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Contract Context Printing 160 characters of context... Expand Context 581) Commentary Note for line 2052:2052 A second time I kill my husband dead,... ugh examples of the tautology ‘kill dead,' meaning ‘kill,' occur in Shakespeare). The reading of Q1 ‘lord that's dead' gives the sense.” ...
... he would insert into the Murder of Gonzago. It would be an ingenious device of Shakespeare to have Hamlet write a speech about his own vacillations and his mot ...
583) Commentary Note for line 2056:2056 Purpose is but the slaue to memorie,... king, and to make these latter seem less pointed. We have fancied that this is Shakespeare's intention, because of the emphatic variation in the style just her ...
... King, and to make these latter seem less pointed. We have fancied that this is Shakespeare's intention, because of the emphatic variation in the style just her ...
... d he have claimed for himself as a play-writer or adapter. The inconsistency of Shakespeare's having made Ham. first talk so much about inserting a speech, and ...
... and a neglect of the artifices which the drama places at his command. Whereas, Shakespeare's procedure was probably this: In the course of enlarging the first ...
... ral</i> lines) for insertion in <i>The Murder of Gonzago. </i>But all the while Shakespeare's object (kept wholly out of view) was to prepare the audience for h ...
... pointed the allusion to the King's guilt may be, we accept it all, secure under Shakespeare's promise that the play shall be made to hit Claudius fatally. And w ...
... fore, that has arisen over these ‘dozen or sixteen lines' is a tribute to Shakespeare's consummate art. Ingleby, I think, is right in maintaining that Sh. ...
... ich lines are the dozen or sixteen written by Hamlet, or whether it is meant by Shakespeare that any lines which actually appear should be identified as his. Li ...
... speech. Perhaps all this is to inquire too curiously into a dramatic device of Shakespeare's, designed to lessen the improbability of the ‘murder of Gonz ...
... ly this speech reflects back on both the Queen and Hamlet himself, but this was Shakespeare doing, and clearly intentional; if we were forced to identify Hamlet ...
584) Commentary Note for line 2059:2059 But fall vnshaken when they mellow bee.... >: This verb, like ‘sticks,' is to be referred to ‘purpose;' but in Shakespeare's mind it was connected with ‘unripe fruit,' and ‘they,' ...
... e between enactors and enactures; it would have been discernible by a reader of Shakespeare's day.”</para></cn> <cn> <sigla>1821<tab> </tab>v1821</sigla> ...
... e between enactors and enactures; it would have been discernible by a reader of Shakespeare's day.”</para></cn> <cn> <sigla><sc>1832<tab> </tab>cald2</sc ...
... > </tab><b>ennactures</b>] <sc>Hibbard</sc> (ed. 1987): “fulfillments (a Shakespearian coinage; no other instance cited by <i>OED</i>).”</para> </ ...
... </tab>enactures] <sc>Thompson & Taylor</sc> (ed. 2006): “actions - a Shakespearean coinage. F's word is also unique; both relate to<i>enact</i> at 99 ...
... better; it is, in fact, demanded; and in regard to ‘flies,' see Abbott's Shakespearian Grammar, § 333, where this passage is quoted.”</para> ...
... >—an effect on the ear so grating that I cannot for a moment believe that Shakespeare would have tolerated it.”</para></cn> <cn> <sigla>1891<tab> < ...
... great man has many, rather than to a <i>favourite</i>.</para> <para>“Had Shakespeare in mind the fall of the great Essex and his treatment by Bacon? At a ...
... ormalities.” </2:238></para> <para><note><2:238> “1<i>Shakespearian</i> <i>Grammar</i>, § 333.” </2:238></note> </pa ...
... </b>] <sc>Rushton</sc> (1909, pp. 45-6): <p.45> “In these passages Shakespeare refers to the figure Histeron, Proteron, or the Preposterous. ‘ ...
589) Commentary Note for line 2077:2077 Directly seasons him his enemy.... ht his falseness to maturity; cf. [1.3.81 (546)]. But the verb <i>season</i> in Shakespeare almost always has the idea (whether literal of figurative) of <i>sea ...
590) Commentary Note for line 2079:2079 Our wills and fates doe so contrary runne,... 54): “contráry ist Sh.'s Betonung.” [<i>contráry</i> is Shakespeare's emphasis.]</para></cn> <cn> <sigla>1857<tab> </tab><sc>fieb</sc></ ...
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