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Contract Context Printing 160 characters of context... Expand Context ... “So the qu's. All the rest read <i>pith</i>. <i>Pitch</i> seems to be <i>Shakespeare's</i> word; he intends to give us the idea of a man pitching a javel ...
... r congruity of 'pith' and 'moment' than of 'pitch' and 'moment' will be seen by Shakespeare's uses of these words in the following passages: 'that's my pith of ...
522) Commentary Note for line 1742:1742 And loose the name of action. Soft you now,... yet as Polonius remarks of a former scene— <i>there is method in it</i>; Shakespeare, in all his pieces, seems to have had great regard to the capital ch ...
... the soliloquy, but it incidentally enters into it. ‘Clelia' in his God in Shakespeare construes the opening sentence thus: ‘Whether ‘tis noble ...
523) Commentary Note for line 1743:1743 The faire Ophelia, Nimph in thy orizons... if the title of Nymph, applied to any other than a water-deity, were in use in Shakespeare's time. It occurs, however, applied to the heroine, in Lodge's roma ...
524) Commentary Note for line 1758:1758 Ham. Ha, ha, are you honest.... t. free, that the freedom therefrom constitutes her Character.—Here again Shakespear's Charm of constituting female character by absences of characters, = ...
... 8<i><b><i> </i></b></i><sc>Verplanck</sc> (ed. 1847): “Every lover of Shakespeare is familiar with the doubts, speculations, and controversies excited ...
... iffering opinions of some of those who have most reverenced and best understood Shakespeare's genius.</para> <para>“The reader who wishes to follow out t ...
525) Commentary Note for line 1759:1759 Oph. My Lord.... rm was <small>cuyring </small>surprize at having so ambiguous a word as honest. Shakespeare uses it in its double sense elsewhere: ‘I do not think that De ...
... ia is so free, that the mere freedom therefrom constitutes her character. Note Shakespeare's charm of composing the female character by absence of characters, ...
... ur beauty.' This use of <i>honesty </i>for <i>chastity</i> is very frequent in Shakespeare. ---It should be noted, that in these speeches Hamlet refers, not t ...
528) Commentary Note for lines 1776-7:1777-8 ners, I am my selfe indifferent honest, but yet I could accuse mee of... nd of 'nunnery' where they flourish. It is possible that it was for this that Shakespeare chose to reiterate the word. And a degree of ambivalence would no ...
... let</i> which evoked it. <i>BB</i>, like Fletcher, rules out any ambiguity. Shakespeare perhaps did not."</para></cn> <cn> <sigla>2008<tab></tab>Pequigney</ ...
... editorial gloss is neither relevant to nor compatible with his intent—or Shakespeare's: The presence of nunneries helps situate the imagined society of ...
529) Commentary Note for lines 1779-81:1779-80 very proude, reuengefull, ambitious, with more offences at my beck,1781-2 then I haue thoughts to put them in, imagination to giue them shape,1779-81 ... Shepherd, III, 2: <i>At your beck, madam</i>. Timon, a Play, ed. Dyce (for the Shakespeare Society, 1842) p. 13: <i>at my beck and nodd</i>. Heywood, Love's Mi ...
... t now. A stage tradition beginning early in the 19th century (see Sprague, <i>Shakespeare and the Actors</i>, pp. 152-4) made Polonius pop his head out at thi ...
... taff or cough, or cry hem, or </p.375> <p.376> stick his head out. Shakespere had outgrown such melodramatic trickery long before he came to write ...
... contribution to the good Queen's and King's plans, dearly did they pay for it. Shakespere, we may be sure, did not introduce the spurned lover's gifts into the ...
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