Hamlet Works

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541) Commentary Note for lines 1850-51:
1850-1 pingly on the tongue, but if you mouth it| as many of {our} <your> Players do,

 ... Hamlet with the players,' says Coleridge, 'is one of the happiest instances of Shakespeare's power of diversifying the scene while he is carrying on the plot.' ...

 ... 4to, 1603, gives it' I had rather hear a town bull below,'— scarcely what Shakespeare wrote.”</para></cn> <cn> <sigla><sc>1870<tab> </tab><tab> </t ...

542) Commentary Note for lines 1856-57:
1856-7 offends mee to the soule, | to {heare} <see> a robustious perwig-pated fellowe

 ... c> (ed. 1778): “This is ridicule on the quantity of false hair worn in Shakespeare's time, for wigs were not in common use till the reign of Charles II ...

 ... ye the horse, may chaunce to curse hym.'</para> <para>“In these passages Shakespeare and Ascham speak in disparaging terms of the work of journeymen, and ...

543) Commentary Note for lines 1865-66:
1865-6 your tutor, sute the action to the word, | the word to the action, with

 ... lluded to by Thomas Heywood in his Apology for Actors (1612), reprinted for the Shakespeare-Society, p. 29. After giving his actor a ‘few precepts' on his ...

544) Commentary Note for lines 1867-68:
1867-8 ture: For any | thing so {ore-doone} <ouer-done>, is from the purpose of playing,

 ... entary. It might help their readers—us—if they realized that Shakespeare frequently uses a third pattern, which, though it works differently ...

545) Commentary Note for lines 1871-72:
1871-2 Image, and the very age and | body of the time his forme and pressure:

 ... e moral and political history of their times might have been partly traced. In Shakespeare, Ben Jonson, Fletcher, and Massinger, well understood, we might find ...

 ... her presenting the appearance of a gentleman, rustic, etc. Lord Bacon, who was Shakespeare's exact contemporary, uses the word in the same sense. As you Li ...

 ... (ed. 1885): “impression, as on wax. Some would persuade us that Shakespere's own plays do not do this; but such critics take the accidents which one, must in your allowance ore-|weigh a whole Theater of o-

 ... val. To approve is the more frequent meaning of to allow, in Shakespeare. And so in the Bible; as, ‘The Lord alloweth the right ...

547) Commentary Note for lines 1878-80:
1878-80 uing | th'accent of Christians, nor the gate of Christian, Pagan, | {nor}

 ... , were men, the change is pointless and nonsensical: and I would submit whether Shakespeare did not write ‘or Norman?”' When one takes the p ...

548) Commentary Note for lines 1881-82:
1881-2 tures Iornimen had made men, | and not made them well, they imita-

 ... ye the horse, may chaunce to curse hym.'</para> <para>“In these passages Shakespeare and Ascham speak in disparaging terms of the work of journeymen, and ...

549) Commentary Note for lines 1886-87:
1886-7 Ham. O reforme it altogether, and let those that | play your clownes

1887-8 speake no more then is set downe for | them, for there be of them that

 ... ion, ‘twas utterly condemn'd and exploded, as ‘tis observable by Shakespear's Complaint of the same, which our Prefaces has quoted fro ...

 ... n Parts and Interpolated Copies. </p. 23><p. 24> What Shakespeare's Reproof in Hamlet aim'd at, was only an occasional Vice ...

 ... that in the infancy of the the [sic] English drama, that is, before the time of Shakespeare, Jonson, Chapman, and perhaps Lyly and Marlowe, the clowns were accu ...

 ... and fullness, the author would not approve of this liberty in the actor, whence Shakespeare here reprehends it. There is a remarkable addition at this place in ...

 ... of 1603, which is not without marks of the hand </p. 246><p. 247>of Shakespeare— ‘And then you have some again that keep one suit of jes ...

 ... lled at Kemp, ‘who about the date quitted the company of players to which Shakespeare had always belonged.' See p. 232.”</para></cn> <cn> <sigla>19 ...

550) Commentary Note for lines 1892-95:
1892-5 pittifull ambition in the foole that vses | it: goe make you readie. <Exit Players.> | How

 ... ed at William Kemp, who about this date quitted the company of players to which Shakespeare had always belonged. We quote the passage exactly as it is printed, ...

 ... llowed to quote the following from ‘Memoirs of the Lives of the Actors in Shakespeare's Plays,' (printed by the Shakespeare Society in 1846) p. 105: &#821 ...

 ... 216;Memoirs of the Lives of the Actors in Shakespeare's Plays,' (printed by the Shakespeare Society in 1846) p. 105: ‘We are to bear in mind that ‘H ...

 ... eral axiom as to the abuse introduced by the performers of the parts of clowns, Shakespeare had designed a particular allusion to Kemp.'”</para></cn> <cn ...

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