421 to 430 of 1169 Entries from All Files for "shakes" in All Fields
... utified <i>With goodly Shape</i>' [4.1.53. (1599)]. </para> <para>“As <i>Shakespeare </i>has therefore chose to use it in the latter Acceptation, to exp ...
... <i>With goodly Shape</i>' [4.1.53. (1599)].</small> </para> <para>“As <i>Shakespeare </i>has therefore chose to use it in the latter Acceptation, to exp ...
... lonius, is a vile phrase. It was the common phrase in dedications to ladies in Shakespere's time:-- ‘To the wothily honoured and vertuous <i>beautified < ...
... ears over Jerusalem, 1594, ‘to the most beautified Lady Elizabeth Carey;' Shakespeare uses it himself in the Two Gentlemen of Verona, IV, i; and the verb ...
... s underlying this critical observation. Now, we know that Robert Greene charged Shakespeare with having ‘beautified himself' with ‘feathers' not his ...
... llings <i>vile</i> and <i>vilde</i> (<i>vild</i>) were used indiscriminately in Shakespeare's time; the former, as Mr Wright remarks in the Clarendon Edition of ...
... /b><i><b><i>beautified</i></b></i>] <sc>Dowden</sc> (ed. 1899): “used by Shakespeare in <i>Two Gentlemen of Verona</i>, [4.1.53-4 (1599-1600)] Theobald r ...
... 6;to the most wothily Honoured and vertuous beautified Ladie.' Greene described Shakespeare in a vile phrase as an upstart crow ‘beautified with our feath ...
... <i><b><i>beautified</i></b></i>] <sc>Jenkins </sc>(ed. 1982): “Though Shakespeare several times uses the verb 'beautify', it is only here that he uses ...
... forbid us to regard Hamlet's superscription as wildly extravagant ; and though Shakespeare sees it to be vulnerable, by subjecting it to Polonius's criticism h ...
... tab>that's . . . phrase] <sc>Bate</sc> (2008, p. 41): “The evidence that Shakespeare was insulted—or amused, or both—by the 'upstart crow' qu ...
... because the word was associated with social inferiority, which was exactly what Shakespeare had been accused of in the original 'upstart crow' insult.” < ...
... cond and third degrees have been altered. We commonly find, in the writings of Shakespeare's time, ‘more richer,' ‘more worthier,' ‘most wort ...
... the heart', and <i>Sonn</i>. XCIII, and shows that this was a common word with Shakespeare for any operation of heart, mind, or soul (cf. II. ii. 548). Yet i ...
... ssisted by <i>work</i> two lines below, of <i>winking</i> (F), which is equally Shakespearean and better fits the context of inaction. With the combination of ...
... mlet is a prince out of thy sphere The Folio & Q. read starre—Perhaps Shakespeare wrote state</para></cn> <cn><sigla>1778<tab> </tab>v1778</sigla><han ...
... is a prince out of thy <i>soar</i>.' It is not to be concealed, however, that Shakespeare does not elsewhere employ <i>soar</i>*( note appears at the bottom o ...
... ;It is some support to my proposal that Milton, who was born eight years before Shakespeare's death, uses the word as a noun: ‘Whithin <i>soar</i> Of tow' ...
... of advice. But how could she be said to take them? the reading is corrupt. <i>Shakespear </i>wrote ‘<i>Which done</i>, SEE TOO <i>the fruits of my advic ...
... 201C;‘The old copies,' says Mr. Collier, in the second edition of his <i> Shakespeare,</i> ‘have <i>‘four </i>hours together,' but no doubt mi ...
... to denote an indefinite number; those readers that are not the merest tiros in Shakespearean literature, need not be told, how unfounded this pretension is.&#x ...
... muse <i>four</i> hours together.' See Elze's list of similar expression in the Shakespeare-Jahrbuch, bd. Xi. Compare v. 1. 292: ‘<i>forty</i> thousand br ...
... sc>(ed. 1899): “Hanmer's emendation <i>for</i> is specious. But Elze (<i>Shakespeare Jahrbuch</i>, B. xi) has shown the use by Elizabethan writers of fou ...
... arburton has corrected this passage rightly; but I think, with Mr. Malone, that Shakespeare had not any of that profound meaning which Warburton has ascribed to ...
... had intervened, between ‘as the world goes' [[1215]] and the Sun &c, Shakespeare would have given some hint, tho' but in a single word, even tho' hid ...
... terruptions, and rejoices in his departure, serve, in our opinion, to show that Shakespeare intended the actor should manifest his wish to be alone, after the w ...
