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Contract Context Printing 160 characters of context... Expand Context 681) Commentary Note for line 2369:2369 And that his soule may be as damnd and black... mes applies to the subject; but there are hardly any of those commentators upon Shakespeare who exclaim against it, that have not produced instances of it from ...
... e stage by subsequent tragedians as late as the middle of the next century; and Shakespeare has here in some sort laid a ground for the introduction of it, by m ...
... a very popolar prose word of that day, and which has much of the phraseology of Shakespeare; and only mention one other play in which it repeatedly occurs, beca ...
... my sword, So wish I, I might thrust thy soul to hell.' <sc>Wordsworth</sc> (<i>Shakespeare's Knowledge of the Bible</i>, p. <sc>2o8</sc>) finds for Ham. the sa ...
... the poet fulfils the words of Hamlet. <i>Thus</i> do they express to the letter Shakespeare's </p.146> <p.147> idea of vengeance, of punishment, of ...
683) Commentary Note for line 2372:2372 King. My words fly vp, my thoughts remaine belowe... ns regarding the equivocations and dissimulations present in public speech. Yet Shakespeare manifests the limitations of Hamlet's faith in the relationship betw ...
... s her there; and to the other arguments in favor of this theory should be added Shakespeare's demonstrated reluctance to let a character return to the stage aft ...
... lement of this structure, I have suggested, is the 'deceptive cadence' in which Shakespeare summons up our excitement then dashes it down in the false resolutio ...
... lement of this structure, I have suggested, is the "deceptive cadence" in which Shakespeare summons up our excitement then dashes it down in the false resolutio ...
... #x201D; </p.265></para> <para><fnc> Singer is “vindicating” Shakespeare from “the interpolations and corruptions” advocated by ...
... ch has long been adopted on the stage, should not be noticed in the <i>Variorum Shakespeare</i>, is sufficiently strange.”</para></cn> <cn> <sigla>1857<t ...
... s long been adopted on the stage, should not be even noticed in the <i>variorum Shakespeare</i>, is sufficiently strange. (Compare ‘I will ensconce me beh ...
... there is no means whatsoever of knowing, the word <i>silence</i> might well be Shakespeare's finishing touch. Compared with it, Warburton's word is flat as wel ...
... ceivable that this is the one place where an authoritative change, occurring to Shakespeare when the play was in production, is preserved only in the corrupt fi ...
... ceivable that this is the one place where an authoritative change, occurring to Shakespeare when the play was in production, is preserved only in the corrupt fi ...
... e remains objective in the sense that he does not publish his own opinion as to Shakespeare's use of this text as a source. Compare 2564 note, where he explicit ...
... r <sc>hud2</sc> counterpoint. Walker's <i>A Critical Examination of the Text of Shakespeare</i> was published in 1860)</fnc></para></cn> <cn> <sigla>1877<tab> < ...
688) Commentary Note for line 2393:2393 Ham. No by the rood not so,... >by the holy rood</i> means by the crucifix, an oath which appears elsewhere in Shakespeare's works.]</para></cn> <cn> <sigla>1857<tab> </tab><sc>fieb</sc></sig ...
... d, we have the verb <i>set</i> with the meaning of <i>oppose</i>, often used by Shakespeare, which justifies <i>to</i>. See Sam. Johnson. E. I. sct. 25. With th ...
... <tab> </tab>Helpe how</b>] <sc>Elze</sc> [ed. 1882]: “What may have been Shakespeare's spelling?”</para></cn> <cn> <sigla>1903<tab> </tab><sc>p&am ...
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