound with The Dr ...
... corn, as in the biblical account of Pharaoh's dream (Genesis, 41.5-7), a story Shakespeare also refers to at <i>1H4 </i>2.4.467, <i>KL </i>5.3.24 and <i>Cor </ ...
707) Commentary Note for line 2452:2452 You cannot call it loue, for at your age... letcher as a way of countering too much courtly elegance, is entirely absent in Shakespeare. Despite a long theatrical tradition of representing Gertrude in <i> ...
... 201C;This passage and that at 76-9 [2456+1-4] are not in F; Edwards argues that Shakespeare was dissatisfied with them and intended to delete them; Hibbard goes ...
... .2: ‘She's as cold of her favour as an apoplex.' The word is not found in Shakespeare; for the reading ‘apoplex' in <i>2H4</i> [1.2.108 (379)] is a ...
... lyzed, benumbed. This use of <i>apoplex </i>as a verb seems to be original with Shakespeare. It is certainly to the point, for <i>apoplexy</i> is defined by <i> ...
... x201C;Paralysed, rendered inoperable. Like epilepsy, apoplexy was associated in Shakespeare's time with the deafness that resulted from a willful neglect of the ...
... t is now wholly confined to the sense of transport, or rapture. In the usage of Shakespeare, and some others, it stands for every species of alienation of the m ...
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