... the ancient idea, see Hankins, <i>PMLA</i>, LXIV, 507 ff. (or <i>Backgrounds of Shakespeare's Thought</i>, pp. 161-71). The sun was regularly thought of as th ...
... which to my feeling does not entirely accord with the genuine spirit of the <i>Shakesperian manner</i>. The <i>physical</i> operation of the Sun and the <i>me ...
... ay in his interpretations by his attention to general positions without the due Shakespearian reference to what is probably passing in the mind of the speaker, ...
... ways of Providence in permitting evil to abound in the world. He observes that Shakespeare ‘had an art not only of acquainting the audience with what his ...
... being a good, kissing carrion. ‘ (See ‘Specimen of a Commentary on Shakespeare,' p.157)”</para></cn> <cn><sigla><sc>1843<tab> </tab>col1</sc ...
... ssing carrion,' and his commentary is one of the most celebrated curiosities of Shakespearian literature. He finds in Hamlet's remark a great and sublime argume ...
... , 'almost sets the critic on a level with the author!' The critic remarks that Shakespeare 'had an art not only of acquainting the audience with what his actor ...
... d, as it looks as if the critic were attributing his own thoughts to the Poet. Shakespeare, it is true, elsewhere calls the sun ‘common-kissing Titan;' b ...
... terruptions, and rejoices in his departure, serve, in our opinion, to show that Shakespeare intended the actor should manifest his wish to be alone, after the w ...
... ne quotes King Edward III (one of the plays printed by Capell as being possibly Shakespeare's) : 'The freshest summer's day doth soonest taint The loathed carri ...
... which is which, in reading an author of so contriving a spirit of expression as Shakespeare exhibits.</para> <para> “In the following passages, for exam ...
... pens with this word, ‘kissing' here means rather more than it expresses. Shakespeare uses it in the same sense in <i>All's Well</i>: ‘He that <i>ki ...
... of a piano. ‘Being a god kissing carrion,' is in itself good enough; but Shakespere meant what stands in both Quarto-and-folio: <i>the dead dog being goo ...
... supposes that Hamlet reads or pretends to read, these words. See by Ingleby, <i>Shakespeare Hermeneutics</i>, p. 159.</para></cn> <cn><sigla><sc>1909<tab> </tab ...
... lllian, which occurring in an attack upon the theatre may have been familiar to Shakespeare. The fact that ‘god' and ‘good' are sometimes confused ...
... ins </sc>(ed. 1982): "The sense, correctly understood by Raleigh (<i>Johnson on Shakespeare</i>, p. XXV) and well explained by Corson (quoted in Furness, i. 149 ...
... “The qu's, 1st f. and C. read <i>who</i>; the rest, <i>whom</i>; but <i>Shakespeare</i> was not so grammatically nice; he wrote as people discoursed in ...
... nt so early; those who have seen Mr. Farmer's pamphlet will hardly believe that Shakespeare was able to have read the original.” </para> <para>1234 <b>t ...
... he satire of Juvenal by Sir John Beaumont; but I cannot tell whether printed in Shakespeare's time. In that age of quotation, every classic might be picked up ...
... para>1234-5 <b>the satericall rogue</b>]<sc>Farmer</sc> (ed. 1778): “Had Shakespeare read Juvenal in the original, he had met with ‘De temone Brita ...
... ord might be forgotten, it is clear from the mistake in the <i>latter</i>, that Shakespeare could not possibly have read any one of the Roman poets. There was ...
... lder brother of the famous Francis: but I cannot tell whether it was printed in Shakespeare's time. In that age of quotation, every classic might be picked up ...
... the observation I made in <i>Macbeth</i>: but one may remark once for all, that Shakespeare wrote for the <i>people</i>; and could not have been so absurd to br ...
... t was hardly worth the trouble of Dr. Farmer to write a long note to prove that Shakespear never read Juvenal in the original.”</para></cn> <cn><sigla>18 ...
... 1826): “By ‘the <i>satirical rogue</i>' Warbuton will have it that Shakespeare means Juvenal, and refers to a passage on old age in his tenth satir ...
... f that satire by Sir John Beaumont, but is uncertain whether it was printed in Shakespeares's time. The defects of age were, however, a common topic of moral ...
... uveval, x. 188 & c., but it is at least as probable, without attributing to Shakespeare any unusual amount of originality, that he invented this speech for ...
... ing> <para>1234 <b>the satericall rogue</b>] <sc>Jenkins </sc>(ed. 1982): "If Shakespeare had meant a reference to Juvenal, as Warburton and others suggested, ...