451 to 460 of 1169 Entries from All Files for "shakes" in All Fields
... t</i> a Portion of Sir <i>John Fallstaffe's</i> <i>Instinct</i>. I must own, <i>Shakesepare</i> is not without some more Samples of these Self-Contradictions; a ...
... oclamation.'</para> <para></f. 242v><f. 243r>>part in the choir. Shakespeare alludes sarcastically to that. They sing now, when their voices are ...
... h pieces these children performed & what particular <small>passane</small>. Shakespeare aimed at.</para> <para>“The passage as it is printed in all t ...
452) Commentary Note for lines 1400-2: 1400 <and the Nation holds it no sinne, to tarre them to Con-> 1401 <trouersie. There was for a while, no mony bid for argu->
1402 <ment, vnlesse the Poet and the Player went to Cuffes in>
... e</i>, <i>urge on, set on</i>, as we do Dogs to fighting. And so, I observe, <i>Shakespeare</i> in other Passages writes it. King <i>John, pag</i>. 169.<i>R ...
... in the present passage (see <i>RES</i>, n.s. XIX, 51-3). If we may accept it, Shakespeare's word-play not only represents the boys carrying the whole world wi ...
... 839): “In quartos, <i>mouths. </i>The <i>mowes</i> of the folio is more Shakesperian--- as in the Tempest [2.2.9. (1048) & 4.1.47. (1702)].”< ...
... expression ‘<i>in little</i>' was used by writers long after the time of Shakespeare: so in Shadwell's <i>Sullen Lovers;</i> ‘I will paint with Lil ...
... ether the word ‘extent' has not been misprinted for <i>ostent, </i>a word Shakespeare not unfrequently uses, in the sense of external show? The context s ...
... heron</i> which it pursues. The corruption is said to be as old as the time of Shakespeare.”</para></cn> <cn><sigla><sc>1832<tab> </tab>cald2</sc></sigl ...
... expression ‘I know a hawk from a handsaw,' was proverbial in the time of Shakespeare.</para> <para>“‘Hawk' is a kind of <i>hook</i> in Oxfor ...
... w a hawk from the heron it pursues. The corruption was prevalent in the time of Shakespeare.”</para></cn> <cn><sigla><sc>1856<tab> </tab>hud1 (1851-6)</s ...
... ] <sc>Hudson</sc> (ed. 1856): 'To know a hawk from a handsaw,' was a proverb in Shakespeare's time. <i>Handsaw</i> is merely a corruption of <i>hernshaw</i>, w ...
... >] <sc>Atkinson</sc> (1863, pp.721-22):<p.721> “In Mr. Donbavand's Shakespeare emendations, in the <i>Athenaeum</i> of the 21st instant, I think he ...
... peasantry of the neighborhood, a single bird is called a <i>heronsew</i>, hence Shakespeare's line may have been written,—'I know a hawk from a heronsew.' ...
... ge from the ‘Fairy Queen' (B. 6, c. 7, v.9) seems to show distinctly that Shakespeare, in the passage in dispute, wrote <i>herneshaw</i>, and not <i>hands ...
... e seen it supported by some passages from any of the books on Falconry to which Shakespeare might have access. I have always thought that Hamlet here meant to i ...
... or hernsew; ‘no other instances of the phrase (except as quotations from Shakespeare) have been found'(<i> New Eng. Dict</i>.). J.C. Heath (quoted in Cla ...
... ursuit of a hern by a pair of hawks. The south wind is generally represented by Shakespeare as a wind of evil contagion. Does Hamlet mean that he can recognise ...
... dn, I. 254-5) Hence it is not necessary to suppose that the phrase as used by Shakespeare, whatever the fact of its origin, envisages either two birds or two ...
... tion that Falstaff's sword 'hack'd like a handsaw' (<i>1H4</i> II. iv. 161) led Shakespeare to <i>hawk</i> via a pun on <i>hack</i> appears far-fetched. It ma ...
... nd many more in Elizabethan than in modern English. The singular verb is quite Shakespearian in ‘Though bride and bridegroom <i>wants</i> (are wanting) f ...
... ason why they were hitherto omitted. There are many plays of the age, if not of Shakespeare's, that answer to the description.”</para></cn> <cn><sigla><s ...
... sc> (ed. 1872): “In the licence granted to the Globe Company, to which Shakespeare belonged, dated 17 May, 1603, he and his associates are allowed ' fr ...
... erent from tragedies and comedies to be reckoned apart, is an important fact in Shakespeare's biography.”</para></cn> <cn> </cn> <cn><sigla><sc>1934</sc> ...
... nlimited] <sc>Zitner</sc> (1983, p. 194): <p. 194> “For his part, Shakespeare wrote pastoral-comical in <i>As You Like It,</i> 'tragical-historica ...
... even a relevance--to genre theory. There is, in any case, no hard evidence that Shakespeare concerned himself with literary theory or knew any of the writings o ...
... son why they were hitherto omitted. There are many plays of the age, if not of Shakespeare's, that answer to the description.” </para></cn> <cn><sigla>1 ...
... son why they were hitherto omitted. There are many plays of the age, if not of Shakespeare, that answer to these descriptions.”</para></cn> <cn><sigla>< ...
... same, or <i>undivided,</i> all through the piece. But in the Gothic drama, as Shakespeare found and fixed it, the changes of scene are without definite limita ...