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Contract Context Printing 160 characters of context... Expand Context ... ill natur'd Critick, venture to pronounce, that in almost every Place where <i>Shakespeare</i> has attempted Rhime, either in the Body of his Plays, or at the ...
... its true Beauty, never to its Perfection in <i>England</i>, until long since <i>Shakespeare's</i> Time.” </p.32></para></cn> <cn> <sigla>1773<tab> ...
... (in <i>The Spanish Tragedie</i>) and other writers”—<i>The Age of Shakespeare</i> (1903‚ II. 89}. Ward says that the device, a ‘play w ...
... consecrated as an icon of professed devotion. By adopting this [archaic] style, Shakespeare deliberately shifts our attention from the interplay between the Pla ...
572) Commentary Note for line 2024:2024 King. Full thirtie times hath Phebus cart gone round... f an ill-natured critic, venture to pronounce: that is almost every place where Shakespeare has attempted rhyme, either in the body of his plays, or at the ends ...
... d at its true beauty; never came to its perfection, in England until long since Shakespeare's time.”</para></cn> <cn><sigla>1765-<tab> </tab>mDavies</s ...
... ging><sc>Anon</sc></hanging><para>2024-96<tab> </tab><sc>Anonymous</sc> (<i>New Shakespeare Society's Transactions 1874</i>, p. 314): Cites “the inner pl ...
573) Commentary Note for line 2026:2026 And thirtie dosen Moones with borrowed sheene... lustre.' A word chiefly used in poetry. Spenser has employed it adjectively, as Shakespeare has done (see Note 6, Act ii., <i>MND</i> [2.1.29 (399)]) and Milton ...
... 6, Act ii., <i>MND</i> [2.1.29 (399)]) and Milton has used it substantively, as Shakespeare does in the present passage. “Sheen,” adjectively used ...
574) Commentary Note for line 2034:2034 That I distrust you, yet though I distrust,... t rather that I am distrustful (or suspicious) on your account. In the same way Shakespeare uses <i>I fear you</i> for I am afraid for you, or on your account.] ...
... ust</b>] <sc>Hibbard</sc> (ed. 1987): “(not elsewhere, in this sense, in Shakespeare)”</para></cn> <cn> <sigla>1997<tab> </tab><sc>evns2</sc></sig ...
... en my instinctive impression before turning to their note) that the Qq. give us Shakespeare's first thought, incomplete, as well as the lines which he finally a ...
... d in the printing house, or perhaps the couplet was incompletely crossed out by Shakespeare.”</para> </cn> <cn> <sigla>2006<tab></tab><sc>ard3q2</sc></si ...
... in F1) stands out in Q2 as an uncompleted couplet. It may be a 'false start' by Shakespeare, or it may be that its companion line has been omitted.”</par ...
... amp; Clarke</sc> (ed. 1868, rpt. 1878): “An idiomatic expression used by Shakespeare (see Note 36, Act 1, <i>MND</i>[246]); and here meaning ‘hold ...
... nsferred to the next line, but ‘eyther none,' apparently a false start on Shakespeare's part, has been deleted. And when F1 omits another couple of lines ...
... east</i>.” [The superlative form <i>littlest</i> appears nowhere else in Shakespeare; he always uses the usual form <i>least</i>.]</para></cn> <cn> <sigl ...
578) Commentary Note for line 2041:2041 My operant powers {their} <my> functions leaue to do,... ><b>operant</b>] S<sc>teevens </sc>(ed.1778): “<i>Operant</i> is active. Shakespeare gives it in <i>Tim.</i> [4.3.25 (1627)] as an epithet to <i>poison</ ...
... /b>] <sc>Fiebig</sc> (ed. 1857): “Operant is obsolete instead of active. Shakespeare gives it, in <i>Tim</i>. [4.3.25 (1627)] as an epithet to <i>poison< ...
... i>in</i> Irving & Marshall, ed. 1890): “Compare the one other use in Shakespeare of the word operant, <i>tim</i>. [4.3.25 (1627)]: ‘sauce his p ...
... . </i>[4.3.25 (1627)], ‘thy most operant poison'. The word seems to be a Shakespearian coinage.”</para></cn> <cn> <sigla>1988<tab> </tab><sc>bev2< ...
... Glossary: “Used also for information; and in fact, with great laxity, by Shakespeare.” </fnc></para></cn> <cn> <sigla>1869<tab> </tab><sc>tsch</sc ...
... , p. 47-8): <p.47> “the motives that lead to a second marriage. In Shakespeare the word instance has <i>six</i> different meanings. 1. Motives, as ...
... signifies earnest solicitation, and in this sense it was used centuries before Shakespeare's time.</para> <para>“‘Trewly he prayed me with greter ...
... /sc> (ed. 1881): “<i>respects</i> is <i>considerations</i>, as usual in Shakespeare.”</para></cn> <cn> <sigla>1885<tab> </tab><sc>macd</sc></sigl ...
... t</b>] <sc>Barnett</sc> (1889, p. 48): “<i>gain</i>; a common meaning in Shakespeare.”</para></cn> <cn> <sigla>1890<tab> </tab><sc>irv2</sc></sigl ...
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