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Contract Context Printing 160 characters of context... Expand Context ... </cn> <cn> <sigla>1902<tab></tab>Reed</sigla> <hanging>Reed: claims Bacon is Shakespeare, supported by <i>Promus</i> notebooks begun Dec. 1594.</hanging> <p ...
392) Commentary Note for line 957:957 With windlesses, and with assaies of bias,... p. 226><p. 227> in Golding's Ovid, the seventh book, the book in which Shakespeare was so well read: ‘ . . . like a wily fox he runs not forth di ...
... assaies of bias</b>] <sc>Anon. </sc>(1869, pp. 47-8): <p. 47> “In Shakespeare's day, . . . <i>windlace, </i>literally a winding, was used to expr ...
... h the player does not aim at the Jack (‘or mistress,' as it was called in Shakespeare's time) directly, but in a curve, so that the bias bring the ball ro ...
393) Commentary Note for line 958:958 By indirections find directions out,... c and affected phrase, being given to Polonius, whose talk is of that kind; but Shakespeare seriously uses it for indirect or crooked moral conduct, dishonesty ...
... us strategies to approach Claudius on the bias [. . .]”; Norwegians are Shakespeare's bait: “by such pageants that detain us in false gaze he ref ...
394) Commentary Note for line 966:966 Pol. And let him ply his musique.... ll was among the indications of an interior (cp. G. H. Cowling, <i>Music on the Shakespearean Stage </i>[1915]). ” </para> </cn> <cn> <sigla>1930<tab></t ...
... para>966<tab> </tab><b>ply</b>] <sc>Hibbard</sc> (ed. 1987): "work hard at. In Shakespeare's day a gentleman was expected to be proficient in music."</para></c ...
... oet's Conduct in this Particular. To conform to the Ground-work of his Plot, <i>Shakespeare</i> makes the young Prince feign himself mad. I cannot but think thi ...
... naturally than this description she gives us: 'tis another fine instance of <i>Shakespear</i>'s excellence in the <i>Hyperbaton</i>, which the reader will reme ...
396) Commentary Note for line 974:974 Lord Hamlet with his doublet all vnbrac'd,... 16;double,' i.e. inner garment, as compared with the overcoat or outer garment. Shakespeare makes his characters (e.g. Julius Caesar) wear ‘doublets,' wha ...
... the astounding pantomime with the frightened, distracted and puzzled girl, that Shakespeare decided we should not witness, but which we can visualize thanks to ...
... tab> doublet] <sc>Thompson & Taylor </sc> (ed. 2006): “jacket. Shakespeare here as elsewhere imagines his characters as being dressed in Englis ...
397) Commentary Note for line 975:975 No hat vpon his head, his stockins fouled,... the line that comes after, which is a sort of explaining; a perpetual usage of Shakespeare's when he has brought in a word that is remov'd from the common, and ...
... s ‘Shakespeare Restored,' knew of no Quarto earlier than that of 1637 (<i>Shakespeare Restored</i>, p. 70), and it is just possible that some copy of this ...
... /sc></hanging><para>975<tab> </tab><b>No hat</b>] <sc>Hibbard</sc> (ed. 1987): "Shakespeare and his contemporaries, living in draughty houses, wore their hats i ...
398) Commentary Note for line 976:976 Vngartred, and downe gyued to his ancle,... rom thence adopted both the Verb and Substantive into their Tongues: so that <i>Shakespeare </i>could not be at a Loss for the Use of the Term.”</para></ ...
... rom thence adopted both the Verb and Substantive into their Tongues: so that <i>Shakespeare </i>could not be at a Loss for the Use of the Term.” somewhat ...
... nkins</sc> (ed. 1982): “fallen down so as to resemble gives (fetters). A Shakespearean coinage ” </para></cn> <cn><sigla>1985<tab> </tab><sc>c ...
... sc> (ed. 1987): "hanging down round his ankles like fetters – a typically Shakespearian compound coinage."</para></cn> <cn> <sigla>1988<tab></tab><sc>bev ...
... ed] <sc>Thompson & Taylor </sc> (ed. 2006): “down-gyvèd (a Shakespearean coinage)”</para></cn> <tlnrange>976</tlnrange> </book> ...
399) Commentary Note for line 984:984 Oph. He tooke me by the wrist, and held me hard,... pon Ophelia's simple nature the belief that he was mad; I cannot but think that Shakespeare meant something more than this.” Hamlet must have entertained ...
400) Commentary Note for line 986:986 And with his other hand thus ore his brow,... (1988, p. 33) quotes 986: “What you do, of course is make a sign--a sign Shakespeare required to give an idea of Ophelia's image of Hamlet's distraction. ...
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