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Contract Context Printing 160 characters of context... Expand Context ... a term in the barbarous jargon peculiar to heraldry, and signifies <i>red</i>. Shakespeare has it again in <i>Timon</i>: ‘With man's blood paint the grou ...
472) Commentary Note for line 1501:1501 Bak'd and empasted with the parching streetes... and passages in this speech, that bear any resemblance to the known writings of Shakespeare; because, on our hypothesis, they may be reasonably considered as i ...
... an Emendation. Tho' I would not willingly presume too far, and consult what <i>Shakespeare should have written</i>, rather than what he <i>did really write</i> ...
... Winds speechless, and the Orb below /As hush as Death.' It is manifest from <i>Shakespeare</i>'s Description of the Death of <i>Priam</i>, that he was not well ...
... hat particular passage had been omitted; it would have crippled the play. . . . Shakespeare introduces this group of actors with a double purpose. First: the ma ...
... EL (1808, rpt. 1846, pp. 406-7): “As one example of the many niceties of Shakespeare which have never been understood, I may allude to the style in which ...
... ubject of much controversy among the commentators, whether this was borrowed by Shakespeare from himself or from another, and whether, in the praise of the piec ...
... roportion that generally theatrical elevation soars above simple nature. Hence Shakespeare has composed the play in Hamlet altogether in sententious rhymes ful ...
475) Commentary Note for line 1511:1511 Rebellious to his arme, lies where it fals,... C;These lines seem to be a proof that this speech wasot composed by <tab> </tab>Shakespeare, but a quotation from some writer of those times who was conversant ...
476) Commentary Note for lines 1513-14:1513 Pirrhus at Priam driues, in rage strikes wide,1514 But with the whiffe and winde of his fell sword,... h a blow at the Red Cross Knight 'That with the wind it did him overthrow', and Shakespeare's self-echo in <i>Troil</i>. V. iii. 40-1, 'the captive Grecian fall ...
... ext scene some speeches from a play, which seems to have been a favourite of <i>Shakespear</i>'s<i>: </i>the critics have been greatly divided in their opinions ...
... iness to determine any thing concerning them, when selecting the <i>Beauties of Shakespear: </i>however, in deference to the judgment of our poet, I thought it ...
... me to quote the few lines following which seem to merit all the commendation <i>Shakespear </i>gives them but particularly the simile: [cites TLN 1515-1527]. ...
... 515-1527]. Mr.<i> Warburton </i>is of opinion, the play here mention'd was <i>Shakespear</i>'s<i> </i>own: composed by him on the model of the <i>Greek </i>dr ...
... more upon this subject, in the 8th vol. <i>of Warburton</i>'s<i> </i>edition of Shakespear, p. 267.”</hanging></cn> <cn><sigla><sc>1790<tab> </tab>mal </ ...
478) Commentary Note for line 1521:1521 So as a painted tirant Pirrhus stood... h supposes this to derive from <i>Dido</i>, II. i. 263. 'he stood alone still', Shakespeare having transformed the incident by placing 'Pyrrhus' pause' before i ...
... ?' <i>Hamlet </i>[(1598-9)]. Merely with a special view to mark a solemn pause Shakespeare writes: ‘So, as a painted tyrant Pyrrhus stood, And, like a ne ...
480) Commentary Note for lines 1527-8:1527 Doth rend the region, so after Pirrhus pause,1528 A rowsed vengeance sets him new a worke,... s the atmosphere was divided into three regions, upper, middle, and lower. By Shakespeare the word is used to denote the air generally. Compare Sonnet xxxii ...
... arts) of the Air, <i>Les trois</i> <i>regions de Vair</i>.' The word is used by Shakespeare in the general sense of the upper air in Son. xxxiii. 12: The <i>reg ...
... he atmosphere was divided into three regions-upper, middle, and lower.' Used by Shakespeare for the space of air, as in Romeo and Juliet, II. ii. 21.</para></cn ...
... contrast with that in Hamlet's soliloquy which will follow) is not Hamlet's but Shakespeare's. Though the element of revenge is inherent in the story of Pyrrh ...
... Virgil or the medieval writers. It becomes conspicuous , however, in some of Shakespeare's predecessors - momentarily in the Marlowe-Nashe <i>Dido</i> (II. i ...
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