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Contract Context Printing 160 characters of context... Expand Context ... </sc> (§ 107): “<b>As, </b>appears to be (though it is not) used by Shakespeare for <i>as if. </i> [. . .] the ‘if' is implied in the subjunct ...
... o in [<i>Luc</i>. 467]: ‘—her heart Beating her bulk, that his hand shakes withal.' See Vol. VI. ,p. 488, n. 3. [<i>R3 </i>1.4.40 (876), where <sc>m ...
... body!</i>—‘—her heart Beating her <i>bulk</i>, that his hand shakes withal.' [<i>Luc.</i> 467].”</para></cn> <cn><sigla>1832<tab> </ta ...
... dy</i>, as some commentators have interpreted it, but <i>his breast</i>. So, in Shakespeare's ‘Lucrece,'—[and quotes].”</para> <para><sc>stau ...
403) Commentary Note for line 999:999 This is the very extacie of loue,... play for <i>madness</i>. <small>Such was the more common meaning of the word in Shakespeare's time; though it was also used for any violent working of the mind. ...
... arburton </sc>(ed. 1747): “The old quarto reads <i>coted</i>. It appears Shakespear wrote noted. <i>Quoted</i> is nonsense.” </para></cn> <cn><sig ...
... a sea of troubles,' 1714] has exercised the pens of many a critical admirer of Shakespeare; but there is another passage in the same play, which has not been s ...
... quoted </i>to be nonsense, and said it appeared, though he showed not how, that Shakespeare wrote <i>noted</i>. And Dr. Johnson, not approving of this alterati ...
... <para>“<i>Quoited </i>is undoubtedly a quaint expression, and therefore Shakespeare might with the greater propriety let it fall from the tongue of a co ...
... ed</b> <sc>Edwards</sc> (ed. 1985): "noted, observed. Q2's 'coted', a frequent Shakespearean spelling, indicates the contemporary pronunciation."</para></cn> < ...
... euvred, as at [1364], which is just about acceptable. But 'coted' is a frequent Shakespearean spelling of 'quoted', the F reading, which means 'observed' or 'ju ...
405) Commentary Note for line 1011:1011 And meant to wrack thee, but beshrow my Ielousie:... rk & Wright</sc> (ed. 1872): “a mild form of imprecation frequent in Shakespeare. See [<i>MV </i>2.6.52 (953)].”</para><hanging><sc>cln1</sc> ...
... lousie</b>] <sc>Clark & Wright</sc> (ed. 1872): “The word is used by Shakespeare in a wider sense than it is now. Compare [<i>AYL</i> 2.7.151 (1130)] ...
... s Hamlet's madness, in Scene IV. following, I take it to be only designed by <i>Shakespeare </i>in ridicule of the old pedantic mode of definitions, or quaint d ...
407) Commentary Note for line 1013:1013 To cast beyond our selues in our opinions,... c>(-1778, f.51v): “The metaphor is taken from bowling, to which exercise Shakespeare has frequent allusions.”</para> <para><b>Ed. note:</b> Neithe ...
... is due to Malone. I have no doubt that the spelling of FA might have come from Shakespeare's pen just as well as that of QB, but for the sake of consistency I ...
... r the sake of consistency I keep to the latter, which moreover leads us back to Shakespeare's lifetime, whereas the former, however conformable it is to the gen ...
... ian Dowland, the no less celebrated architect Inigo Jones and others. See Cohn, Shakespeare in Germany, p. XXIII seq. and my Biography of Shakespeare, p. 162 an ...
... and others. See Cohn, Shakespeare in Germany, p. XXIII seq. and my Biography of Shakespeare, p. 162 and 165 seq. At a later date a Danish courtier or ambassador ...
... emen of the names of Rosencrantz and Güldenstern were students at Padua in Shakespeare's time; the former in 1587-9, the latter in 1603. See Jahrbuch der D ...
... re's time; the former in 1587-9, the latter in 1603. See Jahrbuch der Deutschen Shakespeare-Gesellschaft, XIII, 155.”</para></cn> <cn><sigla>1982<tab> </ ...
409) Commentary Note for line 1021:1021 King. Welcome deere Rosencraus, and Guyldensterne,... y do, cannot be embodied in one and the same person. It is in such details that Shakespeare reveals his greatness. The creepiness, the bowing and scraping, the ...
... ere feasible. For they are not just something in society, they are society, and Shakespeare was very modest and wise to give us only two such representatives. A ...
... an Dowland, the no less celebrated architect Inigo Jones, and others. See Cohn, Shakespeare in Germany, p. xxiii, seq., and my Biography of Shakespeare, p. 162 ...
... d others. See Cohn, Shakespeare in Germany, p. xxiii, seq., and my Biography of Shakespeare, p. 162 and 175, seq. At a later date a Danish courtier or ambassado ...
... nobleman of the names of Rosencrantz and Guildenstern were students at Padua in Shakespeare's time; the former in 1587-9, the latter in 1603. See Jahrbuch der D ...
... re's time; the former in 1587-9, the latter in 1603. See Jahrbuch der Deutschen Shakespeare-Gesellschaft, xiii 155.' The form Rosencrantz is due to Malone; the ...
... 'exterior</b> . . . <b>man</b>] <sc>White</sc> (ed. 1866, 1: xix): “When Shakespeare wrote in one line of <i>macbeth</i>,— ‘Boil thou first i ...
... tinctions. . It will not do to adopt a printing-office rule in this matter; for Shakespeare used contractions and elisions more and more freely as he grew older ...
... , remained mere narratives words confined to the significance of time after.' Shakespeare, it is clear, did not observe this distinction, whether we take the ...
... ns</sc> (in IRVING & MARSHALL ed. 1890): “Ff. Have <i>Since not. </i>Shakespeare uses the <i>sith</i> and <i>since </i>indifferently. In line 12 it i ...
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