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Contract Context Printing 160 characters of context... Expand Context 561) Commentary Note for line 1962:1962 Ros. I my Lord, they stay vpon your patience.... i>or <i>will.' </i> Johnson would have changed the word to <i>pleasure</i>; but Shakespeare has again used it in a similar sense in the Two Gentlemen of Verona, ...
... i> or <i>will</i>. Johnson would have changed the word to <i>pleasure</i>; but Shakespeare ahs it in a similar sense in The Two Gentlemen of Vernoa, Act iii. s ...
562) Commentary Note for line 1966:1966 Ham. Lady shall I lie in your lap?... ‘To <i>lie along in ladies lappes,</i> &c.” This fashion which Shakespeare probably designed to ridicule by appropriating it to Hamlet during h ...
... ston's Malcontent contains several evident allusions to Hamlet; see Dr Ingleby, Shakespeare's Centurie of Prayse, 2d Ed., p. 66. Is the present passage to be ad ...
... ttuck 108): “The custom of sitting & lying on the stage accounts for Shakespeare placing Hamlet at Ophelia's feet—during the representation of ...
... seemed to think ‘were peculiar to the young and fashionable of the age of Shakespeare.' It appears, however, that not very long after ‘the age of Sh ...
... f Shakespeare.' It appears, however, that not very long after ‘the age of Shakespeare,' they were struck out, either on account of their needless indelica ...
... sc> (1985, p. 5): “As it is today, ‘cuntery' was doubtless used in Shakespeare's day as a common word for a convent or a brothel. In this passage ...
... icit a gentleman to <i>write</i> a <i>jig</i> for him. A <i>jig</i> was not in Shakespeare's time a dance, but a ludicrous dialogue in meter, and of the lowest ...
... . 388): “Steevens, in his note on these words, says that a <i>jig </i>in Shakespeare's time was not a <i>dance, </i>but a <i>ludicrous dialogue,</i> Yet ...
... mproprieties down to wildest madness. But I suspect that here as before (123), Shakespere would show Hamlet's soul full of bitterest, passionate loathing; his ...
... p. 8 of Mr Griggs' facsimile. See P. A. Daniel, A Time-Analysis of the Plots of Shakespeare's Plays (Transactions of The New Shakspere Society, 1877-9, Part II) ...
566) Commentary Note for lines 1983-85:1984-5 sute of sables; ô heauens, die two mo|nths agoe, and not forgotten yet,... t understand, must thus be altered; we shall have, indeed a complete edition of Shakespear. In this note, which I have quoted at length, that the reader may se ...
... ed that it signalizes the end of mourning by its richness and display. Yet is Shakespeare had meant that, he could have thought of something gayer; and it is ...
... rposes of <i>lying in wait</i>, it then signified to robb. And in this sense <i>Shakespear </i>uses the noun, a <i>micher</i>, when speaking of Prince <i>Henry< ...
... ege Cambridge manuscript <b>0.12.575</b> “Critical Notes on the Plays of Shakespeare”): <f.5r> “Old. ed. Mischief lying hid. Span. Ma ...
... anging> <para><sc>Grey</sc> (<i>C ritical, Historical, and Explanatory Notes on Shakespeare (p. 296-297): “‘Miching Malicho</i>.' Folios 1623, and ...
... <i>mich </i>signified originally to keep hid, or out of sight, why might not <i>Shakespeare </i>have wrote <i>miching Malbecco, </i>from<i> Spenser's </i>descri ...
... g'd to, the play and show in this place are a fair specimen, and so intended by Shakespeare; who, in his ‘<i>Tempest, Midsummer Night's Dream</i>, and <i> ...
... ough he himself published Hamlet from the old quarto, among the twenty plays of Shakespeare, in the year 1766. Capell, with his wonted fidelity, gives <i>michin ...
... n the margin of the MS Hamlet & thence ignorantly received into the text of Shakespeare.</para> <para><tab> </tab>“It remains to be observed that the ...
... n the margin of the MS Hamlet & thence ignorantly received into the text of Shakespeare</para> <para>It remains to be observed that the <i>micmicking</i> im ...
... To <i>mich</i>, for to skulk, to lurk, was an old English verb in common use in Shakespeare's time; and <i>malicho</i> or <i>malhecho, misdeed, </i> he had borr ...
... To <i>mich</i>, for to skulk, to lurk, was an old English verb in common use in Shakespeare's time; and <i>mallecho</i> or <i>malecho, misdded</i>, he has borro ...
... ith G. H. Lewes.</para></cn> <cn> <sigla>1879<tab> </tab><tab> </tab><i><sc>new shakespeare society</sc></i></sigla><hanging><sc>anon</sc></hanging> <para>2004 ...
... ging><sc>anon</sc></hanging> <para>2004 <b>miching</b>] <sc>Anon</sc>. (<i>New Shakespeare Society'sTransactions</i> <i>1877-9</i>, pp.472): “‘<i> ...
... ole'. It seems to be in the common sense of truant, mischievous skulker, that Shakespeare uses the noun micher in 1H4 II. iv. 396. In Massinger, A Very Woma ...
... epithet for a person rather than an action, personification either in or out of Shakespeare is no unusual figure.</para> <para><tab> </tab>“As for what i ...
... er, is probably such as was peculiar to the young and fashionable of the age of Shakespeare, which was, by no means, an age of delicacy. The poet is, however, ...
... f is not woth the fourth part,'—and in this sense it is sometimes used by Shakespeare, as it seems to be by Claudio, Canterbury, the Nurse, Ophelia, and C ...
... e, till death divide. These posies are from existing specimens of rings of the Shakesperian period. Quotation from Flecknoe's Damoiselles a la Mode, 1667. ...
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