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Contract Context Printing 160 characters of context... Expand Context ... </i> Ff. <i>Mars his</i>, but misprint <i>Armours</i>. <i>Eterne</i> is used by Shakespeare in Macbeth iii. 2. 38: But in them nature's copy's not <i>eterne.</i ...
482) Commentary Note for line 1533:1533 Out, out, thou strumpet Fortune, all you gods,... t their business to ply the ears, and to stun their Judges by the noise. But <i>Shakespeare</i> does not often thus [. . .]. <b>Ed. note:</b> Dryden does not ...
... he had a kinder soul than Fletcher, whom he describes as a “Limb of <i>Shakespeare.</i>”</para> <para>“<i>Shakespeare</i> had a Universa ...
... ibes as a “Limb of <i>Shakespeare.</i>”</para> <para>“<i>Shakespeare</i> had a Universal mind, which comprehended all Characters and Pass ...
483) Commentary Note for line 1537:1537 As lowe as to the fiends.... on of the epic for the dramatic, giving such reality to the dramatic diction of Shakespeare's own dialogue, and authorized, too, by the actual style of the trag ...
... --the language of lyric vehemence and epic pomp, and not of the drama. But if Shakespeare had made the diction truly dramatic, where would have been the contr ...
... retch That ever lived, to make a mirror of' (<i>Gorboduc</i>, III. i. 14-15). Shakespeare in some famous stanzas in <i>Lucrece</i> had shown her 'staring on P ...
... where the transition from Priam's death to Hecuba's 'tears' seems to anticipate Shakespeare, she is thought of as 'thrice-wretched' because of what 'did after h ...
... eps for Troy and for her children 'murdered by wicked Pyrrhus' bloody sword'. Shakespeare's unique emphasis upon her grief for Priam is significant of his pur ...
... ] ‘The elder mabble their heads in Linnin'</para> <para>Have no doubt but Shakespear wrote Mabbled Queen & not mobled as it is printed in the late edi ...
... respectfully submit the suggested ‘emendation' to the critical readers of Shakespeare.”</hanging></cn> <cn><sigla><sc>1867<tab> </tab>keightley</sc ...
... print corrected in F. 2, reads <i>inobled</i>. The word was probably archaic in Shakespeare's time. It seems to have been a corruption of ‘muffled.' Warbu ...
... em, read about instead of upon (the reading of Qq.); but it is past belief that Shakespeare should have made such a wretched jingle as ‘a clout about.' Q. ...
487) Commentary Note for line 1607:1607 A dull and muddy metteld raskall peake,... elation of <i>nodding</i> and <i>dreaming</i>, which renders it improbable that Shakespeare's text should be corrected to <i>John-a-droynes</i>.”</p. ...
... & <sc>Wright</sc> (ed. 1872): “pine away, mope. Used once more by Shakespeare, in Macbeth, i. 3. 23, 'dwindle, peak and pine.' "</para></cn> <cn> ...
488) Commentary Note for line 1608:1608 Like Iohn-a-dreames, vnpregnant of my cause,... -dreams, is in Armin's ‘Nest of Ninnies,' 1608, recently reprinted by the Shakespeare Society, where at p. 49 the following passage occurs: ‘His nam ...
489) Commentary Note for lines 1610-11:1611 A damn'd defeate was made: am I a coward,... (ed. 1773): “The word defeat is licentiously used by the old writers. Shakespeare in another play employs it yet more quaintly.— ‘<i>D ...
... > (ed. 1778): “The word defeat is licentiously used by the old writers. Shakespeare in another play employs it yet more quaintly.-- ‘<i>Defeat</i> ...
... nd the ellipsis in the text was I suspect in consonance with the phraseology of Shakespeare's time.”</para></cn> <cn><sigla>1866a<tab> </tab><sc>dyce2</s ...
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