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Contract Context Printing 160 characters of context... Expand Context ... teevens</sc> (ed. 1773): “I would receive THEOBALD's emendation, because Shakespeare uses the word <i>lunes</i> in the same sense in <i>Wiv</i>. [1918]. ...
... <i>frowsish</i>—' <i>Tully's Love</i>, by Greene, 1616. Perhaps, however, Shakespeare designed a metaphor from horned cattle, whose powers of being danger ...
... teevens</sc> (ed. 1793): “I would receive Theobald's emendation, because Shakespeare uses the word <i>lunes</i> in the same sense in <i>Wiv.</i> [4.2.21 ...
... <i>frowsish</i>—' <i>Tully's Love</i>, by Greene, 1616. Perhaps, however, Shakespeare designed a metaphor from horned cattle, whose powers of being danger ...
... He put the <i>froes</i> in, seiz'd their god—.' </small>Perhaps, however, Shakespeare designed a metaphor from horned cattle, whose powers of being danger ...
... 22, glossary, lunes): “Lunacy, frenzy. French. Thought to be peculiar to Shakespeare. He has it, according to the modern editors, in <i>Wiv</i>. [4.2.21 ...
... . It seems strange that <i>blows</i> (in the sense of injuries, not uncommon in Shakespeare) has not been suggested as an emendation of <i>brows</i>.”</s ...
... ; “The F1 word is clearly a makeshift on the part of Scribe P baffled by Shakespeare's penmanship, and it is clearly an editor's duty to set it aside, li ...
... ‘c' or ‘d,' and there are several examples of the misprint in other Shakespearian texts, while <i>a:o</i> confusion has been illustrated above2 and ...
... > stands for what Claudius sees as the ‘threatening aspect' of Hamlet (<i>Shakespeare and the New Bibliography</i>, ed. Gardner, 1970, p. 103). Cf. <i>KJ ...
... defiant rebel) ‘Leave off these idle braves' (Works, 1874, i.54); and in Shakespeare (<i>Tro</i>. [4.4.137 (2532)]; <i>Shr</i>. [3.1.15 (1310)]; <i>1H6< ...
... <i>frons</i>=brow). Though ‘effontery' is not recorded in the language of Shakespeare's day in <i>OED</i>, ‘effronted' (= bare-faced, shameless) doe ...
642) Commentary Note for line 2281:2281 To keepe those many many bodies safe... Figure (as I have before observ'd in the Remark, N? XI.) very familiar with <i>SHAKESPEARE</i>. Restore them thus: ‘<i>Most holy and religious Fear it i ...
... ch on the peculiar significance of the life of the sovereign would have touched Shakespeare's audience. The fear that anarchy would follow Queen Elizabeth's dea ...
... h </b>. . .<b> mind</b>] <sc>Daniel</sc> (1876, p. 427): “an instance of Shakespeare's use of <i>strength</i> and <i>armour</i> as synonyms.”</par ...
... whom <i>dependeth the whole unity</i> and universal <i>weal</i> of this realm.' Shakespeaere not only gives the same idea of majesty and its dependencies which ...
... ity,' as Abbott3 </2:236><2:237> calls it, which is not uncommon in Shakespeare, is not at all unnatural in conversation, and should not be reglariz ...
... ” </2:237></para> <para><note><2:236> “<i>Vide</i> <i>Shakespearian Grammar</i>, §§ 335, 412.” /2:236></note></par ...
... of laying rates.” </para> <para>3. “it seems to have been used by Shakespeare for boundaries or limits.”</para></cn> <sigla>1819<tab> </ta ...
... at once a more archaic and more legal flavour. DeFoe uses it in 1703 in exactly Shakespeare's sense: ‘If Power at any time meets with a Cess, if Governmen ...
... c> (<i>in</i> Irving & Marshall, ed. 1890): “<small>Massy is used by Shakespeare in four places, ‘massive' not at all</small>.<small> </small>S ...
647) Commentary Note for line 2291:2291 Fixt on the somnet of the highest mount,... b> </tab><b>somnet</b>] <sc>Jenkins</sc> (ed. 1982): “Q2, F suggest that Shakespeare spelt sommet. The word was similarly misread at [1.4.70 (659)<sc>]</ ...
... C;<i>Lesser</i> would now be regarded as a barbarous corruption of <i>less</i>. Shakespeare also uses <i>littlest</i> the regular superlative of <i>little</i>. ...
... rs</sc> (ed. 1929): “an impressive, almost legal-looking, vocable, which Shakespeare may have formed, without any consciousness of particular audacity.&# ...
... e," the word printed in F1. The fact that <i>viage</i> was going out of use in Shakespeare's time (see <i>OED</i> entry for <i>voyage</i>) implies that <i>viag ...
... e's time (see <i>OED</i> entry for <i>voyage</i>) implies that <i>viage</i> was Shakespeare's own word choice, because it is an unlikely substitution in a publi ...
... on in a publication of that era. Further, good evidence for <i>viage</i> being Shakespeare's choice, in this case, is the fact that the more current "voyage" i ...
... eason for <i>viage</i> here, versus "voyage" elsewhere, is that Sh. wanted it. Shakespeare could have learned <i>viage</i> from the writings of Chaucer, since ...
... re instead of <i>voyage.</i> In modernizing the word F1 may have lost a part of Shakespeare's intended meaning. The figurative sense of <i>viage</i> lends an o ...
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