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Contract Context Printing 160 characters of context... Expand Context 501) Commentary Note for lines 1671-2:1671 And he beseecht me to intreat your Maiesties1672 To heare and see the matter.... <sc> Clark</sc> & <sc>Wright</sc> (ed. 1872): "many verbs were employed by Shakespeare with both the strong and the weak forms of preterite and participle, ...
... <sc>Upton</sc> (1746, p. 297) defines <b>Affront </b>in this line to illustrate Shakespeare's use of foreign language words: “i.e. meet her face to face. ...
... . <i>Espial</i>, now obsolete, is the same as <i>Spie</i>, and often used by <i>Shakespeare</i> in that Sense.”</hanging></cn> <cn> </cn> <cn><sigla><sc> ...
... of the present scene, but from innumerable passages throughout his dramas) that Shakespeare was not at all solicitous about observing such a [Greek text]; </ ...
503) Commentary Note for line 1689:1689 That your good beauties be the happy cause... yce2</sc></sigla><hanging>1689 <sc>Dyce</sc> (ed. 1866): “‘Surely Shakespeare wrote ‘<i>beauty' </i>(<i>-tie</i>), and perhaps also ‘< ...
... c>Elze</sc> (ed. 1882): “‘Surely, says Walker, Crit. Exam. I, 252, Shakespeare wrote <i>beauty</i> and perhaps also <i>virtue</i>.' Surely not. Com ...
504) Commentary Note for lines 1696-7:1697 Your {lowlines;} <lonelinesse.> we are oft too blame in this,... hold Ophelia ignorant of their plot. Poor creature as she was, I would believe Shakespere did not mean her to lie to Hamlet. This may be why he omitted that p ...
505) Commentary Note for line 1710:1710 Ham. To be, or not to be, that is the question,... nesses, it was a <i>Guess</i> of mine, before he had enter'd upon publishing <i>Shakespeare</i>. But, perhaps, the Correction may be, at best, <i>but a Guess</i ...
... uestions whether there is lodging. How different from this is the conduct of <i>Shakespear </i>on the same occasion!" See<i> Guthrie</i>'s<i> Essay on Tragedy</ ...
... 1998, 12.4:850): “Of such universal interest, and yet in to which of all Shakespear's other characters could it have <i>appropriately</i> given but to H ...
... t of his mind.— On the whole I think this must have been a speech written Shakespeare, which he took the first tolerable opportunity of ushering to the wo ...
... n. Addison has named the author whom he has put into the hands of his hero, but Shakespeare has left his author unnamed, unfortunately I think; but it is clear ...
... >Wright</sc> (ed. 1872): "It has been said that this soliloquy was suggested to Shakespeare by a book of Jerome Cardan De Consolatione, which was translated int ...
... question</i>—This celebrated speech is, I suppose, the most discussed in Shakespeare, and the most misinterpreted. It is impossible to review the liter ...
... h Coleridge comments that it is 'of such universal interest' and yet, among all Shakespeare's characters, could have been 'appropriately given' only to Hamlet ( ...
... e it expresses is not an impartial or objective one such as we might ascribe to Shakespeare, but just such a view as one in Hamlet's dramatic predicament might ...
... ontaigne's <i>Essays</i> (III. 12). For its classical origins, see Anders, <i>Shakespeare's Books</i>, p. 275. It was in the tradition of the ancients that ...
... and gentle sleep, and without dreams' (III. 12, Florio's trans.). By contrast Shakespeare, characteristically seeing both sides, thinks also of the possibilit ...
... later [<i>Standard Edition</i> 4: 254ff], here inflected—contrary to the Shakespearean subtext—in the context of <i>maternal </i>loss . . ., [which ...
506) Commentary Note for lines 1711-12:1711 Whether tis nobler in the minde to suffer1712 The slings and arrowes of outragious fortune,... ne,' would read ‘The <i>Stings and Harrows</i> of outrageous Fortune.' <i>Shakespeare</i> uses the <i>Verb</i> in another Place in this Play. ‘It <i ...
... ed which were the 'nobler' course. The absurd futility of the contest is what Shakespeare's much-abused metaphor of taking arms against a sea very vividly sug ...
... w their swords and throw themselves into the tides as though to terrify them. Shakespeare could have found this in Abraham Fleming's translation of Aelian (A ...
... <i>Eudemian Ethics</i>, III. 1 See also <i>Nichomachean Ethics</i>, III. 7). Shakespeare does not disagree with this; but it is not a case in which Aristotle ...
507) Commentary Note for line 1713:1713 Or to take Armes against a sea of troubles,... er</sc> (ed. 1744): “<i>Instead of </i>a sea of troubles<i> perhaps </i>Shakespear<i> wrote </i>assailing troubles<i>, which would preserve a propriety ...
... a of troubles</b>] <sc>Warburton</sc> (ed. 1747): “Without question <i>Shakespear </i>wrote ‘—<i>against </i>ASSAIL <i>of troubles.' i.e. ...
... i.e. assault. This alteration seems to have been made upon a supposition that Shakespear never mixed his metaphors—”</para></cn> <cn><sigla><sc>1 ...
... pp. 237-239): “The critics, greatly disgusted at the impropriety of<i> Shakespear</i>'s<i> </i>metaphors, and not conceiving what he could mean by taki ...
... i> or <i>assailing</i>, and the like, but there is<i>none so frigid a reader of Shakespear</i> as to admit such alterations. Propriety in his metaphors, was nev ...
