601 to 610 of 1169 Entries from All Files for "shakes" in All Fields
... serve as a pander to. As in a Punch and Judy show today, so in a puppet-play in Shakespeare's day, the puppet-master or ‘master of the motions', as he was ...
... ‘is probably such as was peculiar to the young fashionable of the age of Shakespeare, which was, by no means, an age of delicacy'. It seems indeed to be ...
... delicacy'. It seems indeed to be beyond a doubt, that even in this conversation Shakespeare shows ‘the very age and body of the time his forme and pressur ...
... he metropolis even by the broadcast jests and the most outspoken obscenities of Shakespeare's clowns; nay, Shakespeare would not have introduced such grossness ...
... roadcast jests and the most outspoken obscenities of Shakespeare's clowns; nay, Shakespeare would not have introduced such grossness and ribaldry, if it had not ...
... own by H. Hulme that ‘poop' meant the female genitals (<i>Explorations in Shakespeare's Language</i>, p. 114; see also Massinger, <i>Parliament of Love</i ...
... my lord.' This shews with how little care the refitting of this play was done. Shakespeare was wont to say that he never blotted a line. <i>‘Tis true, &# ...
604) Commentary Note for lines 2120-23: 2120-1 Ham. So you mistake
{your} husbands.
| Beginne murtherer,
<Pox> leaue
2121-2 thy damnable faces and | begin, come, the croking Rauen doth bellow
2122-3 for {reuenge} <Re-| uenge>.
... 120 <b>mistake</b>]<b> </b><sc>Heath</sc> (1765, p. 539): "Mr. Theobald, in his Shakespear restored, p. 89, 90. had clearly evinced that the genuine reading is, ...
... </b><sc>Steevens</sc> (ed. 1773): “Theobald proposed the same in his <i>Shakespeare Restored</i>, however, he lost it afterwards.” </para><hangin ...
... for the worse.”</para> <para><fnc> Singer is “vindicating” Shakespeare from “the interpolations and corruptions” advocated by ...
... b> </tab><b>Pox</b>] <sc>Dyce</sc> (ed. 1857): “(Need I observe that, in Shakespeare's time, this imprecation undoubtedly referred to the small-pox? Our ...
... Malleson</hanging><para>2122<tab> </tab><b>Rauen</b>] <sc>Malleson</sc> (<i>New Shakespeare Society's Transactions</i>, 1874, p. 473): “ . . . the Raven ...
... ud</i> <sc>Neil</sc> ed. 1877): “The late Mr. Simpson thought this was a Shakespearian allusion to the line: ‘The screeking raven sits croaking for ...
... no unfit emblem of “the majesty of buried Denmark” '—<i>New Shakespeare Society's Transactions</i>, 1874, p. 473.”</para></cn> <cn> < ...
... b>] <sc>Furness (</sc>ed. 1877): “<sc>Dyce</sc>: Need I observe that, in Shakespeare's time, this imprecation undoubtedly referred to small-pox?”< ...
... 9, 1892-3). This play was in the repertory of the Queen's Men, to which company Shakespeare probably belonged before 1592, and the lines are from Richard's spee ...
... ing><para>2124-2130<tab> </tab><sc>Subbarau</sc> (ed. 1909): “Of course, Shakespeare wrote the whole of the interlude, and in a style which marks it from ...
... ld easily learn during the interval that was available. The question is whether Shakespeare was content to resort to this dramatic device, and to induce, by a r ...
... following the latter, positive, course? One would think it no more likely that Shakespeare once and again created a false impression of the insertion of a spec ...
... must mean 'conspiring'. Both usages are unusual and are not found elsewhere in Shakespeare. Assuming the use of a long 's', it would be easy to mistake one wor ...
... u. 36.” [The number three belongs to magic and is elsewhere mentioned by Shakespeare. See <i>Mac.</i> [1.3.35, 36 (133, 134)].]</para></cn> <cn> <sigla>1 ...
