621 to 630 of 1169 Entries from All Files for "shakes" in All Fields
... : ‘I never heard an actor give this word ‘so' its proper emphasis. Shakespeare's meaning is,—‘Lov'd you? Hum! so I do still.' There has ...
... <sc>Coleridge</sc>: I never heard an actor give this word its proper emphasis. Shakespeare's meaning is--'loved you? Hum!--<i>so</i> I do still,' &c. R ...
... 8216;Or with my sword I'll hack your <i>filchers</i> off' (Simpson's School of Shakespeare, 1872, p. 72). ‘By this hand!' is used as a mild oath in <i>MV ...
... s hand!' is used as a mild oath in <i>MV</i> [5.1.161 (2583)], and elsewhere in Shakespeare. In <i>2H6</i> [1.3.190 (587)], Peter, the armourer's man, swears &# ...
622) Commentary Note for lines 2207-09: 2207-8 Ros. Good my Lord, what is your cause of
{distemper,} <distem-| per>, you do
{sure-} {H4} 2208-9 {ly} <freely> barre the doore {vpon} <of> your owne {liberty} <Liber-| tie> if you deny your griefes to
2209 your friend.
... d. 1987): “the cause of your mental disorder. The construction common in Shakespeare's work, can be explained thus: ‘two nouns connected by ‘ ...
... ainted with this peculiarity) has appeared irreconcileable with other accounts. Shakespeare (in <i>Hamlet</i>) speaks of the Recorder as a little pipe, and says ...
... .' Such changes are innocent enough, if a little cheese-paring; but manhandling Shakespeare is a dangerous business—as every editor is aware—and the ...
... ty of the recorder – whose seductive tone charmed the ears of Henry VIII, Shakespeare and Pepys – is a development unparalleled in the history of an ...
624) Commentary Note for lines 2213-18: 2213-4 Ham. I
{sir}, but while the grasse growes, the prouerbe is
| something
2214-16 musty, | <Enter one with a Recorder.> | ô the {Recorders,} <Recorder.> let mee see {one}, to withdraw with you, why
2217-8 doe you goe about to recouer the wind of mee, as if you | would driue
2218 me into a toyle?
... uainted with this peculiarity) has appeared irreconcilable with other accounts. Shakespeare (in <i>Hamlet</i>) speaks of the Recorder as a little pipe, and says ...
... The meaning would be made perfectly clear in the acting. We must remember that Shakespeare wrote for the stage, not the study. The fact explains many superfici ...
... .' Such changes are innocent enough, if a little cheese-paring; but manhandling Shakespeare is a dangerous business—as every editor is aware—and the ...
... ty of the recorder – whose seductive tone charmed the ears of Henry VIII, Shakespeare and Pepys – is a development unparalleled in the history of an ...
... 872): “Tyrwhitt proposed to read ‘<i>not</i> unmannerly.' Probably Shakespeare intended Guildenstern's words to express an unmeaning compliment. As ...
... read ‘not unmannerly;' and the Cambridge editors remark, ‘Probably Shakespeare intended Guidenstern's words to express an unmeaning compliment. As ...
626) Commentary Note for lines 2228-31: 2228-9 Ham.
{It is} <'Tis> as easie as lying; gouerne these ventages
|with your
{fin-} 2229-30 {gers, & the vmber} <finger and thumbe>, giue it breath with your | mouth, & it wil discourse
2230-1 most {eloquent} <excellent> musique, | looke you, these are the stops. 2230
... 33-): “I had wrote in the margin of R: Q[2] Eloquent gd fine dubio magis Shakesperianum v.v.30 [where the word <i>excellent </i>appears] D ut Q. Hoc ibi. ...
... son to suppose that the invention of such a key is more modern than the time of Shakespeare. We may, therefore, safely discard the <i>umber</i> of the quarto <i ...
... he first place it is by no means certain, or even likely, that the recorders of Shakespeare's time had such a brass key; and if they had, we have no reason to s ...
... ntages</b>] <sc>Hibbard</sc> (ed. 1987): “stops. Not found elsewhere in Shakespeare, the word may well be a Shakespearian coinage (<i>OED ventage</i>).& ...
... 87): “stops. Not found elsewhere in Shakespeare, the word may well be a Shakespearian coinage (<i>OED ventage</i>).”</para></cn> <cn> <sigla>1993 ...
... ent for controlling the notes; a finger-hole. In mod. use perh. originally from Shakespeare. <b>1602</b> SHAKS. Ham. [3.2.373 (2242-3)], Gouerne these ventages ...
627) Commentary Note for lines 2240-43: 2240-1 <Why > do you think
<that> I am easier to be
| plaid on then a pipe, call mee what in-
2241-2 strument you wil, | though you <can> fret me {not}, you cannot play vpon me.
2242-3 God | blesse you sir.
... 's self, which has no connection in idea with the <i>fret</i> of the musicians. Shakespeare, in ‘Hamlet,' makes a pun which distinguishes the one from the ...
... > editors suppose, the ‘not' may have been a misreading of ‘yet' in Shakespeare's manuscript, since as Dr Greg points out ‘if the tail of the ...
... d Mr. Quick, and as he has ever been represented since we remember the Theatro. Shakespeare seems to have intended the Character of Polonius for that of a Court ...
... the Managers of both Houses, would set before them the Character of Polonius as Shakespeare intended it, and prevail on them to revive it.”</para> <para> ...
... ><b>by and by</b>] <sc>Dowden</sc> (ed. 1899): “immediately, as often in Shakespeare.”</para></cn> <cn> <sigla>1903<tab> </tab><sc>rlf3</sc></sigl ...
... i>this</i> proof-reader to follow it), I hesitate to believe it good enough for Shakespeare. Apart from the jerkiness of the whole, my chief difficulty is with ...
... y for taking in or receiving; limit of capacity [as here], etc. Now only in the Shakespearian phrase: <i>To the top of one's bent</i>, or the like'—<i>New ...