... greatly similar to the following lines; and on reading Mr. <i>Whalley </i>on<i> Shakespear</i>'s<i> </i>Learning, found he had likewise remark'd it. ‘We c ...
... ebrated soliloquy in the 3d Act, which seems so peculiarly the production of <i>Shakespear</i>, that you would hardly imagine it can be parallel'd in all antiqu ...
... </i>I know not why there should be so much solicitude about this metaphor. <i>Shakespeare </i>breaks his metaphors often, and in this desultory speech there ...
... d of Sea; and Bishop Warburton peremptorily pronounces, ‘Without Question Shakespeare wrote — ‘Against <i>Assail</i> of Troubles.'' In Defence ...
... re is a Passage in the <i>Prometheus Vinctus</i> of Æschylus, the Athenian Shakespeare, from which one Stroke of the Imagery might seem to have been litera ...
... however, be supposed to offer this Similarity of Expression as an Argument that Shakespeare was conversant with Æschylus, any more than I take the ‘R ...
... hor, or the jumbling of different ones in the same Sentence, is not peculiar to Shakespeare, nor a sufficient Reason to authorise an Alteration of his Text. ...
... for Sept. I produced a passage or two from <i>Æschylus</i>, to prove, that Shakespeare is not singular in the use of this metaphor, ‘A <i>Sea</i> of ...
... ing beautiful passage, where we find an expression perfectly similar to that of Shakespeare. I shall make no apology for the length of the quotation, not doubti ...
... urally have suggested the word siege, but by the metaphor's having been used by Shakespeare in other places. So in Timon —'Not ev'n Nature To whom all sor ...
... the <i>mixed metaphors</i>, the <i>heterogeneous images</i>, which the pages of Shakespeare, as it is said, continually offer to our view. I find, however, on a ...
... or Hepodotus, fol. 1608. p. 159. (and few books have more of the phraseology of Shakespeare), we have ‘a sea of sorrow:' and it is not a dissimilar, but a ...
... ying to know, that it proceeds from that pen of one, whose living comments upon Shakespeare have never been equalled, and throughout all time, as is most probab ...
... of good men, that have passed away, describe them as having fallen asleep. If Shakespeare has gone rather further than this and in the exercise of his art has ...
... nst a sea seems an incongruous metaphor: but not the only one of which the good Shakespeare is guilty.”</f. 225r></para></cn> <cn><sigla><sc>1847<t ...
... t small critics here, contrasted with David Garrick, who, in his Oration at the Shakespeare Jubilee, 1769, rises from the explanation and defence of the passage ...
... l I oppose and vanquish them?'</para> <para>“We may safely conclude that Shakespeare never committed a blunder of so gross a character, especially in a c ...
... fifth and sixth lines are corrupt; in other words, they are not the lines which Shakespeare wrote.</para> <para>“But it is much easier to establish a str ...
... In the next place, the phraseology introduced resembles expressions employed by Shakespeare in other places. With regard to the word <i>seat</i> in the proposed ...
... <i>poniard</i>, which it is sufficient for form's sake to show was employed by Shakespeare on more occasions than one.</para> <para>“By the help of Mrs. ...
... .'</para> <para>One of the commonest significations of the word ‘seat' in Shakespeare's writings is ‘throne,' as </p. 35><p. 36> seen in ...
... d be something in this reading accordant enough with the tendency manifested by Shakespeare and all men of great wit to push their metaphors beyond the first st ...
... us the expressions ‘[Greek text],' and ‘[Greek text].'</para> <para>Shakespeare himself, I may add, has similar phrases: ‘Thus hulling in The ...
... propriate one that could be wielded in such a contest, is decisive that neither Shakespeare nor Hamlet had in his head a battle with the ocean.</para> <para>But ...
... rk that in the passage cited </p. 39><p. 40> from ‘Pericles,' Shakespeare shows a consistency in the management of the metaphor there introduc ...
... eare,' vol. ix. p. 286, Boswell's ed. </p. 41></para> <para><p. 42> Shakespearian in the lines that could furnish occasion for them, were such indir ...
... anging> <para>1713 <sc>Keightly</sc> (1867, p. 291): “Though we meet in Shakespeare with incongruities as great as this, I incline to read for ‘se ...
... The principal word in the clause is a gambler's term, and occurs once only in Shakespeare--'All's Well that Ends Well,' <i>II.iii.</i>86. Lafeu thus expresse ...
... , and Cimbri erexhibited their intrepidity by armed combats with the sea, which Shakespeare might have found in Abraham Fleming's translation of Aelian, 1576. B ...
... ight have found in Abraham Fleming's translation of Aelian, 1576. But elsewhere Shakespeare has ‘sea of joys,' ‘sea of glory,' ‘sea of care.' ...
508) Commentary Note for lines 1714-15:1714 And by opposing, end them, to die to sleepe1715 No more, and by a sleepe, to say we end... to have possibly suggested the erroneous reading we find, and be consonant with Shakespeare's phraseology on other occasions.</para> <para>Such a word we have, ...
... uck 108): “The punctuation in any Edition cannot be relied upon as being Shakespeare's, and I have always made the following alterations. ‘And by o ...
509) Commentary Note for line 1718:1718 Deuoutly to be wisht to die to sleepe,... epe, To sleepe</b>] <sc>Rushton</sc> (1909, pp. 107): “In these passages Shakespeare, with the word with which he finishes a verse, begins the next, and ...
... . . . come</b>] <sc>Hunter</sc> (-1845, [f. 225r]): <f. 225>“What Shakespeare's notion of the effect of dreams was may be collected from Clarence' ...
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