... se of Hecate's, and so terribly poisonous; Hecate's, a disyllable, as always in Shakespeare.”</para></cn> <cn> <sigla>1903<tab> </tab><sc>rlf3</sc></sigl ...
... lack magic. See <i>Mac</i>. [3.5.1-36 (1428-69)] (<small>a scene not written by Shakespeare</small>).”</para></cn> <cn> <sigla>1958<tab> </tab><sc>mun</s ...
... ddess of the underworld and of witchcraft, seems to have had a special place in Shakespeare's imagination, probably because of the large role she plays in Ovid' ...
608) Commentary Note for lines 2132-35: 2132-3 Ham.
{A} <He> poysons him i'th Garden
{for his} <for's> estate, his
| names
Gonza-
2133-4 go, the story is extant, and {written in very} <writ in> choice | Italian, you shall see
2134-5 anon how the murtherer gets the | loue of Gonzagoes wife.
... wn Italian collections of <i>novelle</i>, such as Bandello's and Cinthio's, but Shakespeare may well have taken it from some as yet unidentified source. Cf. Asc ...
... ed all to rise when the king did], . . . [it was] her father's office.” Shakespeare thus impresses upon us that the others, including Polonius, except H ...
610) Commentary Note for lines 2146-50: 2146-7 {Thus} <So> runnes the world away.
| Would not this sir & a forrest of fea-
2147-8 thers, if the rest of | my fortunes turne Turk with me, with <two> prouinciall
2149-50 Roses on my {raz'd} <rac'd> shooes, get me a fellowship in a cry | of players? <sir.>
... Supplements to Tragedy; —<i>magnumque loqui, nitique Cothurno</i>: And <i>SHAKESPEARE</i> himself, in his <i>Troilus</i> and <i>Cressida</i>, seems to ral ...
... 46, Bk. II, Sect. 16, p. 277): “I suppose Sophocles' white shoe was what Shakespeare in Hamlet, Act 3 [2149], calls <i>rayed shoes</i>: i.e. with rays of ...
... ars from Decker's Gull's Hornbook, that feathers were much worn on the stage in Shakespeare's time.”</para> <hanging><sc>malsi: </sc>Nashe analogue</hang ...
... the true one.”</para> <para><fnc> Singer is “vindicating” Shakespeare from “the interpolations and corrumptions” advocated b ...
... nton</sc> (ed. 1860): “A popular phrase to express apostacy of any kind. Shakespeare uses it again in <i>Ado</i> [3.4.57 (1554)]—'Well,, an you be ...
... hoes. It should be noted, however, that Steevens and other critics thought that Shakespeare probably wrote raised shoes, <i>i.e</i>. shoes with high heels.  ...
... 1881): “Alluding, probably, to a custom which the London players had in Shakespeare's time, of flaunting it in gaudy apparel, and with <i>plumes</i> in ...
... om Decker's<i> Gul's Hornbooke</i> that feathers were much worn on the stage in Shakespeare's time.”</para> <hanging>v1877 ≈ v1778, <sc>cald1</sc>< ...
... 1881): “Alluding, probably, to a custom which the London players had in Shakespeare's time, of flaunting it in gaudy apparel, and with <i>plumes</i> in ...
... ars from Decker's Gul's Hornbooke, that feathers were much worn on the stage in Shakespeare's time;' <small>but the only reference that I can find to feathers o ...
... speaks of the damask rose as <i>Rosa provincialis</i>. Hunter (Illustrations of Shakespeare, vol. ii, p. 254) gives an extract from Peacham's Truth of our Times ...
... om Decker's <i>Gul's Hornbooke</i> that feathers were much worn on the stage in Shakespeare's time.”</para> <hanging><sc>dtn ≈ rann</sc> (<i>Ado</i ...
... Thompson & Taylor</sc> (ed. 2006): “share, partnership; like the one Shakespeare had with the Chamberlain's Men whereby he received a share of their ...